Well what is your exhibition strategy? Festivals? Galleries? YouTube? Touring 
the country with a hand cranked projector? If your body of work is all film 
finishes then you could argue for that as part of your artistic practice. 

Everyone loves a film print but its quite a luxury. Small festivals 
can't project them, and there is the additional cost of shipping prints.
 Unless you're famous enough that people show your work sight unseen, you'll 
need an HD copy for distributing screeners on DVD/Blue Ray or via the internet. 
Review your past screenings and see what type of formats those places are 
accepting today. 

If you have the budget I would get a 16mm finish and scan that to HD. Because 
of the huge size of 35mm projectors and the fact most are getting scrapped in 
the HD conversion I think 16mm prints will have a longer practical life because 
the projectors are small and affordable. At the very least you could project 
16mm in your own living room! Or at least that is what I tell myself to justify 
the 16mm prints collecting dust in my closet.

John Woods





________________________________
 From: ev petrol <epetr...@yahoo.com>
To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> 
Sent: Monday, September 3, 2012 8:15:09 AM
Subject: [Frameworks] finishing on 35mm vs 16mm vs HD?
 

hey folks
applying for a grant that asks for an exhibition strategy; I'd thought of 
budgeting to finish on 35mm but they suggested that might limit the exhibition 
potential of the film ... have a feeling that might apply to 16mm as well & 
maybe I should budget to finish on HD (sigh) if I want to convince them to 
cough up

what do you think? 
cheers moira

 
moiratierney.net
vimeo.com/moiratierney

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