Hi Scott, Thank you for the great insights and I am now convinced that the 16mm film out is the way to go. Yes, Cinebyte was on my list but I was initially leery of approaching them. But your specifics regarding "...unattended transfer to color intermediate negative > and then a one-light print.." is the way to go and I will "haggle" > accordingly.
Are you familiar with any of the staff? Regards, Nicholas On Sun, Dec 2, 2012 at 1:42 PM, Scott Dorsey <klu...@panix.com> wrote: > You will actually find the filmout to 16mm will look better than a filmout > to the same super-8 stock will, regardless of the originating format. In > fact, you will find that a filmout to 35mm might even look better and not > cost all that much more. > > In Canada, I think Cinebyte has an Arrilaser machine. You may find some > folks with the older one-line CRT systems which, if properly maintained, > can actually look very good. However, the speed of the Arrilaser means > a lot of companies are willing to do small jobs very cheaply just to keep > the machines running. > > Since all you need is an unattended transfer to color intermediate negative > and then a one-light print, you can probably do some dickering on a small job. > --scott > > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
