Talking to the technician is always good advice, but the ones I use have limited abilities to test the track for results in the right context. I've had multiple tracks made, and I've found that tracks which sound satisfactory on a portable projector may sound less so in a professional exhibition space. I'm aiming to improve my results, so Sandy's resources are very helpful. Thanks all!
D On Mon, Feb 24, 2025 at 3:52 PM Scott Dorsey <[email protected]> wrote: > Talk to the man doing your optical track! Just be aware that the bandwdith > will be limited and so will the dynamic range... but you don't need to > bandlimit or crush it because he'll do that for you. You may find a little > presence boost helps overcome the distortion on cheap classroom projectors > but then again you may choose not to do that. > > Just make sure the timing is right and the 2-pop is in the right place, > and give some leadin before the 2-pop. > --scott > > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >
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