Thank you everyone for these suggestions, lots of good works to follow on, thanks again for sharing.
Kelly On Tue, Oct 8, 2013 at 3:59 PM, Kate Dollenmayer <[email protected]>wrote: > "Fear of Blushing" by Jennifer Reeves > > > On Tue, Oct 8, 2013 at 11:48 AM, Chuck Kleinhans < > [email protected]> wrote: > >> >> On Oct 8, 2013, at 11:26 AM, Steve Polta wrote: >> >> >> *Seeking the Monkey* *King* by Ken Jacobs is entirely abstract visually >> but uses textual intertitles to specifically comment on capitalism, the >> current economy, the Occupy movement, etc. >> >> >> >> I agree this is a particularly apt example. >> >> While not quite so visually abstract, for some earlier theoretical >> discussions of the political aspects of (relatively) abstract (or >> minimalist) film, you could look at Peter Gidal's edited collection of >> essays on what he called Structural/Material film (most polemically in his >> own films and writings; the others discussed are sort of roped in, IMHO). >> And preceding that, Noel Burch's book, Theory of Film Practice, has lots >> of interesting insights into work emerging especially in the 1960s, reading >> both politics and form in challenging ways. >> >> >> Chuck Kleinhans >> [email protected] >> >> >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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