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*This Week [June 22 - 30, 2024] in Avant Garde Cinema* To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *DEADLINES APPROACHING* **** Enter upcoming calls for entry here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b6f3d2ba9d&e=857b71a9cb> **** ___________________________________________________________________________________ *sorted by submission deadline* 06.24.2024 Sharjah Film Platform Short Film Production Grant <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=34dfa3fd7a&e=857b71a9cb> 06.28.2024 Duluth Superior Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d01d660a7a&e=857b71a9cb> (Regular Deadline) 06.30.2024 Thomas Edison Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bea4a7ff85&e=857b71a9cb> (Early Deadline) 07.07.2024 Strangloscope Experimental International Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=016a9a745f&e=857b71a9cb> (Early Deadline) 07.07.2024 FLUXUS Experimental Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=10e01ba769&e=857b71a9cb> 07.08.2024 Slamdance Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9bafaa4920&e=857b71a9cb> (Early Deadline) 07.14.2024 Cindependent Film Festival – NEW Experimental Section <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f774bc041b&e=857b71a9cb> (Early Deadline) 07.15.2024 UCROSS Residency Program <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0f307b8863&e=857b71a9cb> 07.20.2024 Archivio Aperto <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=33b5195f00&e=857b71a9cb> 07.31.2024 Viennale International Film Festival Vienna <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2d0b66fc0e&e=857b71a9cb> 08.30.2024 Light Matter Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d48bcc0b71&e=857b71a9cb> 08.31.2024 Rencontres Internationales Sciences & Cinémas (RISC) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=67c3ae70f0&e=857b71a9cb> 09.09.2024 Punto de Vista Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d8e44bbe67&e=857b71a9cb> 10.01.2024 San Diego Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a3de79355b&e=857b71a9cb> (Regular Deadline) *EVENTS* **** Enter your event announcements here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b1ce86d6b8&e=857b71a9cb> **** ___________________________________________________________________________________ *complicated sorting but a true attempt, enjoy!* This week's programs (summary): - Atlas Variations: The Moving-Image Work of Charles Atlas <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c247030b44&e=857b71a9cb> [May 8-June 27, New York, NY] - Counter Weights: Curated by Anna Kipervaser & Zack Parrinella <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ec46748932&e=857b71a9cb> [June 20-25, Chi, LVL, Bloom, C-bus, Cinci] - A Synesthete's Atlas: Cartographic Improvisations: Theise, Hartung, Davis <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b1ba66c6e6&e=857b71a9cb> [June 23, Boise, ID] - Short Films for Short Nights <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=162a4bfec6&e=857b71a9cb> [June 28-30, New York, NY] - EC: Warhol / Watson & Webber / Whitney <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4cb46f1d58&e=857b71a9cb> [June 29, New York, NY] - The Long Conversation <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d5ab861445&e=857b71a9cb> [ongoing, online] - 6x6 Project: Artists' Moving Image Works <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e886ca4bd7&e=857b71a9cb> [ongoing, online] *STARTING BEFORE SATURDAY, JUNE 22, 2024* *May 8 - June 27* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7a7d330266&e=857b71a9cb> times vary, see below, 32 Second Avenue, New York, NY *ATLAS VARIATIONS: THE MOVING-IMAGE WORK OF CHARLES ATLAS* FILMMAKER IN PERSON! Charles Atlas will be here in person for most if not all of the screenings! Anthology is overjoyed to present a major survey – throughout May and June – of the moving-image work of the one-and-only Charles Atlas. An exceptionally prolific, protean, and inventive artist, Atlas has collaborated for the past fifty years with an extraordinary array of choreographers, dancers, musicians, actors, and performance artists, and has himself occupied a crucial role at the intersection of the worlds of art, film, video, performance, dance, and installation. During the course of his career, he has pioneered the medium of videodance, documented the nightlife and performance