Hello Frameworks, *DOBRA – International Festival of Experimental Cinema* emerged ten years ago as a gathering of friends who shared their passion for experimental film. Throughout its trajectory, the festival has established itself as a vibrant space in Brazil, presenting screenings, performances, debates, workshops, and other initiatives that push the boundaries of cinema.
Together with the festival’s founders, Cristiana Miranda and Lucas Murari, eight curators were invited this year to conceive a special edition dedicated to Brazilian cinema: Ж, Carlos Adriano, Janaína Oliveira, Kátia Maciel, Liciane Mamede, Sávio Leite, Tetsuya Maruyma, and yann beauvais. In total, 75 works spanning different generations will be shown, organized into 10 curatorial programs that chart multiple and open-ended paths. The festival will feature analog projections in formats such as Super-8, 16mm, and 35mm, in addition to digital screenings. Below is the program, which will take place entirely at *CCBB Rio de Janeiro *from *December 3 to 7*, 2025, and is free of charge. Additional information can be found on Dobra’s Instagram: https://www.instagram.com/dobrafestival/ All the best, Lucas Murari, Dobra’s curator “*Great Stones Watching the Sea: Rio de Janeiro as an Expanded Territory of Invention*” - Curated by Cristiana Miranda and Lucas Murari: *Copacabana Beach* (1983) - Vivian Ostrovsky *Ângela Noite* (1981) - Roberto Moura *Erosão *(2014)* - *Victor Galvão * SuperRio Superficções* (2016) - Guerreiro do Divino Amor *Kopacabana* (2019) - Marcos Bonisson e Khalil Charif *Ameno* (2020)* -* Coletivo BaixadaCine *Onde você está, Teresa Villaverde? *(2019)* - *Teresa Villaverde “*Animate the World — experimentation, training, and collective momentum*” - Curated by Cristiana Miranda and Lucas Murari: *Animando* (1983) - Marcos Magalhães *Planeta Terra* (1986) - Direção Coletiva *Noturno (1986) - *Aída Queiroz *Instinto Animal (1986) - *Léa Zagury *Evoluz (1986) - *José Rodrigues Neto *Estrela de Oito Pontas (1996) - Fernando Diniz* “*Between the Film Strip and the Pixel, the Body Persists*” - Curated by Sávio Leite: *O Átomo Brincalhão* (1961) - Roberto Miller *Toques* (1975) - Jomard Muniz de Britto *Céu Sobre Água* (1978) - José Agripino de Paula e Maria Esther Stockler *A Situação *(1978) - Geraldo Anhaia Mello *Garoto Transcodificado A Partir de Fosfeno *(2017-2018)* - *Rodrigo Faustini *Cuando tengo comida em mis manos *(2012)* - P*aulo Nazareth. *Pátio *(1959) - Glauber Rocha *Marca Registrada* (1975) - Letícia Parente *Trovoada *(1995)* - Carlos Nader* “*Skin Scribed — Contemporary Brazilian Films Hand-Processed*” - by Tetsuya Maruyama: *Wild Flower *(2025)* - *Moira Lacowicz *Corpo de Água/Fluxo Confinado *(2022)* - *Helder Martinovsky *Considere *(2024)* - *Ж *Lembrarei de Lucy *(2022) *- *Maria Mion *Traços sobre a noite *(2025)* - *Cristiana Miranda *Bleach Farm *(2023)* - *Lígia Teixeira, Francisco Benvenuto *Typefilm an Armory Show *(2022)* -* João Reynaldo *Walden Street *(2025) *- *Duo Strangloscope *Sem título (três luas) *(2024)* - *Tetsuya Maruyama “*After the Fireflies: Ecological Thought in Four Contemporary Brazilian Films*” - Curated by Ж: *Do Caldeirão da Santa Cruz do Deserto *(2025)* - *Weyna Macedo, Lucas Parente, Adeciany Castro e Mariana Smith *Cemitério Verde *(2023) - Mauricio Chade *Naquele tempo todos eram gente *(2016)* - *Aline Baiana *Memby *(2020)* - *Rafael Castanheira Parrode "*Water Crossings, routes for the Black Brazilian Cinemas*" - Curated by Janaína Oliveira: *Alma no Olho* (1973) - Zózimo Bulbul *NoirBlue, Displacents of a dance* (2018) - Ana Pi *Se o mar tivesse varandas* (2017) - Aline Motta *Mal di Mare* (2021) - João Vieira Torres *Mar de Dentro* (2024) - Lia Letícia *Naufraga* (2018) - Juh Almeida *Blackness = Time ÷ Media = ∞* (2021) - Márcio Cruz “*When the Sea — cinema and poetry*” - Curated by Kátia Maciel: *ULTRA-KINEMA-RINO *(2025) - Vicente de Mello *Carta à Flora (ou filme azul) *(2021)* - *Anna Costa e Silva *Suite belle-île, Pranayama* (2007) - João Modé *Suite belle-île, Nuca* (2007) - João Modé *Arpoador* (2014) - Ana Costa Ribeiro *Oda a Marx *(2005)* -* André Vallias *Sem título #2 La Mer Larme *(2009)* - *Carlos Adriano “*Experimental Archive Reappropriation Cinema in Brazil: An (Im)possible Constellated Poetics (1897 / 2024)*” - Curated by Carlos Adriano: *[Sem Título]* (1897), de Cunha Salles *Poema* (1987), de Paulo Bruscky *You Don’t Know Me* (2014), de Katia Maciel *A Miss e o Dinossauro: Bastidores da Belair* (2005), de Helena Ignez *Mar de Fogo* (2014), de Joel Pizzini *Complemento Nacional* (1978), de Arlindo Machado *Circuladô* (2007), de André Parente *Ano Passado em Marinmaraisbad* (2020), de André Vallias *Mítia* (2007), de Carlos Nader *Ideograma* (2024), de Julio Bressane e Rodrigo Lima *Já Visto Jamais Visto (Trailer)* (2013), de Andrea Tonacci e Cristina Amaral “*Memory and Ancestry: A View on Brazilian Women’s Cinema*” - Curated by Liciane Mamede: *Cidadão Jatobá *(1987)* - *Maria Luiza Aboim *A Mão do Povo *(1975)* - *Lygia Pape *Memória Goitacá *(1976)* - *Eloísa de Mattos e Paulo Sérgio Pestana *Quebrante *(2024)* - *Janaína Wagner *Yaõkwa - Imagem e Memória *(2020)* - *Rita Carelli e Vincent Carelli *Aguyjevete, avaxi’i *(2023)* - *Kerexu Martim “*Coming Out Gay, Lesbian, Trans — and Drifting Through Brazilian Cinema*” - Curated by yann beauvais: *Amizades Particulares* (2020), de Laira Tenca *Baltazar da Lomba* (1982), do Grupo Nós Também *Sair do Armário* (2018), de Marina Pontes *O Banho* (2012), de João Vieira Torres *Bicha Bomba* (2019), de Renan de Cillo *Prelúdio de Uma Morte Anunciada* (1991), de Rafael França *Eu quero um boy* (2014), de Leona *O nascimento de Urana remix* (2020), de Jota Mombaça *Madame Bayeux: outra paixão nacional* (1995), de Jomard Muniz de Britto
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