Here's a forthcoming book on avant garde cinema, out in hardback in November, and paperback a year later
David Andrews, Theorizing Art Cinemas; Foreign, Cult, Avant-Garde, and Beyond (Austin: U of Texas Press) Previous versions of the book's chapters have appeared in Film International, Scope, Jump Cut, and the Oxford anthologyGlobal Art Cinema. Table of Contents Preface Acknowledgments Introduction: Correcting Art Cinema’s Partial Vision Part One: Art, Auteurism, and the World Chapter One. Art as Genre as Canon: Defining “Art Cinema” Chapter Two. No Start, No End: Auteurism and the Auteur Theory Chapter Three. From “Foreign Films” to “World Cinema” Part Two: Formats and Fetishes Chapter Four. Recovery and Legitimation in the Traditional Art Film Chapter Five. Losing the Asterisk: A Theory of Cult-Art Cinema Chapter Six. Revisiting “The Two Avant-Gardes” Chapter Seven. Sucking the Mainstream: A Theory of Mainstream Art Cinema Part Three: Institutions and Distributions Chapter Eight. Re-integrating Stardom ( . . . or Technology or Reception or . . . ) Chapter Nine. Art Cinema as Institution, Redux: Art Houses, Film Festivals, and Film Studies Chapter Ten. Art Cinema, the Distribution Theory Epilogue. Beyond, Before Cinephilia Notes Filmography Bibliography Index https://utpress.utexas.edu/index.php/books/andthe Chuck Kleinhans chuck...@northwestern.edu _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