scenes of New York City throughout the past several decades, and created some of the most inspired works of installation art in recent memory. Arguably no other single figure has contributed as substantially to so many of the most advanced and important currents in American culture since the 1970s, both as a chronicler, collaborator, and creator. Atlas’s films and videos have taken so many forms and involved so many collaborations that his moving-image career can only be conveyed through a large-scale series. Indeed, even this 10-program survey represents a partial retrospective: since Anthology focused on Atlas’s seminal collaborations with Merce Cunningham (with whom he collaborated on numerous films beginning in 1975) during our Cunningham centennial screenings in 2019, we’ve chosen to focus on Atlas’s other collaborations and solo works here. Encompassing some of his best-known works (including *THE LEGEND OF LEIGH BOWERY*, *HAIL THE NEW PURITAN*, *SUPERHONEY*, and so on), as well as more rarely-screened pieces such as the various *“MARTHA” TAPES*, his early films *MAYONNAISE*, *#1* (1972) and *NEVADA* (1974), his ad campaign for Calvin Klein, and his stereoscopic film *TESSERACT 3D* (2017), this survey demonstrates the embarrassment of riches contained within Atlas’s dizzyingly inventive and ever-morphing body of work. “Collaboration is a major aspect of Atlas’s expansive practice. He has collaborated with important figures from the worlds of dance, art, performance, music and theater, including Michael Clark, Merce Cunningham, Leigh Bowery, John Kelly, Marina Abramovic, Anohni, Yvonne Rainer, Fennesz, New Humans (Mika Tajima and Howie Chen), Karole Armitage and Bill Irwin. For Atlas, the theatricality of dance and performance is a point of inquiry into artifice, fiction and reality. After first working in film, Atlas was a pioneer of videodance, collaborating on performance works created specifically for the two-dimensional space, intimate scale and temporality of video. His groundbreaking early works…evolved from a unique collaboration with Merce Cunningham, for whose dance company he was filmmaker-in-residence from 1975 to 1983. Since then, Atlas has worked on numerous international productions for television with choreographers, artists and musicians. In these extravagantly stylized ‘documentary fictions,’ Atlas manifests his fascination with what he terms ‘narrative, psychology, dance and flights of fantasy.’ Typified by a provocative, postmodern performance sensibility and an ironic urban insouciance, Atlas’s works transform performances into vivid time capsules of contemporary culture.” –ELECTRONIC ARTS INTERMIX Co-organized and co-presented by Electronic Arts Intermix; special thanks to Rebecca Cleman & Karl McCool. Unless otherwise noted, all the individual film descriptions are from the Electronic Arts Intermix catalogue. Upcoming Screenings CHARLES ATLAS, PROGRAM 1 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4ffb92e725&e=857b71a9cb> May 8 at 7:30 PM CHARLES ATLAS, PROGRAM 2 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1f7c60e168&e=857b71a9cb> May 16 at 7:30 PM CHARLES ATLAS, PROGRAM 3 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2e4bf81af1&e=857b71a9cb> May 22 at 7:30 PM CHARLES ATLAS, PROGRAM 4 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e9bad83d51&e=857b71a9cb> May 25 at 7:30 PM CHARLES ATLAS, PROGRAM 5 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=107961938a&e=857b71a9cb> May 30 at 7:30 PM CHARLES ATLAS, PROGRAM 6 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3b6305561a&e=857b71a9cb> June 5 at 7:30 PM CHARLES ATLAS, PROGRAM 7 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ed764f9c7f&e=857b71a9cb> June 11 at 7:30 PM CHARLES ATLAS, PROGRAM 8 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=552c471801&e=857b71a9cb> June 15 at 7:30 PM CHARLES ATLAS, PROGRAM 9 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b7ca17498f&e=857b71a9cb> June 19 at 7:30 PM CHARLES ATLAS, PROGRAM 10 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=85d5bee77a&e=857b71a9cb> June 27 at 7:15 PM *___________________________________________________________________* *June 20 - 25* Venue type: *Live, physical event* Counter Weights <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4b65789b7a&e=857b71a9cb> times vary, see below, MIDWEST TOUR *Counter Weights: curated by Anna Kipervaser & Zack Parrinella* Counter Weights: a