"Fear of Blushing" by Jennifer Reeves
On Tue, Oct 8, 2013 at 11:48 AM, Chuck Kleinhans <[email protected]>wrote: > > On Oct 8, 2013, at 11:26 AM, Steve Polta wrote: > > > *Seeking the Monkey* *King* by Ken Jacobs is entirely abstract visually > but uses textual intertitles to specifically comment on capitalism, the > current economy, the Occupy movement, etc. > > > > I agree this is a particularly apt example. > > While not quite so visually abstract, for some earlier theoretical > discussions of the political aspects of (relatively) abstract (or > minimalist) film, you could look at Peter Gidal's edited collection of > essays on what he called Structural/Material film (most polemically in his > own films and writings; the others discussed are sort of roped in, IMHO). > And preceding that, Noel Burch's book, Theory of Film Practice, has lots > of interesting insights into work emerging especially in the 1960s, reading > both politics and form in challenging ways. > > > Chuck Kleinhans > [email protected] > > > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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