sixpackfilm presents BREAKING GROUND 60 Years of Austrian Experimental Cinema / 10 film & video programs curated by Brent Klinkum UCLA Cinema + LA Filmforum, starting with August 17th (http://www.cinema.ucla.edu/calendar / http://www.lafilmforum.org) NY Antholgy Film Archive, starting with September 7th (http://anthologyfilmarchives.org/) The programs in this series have been constructed from avant-garde films and videos produced between 1955 and 2010 in which virtually every technique and genre imaginable is employed, from formalist and structuralist works to radical work by performance-based artists. Works already considered canonical are supplemented by others that introduce boundary-breaking experiments with sonic art and digital technology. Moving between historical, social and aesthetic questions and purely formal works that wreak havoc with the retina, this panoramic selection is an attempt to define a poetic edge within a vast array of production while underlining links and relationships between several generations of artists, (re)discovering new ways of entering into the “material” and the frame, and examining the mechanics of cinema. (B. K.) ACTION! – 73 min Film Is. 1 – movement and time (Gustav Deutsch, 2002 / 16mm / b&w / 15 min) Schönberg (Gerhard Ertl,1990 / 16mm / b&w / 3 min) Yes? Oui? Ya? (Thomas Draschan, 2002 / 16mm / colour / 4 min) Mirror Mechanics (Siegfried A. Fruhauf, 2005 / 35mm / b&w / 7 min) Subrosa (Karoe Goldt, 2004 / video / colour / 3 min) Arnulf Rainer (Peter Kubelka, 1960 / 35mm / 6 min) Birth of Venus (Moucle Blackout, 1970-72 / 35mm / b&w / 5 min) Sunset Boulevard (Thomas Korschil, 1991 / 16mm / colour / silent / 8 min) Wisla (Josef Dabernig, 1996 / 16mm / b&w / 8 min) Body Politics (VALIE EXPORT, 1974 / video / b&w / silent / 3 min) Instructions for a Light and Sound Machine (Peter Tscherkassky, 2005 / 35mm cs / b&w / 17 min) DAILY BUSINESS – 68 min Hernals (Hans Scheugl, 1967 / 16mm / colour / 11 min) Byketrouble (Carola Dertnig, 1998 / video / colour / 5 min) pièce touchée (Martin Arnold, 1989 / 16mm / b&w / 16 min) Nach “pièce touchée” (Albert Sackl, 1998 / 16mm / b&w / silent / 9 min) Hotel Roccalba (Josef Dabernig, 2008 / 35mm / b&w / 10 min) Bodybuilding (Ernst Schmidt Jr., 1965-66 / 16mm / colour / 9 min) Livingroom (Sabine Hiebler & Gerhard Ertl, 1991 / 16mm / colour / 5 min) Danke, es hat mich sehr gefreut (Mara Mattuschka, 1987 / 16mm / b&w / 2 min) CONCRETE FORMS – 90 min quadro (Lotte Schreiber, 2002 / video / b&w / 10 min) Besenbahn (Dietmar Offenhuber, 2001 / video / colour / 10 min) Humanic Spots – Cubes 1 (Axel Corti, 1971 / video / colour / 00:30 min) John Lautner – The Desert Hot Springs Motel, (Sasha Pirker, 2007 / colour / 10 min) Void.Seqz 5 (n:ja Anna Rautgasser, 2009 / video / 5 min) Humanic Spots – Cubes 2 (Axel Corti, 1971 / video / colour / 00:30 min) Hyperbulie (VALIE EXPORT, 1973 / video / b&w / 7 min) Random (Marc Adrian, 1963 / 16mm / b&w / 5 min) Chronomops (Tina Frank, 2004 / video / colour / 2 min) Humanic Spots – Cubes Again (Axel Corti, 1973 / video / colour / 00:30 min) The_future_of_human_containment (Michaela Schwentner, 2002 / 35mm / b&w / 5 min) Sea Concrete Human (Malfunctions #1) (Michael Palm, 2001 / 35mm / colour, b&w / 29 min) Machination 84 (lia, 2010 / video / colour / 5 min) FROM A TO Z AND BACK - 71 min L’Arrivée (Peter Tscherkassky, 1997-98 / 35mm cs / b&w / 2 min) Luukkaankangas – updated, revisited (Dariusz Kowalski, 2005 / video / colour / 7 min) mir mig men (Karoe Goldt, 2002 / video / colour / 5 min) Perfekt 2 - Tacoma (Dietmar Brehm, 1982 / 16mm / b&w / 12 min) Film – An Exercise in Illusions II (Lisl Ponger, 1983 / 35mm / colour / silent / 4 min) Adjunct Dislocations (VALIE EXPORT, 1973 / video / b&w / 10 min) 15/67 TV (Kurt Kren, 1967 / 16mm / b&w / silent / 4 min) Alpine Passage (Michaela Schwentner, 2006 / video / colour / 8 min) Vertigo Rush (Johann Lurf, 2007 / 35mm / colour / 19 min) CINEMA REVISITED - 81 min Alone. Life Wastes Andy Hardy (Martin Arnold, 1998 / 16mm / b&w / 15 min) Borgate (Lotte Schreiber, 2008 / video / colour, b&w / 15 min) Outer Space (Peter Tscherkassky, 1999 / 35mm cs / b&w / 10 min) Film is. 7 – Comic (Gustav Deutsch, 2002 / 35mm / colour, b&w / 19 min) MOSAIK MÈCANIQUE (Notes on Film 03) (Norbert Pfaffenbichler, 2008 / 35mm cs / b&w / 9 min) Picture Again (Linda Christanell, 2003 / 16mm / colour / silent / 10 min) The quick brown fox jumps over the lazy dog (Johann Lurf, 2009 / 35mm / colour / 3 min) PASSING TIME – 79 min NS Trilogie Part II: Feeling Kazet (Linda Christanell, 1997 / 16mm on video / 14 min) NightStill (Elke Groen, 2007 / 35mm / colour / 9 min) Art & Revolution (Ernst Schmidt Jr., 1968 / 16mm / b&w, colour / silent / 2 min) 55/95 (Gustav Deutsch, 1994 / 16mm / b&w / 1 min) A Third Reich (Alfred Kaiser, 1975 / 16mm / b&w / 29 min) Tito-Material (Elke Groen, 1998 / 16mm / colour / 5 min) cityscapes (Michaela Grill & Martin Siewert, 2007 / 35mm / b&w /16 min) 20/68 Schatzi (Kurt Kren, 1968 / 16mm / b&w / silent / 2:30 min) VISITING OUR NEIGHBOURS – 100 min On those Evenings (Herbert Vesely, 1952 / 35mm / b&w / 23 min) Pool (Dietmar Brehm, 1990 / 16mm / colour / silent / 4 min) Sun Stop! (Ferry Radax, 1959-60 / 35mm / b&w / 25 min) Key West (Thomas Aigelsreiter, 2002 / video / b&w / 5 min) Film Is. 9 – Conquest (Gustav Deutsch, 2002 / 35mm / b&w / 18 min) Passages (Lisl Ponger, 1996 / 35mm / colour / 11 min) Our Trip to Africa (Peter Kubelka, 1961-66 / 16mm / colour / 12:30 min) WHOSE REALITY? – 73 min 6/64 Mama und Papa (Kurt Kren, 1964 / 16mm / colour / silent / 4 min) Body Trail (Michael Palm, Willi Dorner, 2008 / video / b&w / 8 min) Forst (Ascan Breuer, Ursula Hansbauer, Wolfgang Konrad, 2005 / video / colour / 50 min) Somewhere, late afternoon (Ella Raidel, Hongjohn Lin, 2007 / video / colour / 11 min) IN AWE – 90 min Exposed (Siegfried A. Fruhauf, 2001 / 16mm / b&w / 9 min) Adebar (Peter Kubelka, 1957 / 35mm / colour / 1 min) Schwechater (Peter Kubelka, 1957-58 / 35mm / colour / 1 min) Iris (Maria Lassnig, 1971 / 16mm / 10 min) Le Barometre (Friedl vom Gröller, 2001 / 35mm / b&w / silent / 3 min) Famous Viennese Women naked: The History of the Pin-Up (Ernst Schmidt, Jr., 1983 / 16mm / colour / silent / 9 min) TV + VT Works (Peter Weibel, 1969-72 / video / b&w / 17.30 min) Close Your Eyes (Billy Roisz, 2009 / video / colour / 13 min) Mann & Frau & Animal (VALIE EXPORT, 1970-73 / 16mm / colour / 10 min) 22/69 Happy End (Kurt Kren, 1969 / 16mm / b&w / silent / 4 min) HERE’S LOOKING AT YOU – 73 min Neon (Nik Thoenen & Timo Novotny, 2003 / video / colour / 5 min) Legal Errorist (Mara Mattuschka & Chris Haring, 2005 / video / b&w / 15 min) Spitting (Friedl vom Gröller, 2000 / 35mm / b&w / silent / 2 min) The Ballad of Maria Lassnig (Maria Lassnig & Hubert Sielecki, 1992 / 35mm / colour / 8 min) Pullover (Günter Brus, 1967 / 16mm / b&w / silent / 3 min) 8/64 Ana – Aktion Brus (Kurt Kren, 1964 / 16mm / b&w / silent / 3 min) November (Hito Steyerl, 2004 / video / colour, b&w / 25 min) Copy Shop {Virgil Widrich, 2001 / 35 mm / b&w / 12 min) More about BREAKING GROUND at: www.sixpackfilm.com <http://www.sixpackfilm.com> book release: „Film Unframed: A History of Austrian Avant-Garde Cinema “ (ed.: Peter Tscherkassky) available at amazon: http://www.amazon.com/Film-Unframed-History-Austrian-Avant-Garde/dp/39016444 23/ref=sr_1_1?s=books&ie=UTF8&qid=1343996050&sr=1-1&keywords=film+unframed
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