program of films by Andrew Kim, Anna Kipervaser, Cherlyn Hsing Hsin Pisaro-Liu, Daniel Kelly, Erin Espelie, Kalpana Subramanian, Sylvain Chaussée, Zack Parrinella. --- TOUR CALENDAR --- *June 20 - CHICAGO, IL <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ac79724c48&e=857b71a9cb>* - 7pm, Chicago Filmmakers, 1326 W Hollywood Ave, 60660, co-presented by Nightingale Projects, organized by Drew Durepos *June 22 - LOUISVILLE, KY <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e7293a8fc7&e=857b71a9cb>* - 6:30pm Games, 9:30pm films, Camp Social Club, rear alley entrance, 1031 S 6th St, 40203 *June 23 - BLOOMINGTON, IN <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=955e10e23a&e=857b71a9cb>* - 7pm, Red Bud Books, 408 W Kirkwood Ave, 47404 *June 24 - COLUMBUS, OH <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=58c55393f4&e=857b71a9cb>* - 7pm, Skylab Gallery, 57 E Gay St, fifth floor, 43215 *June 25 - CINCINNATI, OH <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0dea4d007a&e=857b71a9cb>* - 7pm, The Woodward Theater, 1404 Main St, 45202, co-presented by Cindependent Film Festival, organized by Jonny Shenk Counter Weights is a program dreamed up by Anna Kipervaser and Zack Parrinella, two friends and filmmakers who don't get to see each other often enough. A chance to weave a conversation through the moving image, this program is a selection of digital video and 16mm film works by artist filmmakers working today, including Zack and Anna. SEE YOU ON THE ROAD!!! *SUNDAY, JUNE 23, 2024* Venue type: *Live, physical event* MING Studios <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bba80c315a&e=857b71a9cb> Doors 6:30p, Show 7p Mountain, 420 S. 6th St, Boise, Idaho *A Synesthete’s Atlas: Cartographic Improvisations between Eric Theise, Krispen Hartung, and Aaron Davis* Real-time cartographic improvisations using projected, manipulated digital maps by Eric Theise in collaboration with Krispen Hartung guitar, and Aaron Davis, keyboard. A visual wash of street grids, land masses, water bodies, and curiosities from built and natural environments. Orphaned labels. Auditory roundabouts. Free-floating symbology. Saturated colors and the subtlest of tints. Jittery zooms, pans, and traversals. Acoustic cul-de-sacs and glitches in crowdsourced data. *A Synesthete's Atlas* has been described as truly radical cartography, as well as pre-, post-, and anti-cinema. Since its Lisbon premiere in 2022, Theise has given 30+ performances of A Synesthete's Atlas across North America, manipulating projected digital maps in collaboration with improvising musicians. He lifts strategies from experimental film, the Light and Space movement, 60's light shows, and visual poetry to pursue his interests in perceptual pleasure and fatigue, and in questioning the objectivity and authority of maps. Based in San Francisco, his animated If Map #5 looped, eight stories high, atop Salesforce Tower throughout February 2024. This performance will last ~30 minutes and will occasionally introduce strobing effects that may affect photosensitive viewers. Krispen Hartung, guitarist, producer, and founder and director of the Boise Experimental Music Festival (2008-2014), has been involved in the Boise, ID music scene for over 35 years and his most recent efforts have focused primarily on raising awareness and appreciation of experimental and improvised music in the Treasure Valley. Aaron Davis (keyboard) is an experimental luthier, tool maker, and intermediate misanthrope, Aaron Davis was classically trained on piano as a child but eventually took an interest in improvisational rock and experimental music *FRIDAY, JUNE 28, 2024* *June 28 - 30* Venue type: *Live, physical event* The Metropolitan Museum of Art <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8dbda70449&e=857b71a9cb> 6/28 @ 7pm ET, 6/29 @ 7pm ET, 6/30 @ 2pm ET 1000 Fifth Ave, New York, NY *Short Films for Short Nights* A program of film screenings with live music. With the advent of cinema came new ways of experiencing and representing modern life. Join The Met’s Leonard A. Lauder Research Center for Modern Art for a three-part series featuring dozens of experimental short films made between 1909 and 1969 that collectively delve into the creative process. "Program One, Images," explores two-dimensional surfaces through films that have been incised, painted, tinted, cut, or collaged; "Program Two, Objects," features films about sculpture and inanimate figures; and "Program Three, Collections," considers art and objects in museums, galleries, archives, and studios to think about the sites of culture cinematically. --- Program One: Images - Friday, June 28, 2024, 7pm ET --- Modern artists invented new forms of image-making, from photography, to papier-collé, to gestural painting, and these techniques influenced cinema in turn. This program explores images and their surfaces through films that have been incised, painted, tinted, cut, or collaged. It also includes films that create after-images in the retina, treating the eye itself as a surface for composition. Live music by Cecilia Lopez *Free Radicals* (1958), Len Lye, sound, 4 min. 58 sec. *Voyage à la planète Jupiter* (1909), Segundo de Chómon, silent, 8 min. 10 sec. *Form Phases #4* (1954), Robert Breer, sound, 5 min. *Mothlight* (1963), Stan Brakhage, 16mm, silent, 3 min. 25 sec. *Little Dog for Roger* (1967), Malcolm Le Grice, 1967, silent, 13 min. *A Visit to Picasso* (1950), Excerpt from Paul Haesaerts, sound, 4 min. 43 sec. *Cineblatz* (1967), Jeff Keen, sound, 2 min. *Glen Falls Sequence* (1937–46), Douglas Crockwell, silent, 8 min. *Les Astronautes* (1959), Walerian Borowczyk and Chris Marker, sound, 12 min. 39 sec. *Cinderella* (1922), Lotte Reininger, silent, 13 min. --- Program Two: Objects - Saturday, June 29, 2024, 7pm ET --- In the hands of modern artists, sculpture was loosed from its pedestal and freed from representing the human form. Filmmakers captured sculptors at work but also experimented with object-making themselves via animation. Mannequins and dolls became subjects of fascination, as directors tried to grapple with the enigmatic and disconcerting nature of inanimate figures. This program includes films that depict or contain volumetric forms. Live music by Mary Halvorson and Tomas Fujiwara *Sort of a commercial for an icebag* (1969), Michael Hugo, sound, 14 min. *Visual Variations on Noguchi *(1945-46), Marie Menken, sound, 4 min. *The Pottery Maker *(1926), Robert Flaherty, silent, 8 min. *Light of the Darkness* (1952), Dušan Marek, silent, 7 min. 4 sec. *Works of Calder* (1950), Herbert Matter, sound, 19 min. 43 sec. *The Girl with the Prefabricated Heart* (1947), Fernand Leger, sound, 4 min. (Excerpt from Dreams That Money Can Buy, Hans Richter) *Le sculpteur moderne* (1908), Segundo de Chómon, silent, 6 min. 22 sec. *Jack’s Dream* (1938), Joseph Cornell, sound, 4 min. *Angel *(1957), Joseph Cornell and Rudy Burckhardt, silent, 3 min. --- Program Three: Collections - Sunday, June 30, 2024, 2pm ET --- In the 1870s, modern art entered the museum. Filmmakers turned their lenses on these spaces, as well as on galleries, archives, collections, and studios to think about these sites of culture cinematically. This program looks at collections of art and objects, from the atelier to the cabinet of curiosity, and from library to museum. Live music by Matthew Shipp *Historia Naturae* (1967), Jan Svankmajer, sound, 8 min. 38 sec. *The Gorgon’s Head* (1925), The Metropolitan Museum of Art, silent, 16 min. *All the Memories of the World* (1957), Alain Resnais, sound, 20 min. *George Dumpson’s Place* (1965), Ed Emshwiller, 16mm, sound, 7 min. 52 sec. *Old Battersea House *(1961), Ken Russell, sound, 17 min. *The White Rose* (1965), Bruce Conner, silent, 7 min. Free with Museum admission, though advance registration is recommended. Note: Space is limited; first come, first served *SATURDAY, JUNE 29, 2024* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=652f69c812&e=857b71a9cb> 5:45pm ET, 32 Second Avenue, New York, NY *EC: WARHOL / WATSON & WEBBER / WHITNEY* Andy Warhol *EAT* (1963, 35 min, 16mm, silent) “A portrait of artist Robert Indiana, EAT is one of the classics of Warhol’s minimalist cinema. As Indiana slowly eats one mushroom, the action is rendered mysterious by Warhol’s decision to assemble the rolls out of order, so the mushroom appears to magically renew itself from time to time.” –Callie Angell James Sibley Watson & Melville Webber *FALL OF THE HOUSE OF USHER* (1928, 13 min, 16mm, silent) “Filmed in a Rochester, New York, carriage house, this expressionist film is the earliest live-action dramatic film made by a collaboration of poets and artists in the United States. Watson devised the optical effects that distinguish the film, while Webber provided its visual design, based upon medieval frescoes.” –Robert A. Haller John & James Whitney *FILM EXERCISES 1-5* (1943-45, 18 min, 16mm) “The visual images in these films were created by shining light through flexible masks, so that the camera was filming direct light rather than light reflected from drawings. The results seem like dazzling neon apparitions, that were as novel and shocking as the accompanying soundtrack.” –William Moritz James Whitney *LAPIS* (1963-66, 10 min, 16mm) “The most elaborate example of a mandala in cinema. It utilizes a field of tiny dots, symmetrically organized in hundreds of very fine concentric rings, to generate slowly changing intricate patterns…. Both structurally and visually LAPIS conforms to the circular form of the mandala; its elaborate movements belie a fundamental stasis.” –P. Adams Sitney Total running time: ca. 80 min. *___________________________________________________________________* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3825109be9&e=857b71a9cb> 7:30pm ET, 32 Second Avenue, New York, NY *FESTIVAL OF (IN)APPROPRIATION* Founded in 2009, the Festival of (In)appropriation is a preeminent international showcase for experimental, found-media film and video. Every year, the Festival attracts artists working across an astonishing array of moving-image formats while probing the limits of collage, machinima, re-mix, détournement, mash-up, and more. The raw material for their work derives from the abundant new sources of audiovisual media to have surfaced in recent decades, from official state and commercial archives to vernacular collections, home movie repositories, and digital databases of every stripe. By exploiting and refashioning these pre-existing materials, such creations generate novel juxtapositions and recombinations, often producing ideas and meanings that were unintended or unimagined by the original makers. These remarkable works, in other words, are “inappropriate” in the profoundest sense of the term. Sponsored by Los Angeles Filmforum, the Festival of (In)appropriation strives to evince the remarkable range, sophistication, and critical impact of this vital aesthetic practice. The 2023 edition – Festival #13 – is curated by Jaimie Baron, Jennifer Proctor, and Adam Sekuler. Cheryl Gelover & Tom Murray *TULIPOMANIA: YOU HAD TO BE THERE* (U.S., 2022, 4 min, digital) Sophia Haboush *HEADSPACE* (U.S., 2023, 5 min, digital) Luis Carlos Rodriguez *COLLAGE 42* (Spain, 2022, 2.5 min, digital) Bill Morrison *HER VIOLET KISS* (U.S., 2021, 5 min, digital) Krista Leigh Steinke *TIMESCRAPS: FILM THREADS AND SPROCKET HOLES* (U.S., 2023, 8 min, digital) Jean-Pierre Marchant *DATE NIGHT* (Canada, 2023, 1.5 min, digital) Michael Lyons *QUEEN OF DOTS* (Japan, 2020, 2 min, digital) Grzegorz Kielawski & Alexander Bayer *MOTOR* (Austria, 2023, 18 min, digital) Christopher Harris *DREAMS UNDER CONFINEMENT* (U.S., 2020, 2.5 min, digital) Jean-Pierre Marchant *ANOTHER SET OF JAWS* (Canada, 2023, 1 min, digital) Anna Malina Zemlianski *OilMoonNight* (Germany, 2022, 5.5 min, digital) Yasaman Baghban *HOME* (Iran, 2020, 3 min, digital) Jean-Pierre Marchant *A HEATED EXCHANGE* (Canada, 2023, 1 min, digital) Federica Foglia *SKYSCRAPER FILM* (Italy, 2023, 8 min, digital) MilleFeuille *CUPID’S FEVER* (Canada, 2021, 16 min, digital) Eugenia Bakurin *LONG TIME NO TECHNO* (Germany, 2022, 4 min, digital) Total running time: ca. 90 min *ONGOING* Venue type: *Virtual, online event* Riverwest Radio <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d176e0f7ac&e=857b71a9cb> streaming 24/7 *THE LONG CONVERSATION* THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite hold. But... all episodes from the last year and a half are streaming!!! *___________________________________________________________________* Venue type: *Virtual, online event* 6x6 Project <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7a8c270e50&e=857b71a9cb> streaming 24/7 *Artists' Moving Image Works* 6x6 project is an online artists' community that serves as a platform for disseminating artists' moving image works, and to create an ever-growing network among peers. There are now more than four hundred artists’ film and moving image works available to view on the website. ------------------------------ *Let us know about your alternative film/video event!* Enter your event announcements by going to the Flicker Weekly Listing Form <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=812c856117&e=857b71a9cb> . 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