My short They Look Right Through You uses interviews to talk about human-pet 
relationships:
https://vimeo.com/58307563

Enjoy!
Tess Martin

> From: [email protected]
> Subject: FrameWorks Digest, Vol 41, Issue 32
> To: [email protected]
> Date: Mon, 28 Oct 2013 12:01:44 +0000
> 
> Send FrameWorks mailing list submissions to
>       [email protected]
> 
> To subscribe or unsubscribe via the World Wide Web, visit
>       https://mailman-mail5.webfaction.com/listinfo/frameworks
> or, via email, send a message with subject or body 'help' to
>       [email protected]
> 
> You can reach the person managing the list at
>       [email protected]
> 
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of FrameWorks digest..."
> 
> 
> Today's Topics:
> 
>    1. Please unsubscribe me (Philip Brubaker)
>    2. These 4 Cameras (Ken Paul Rosenthal)
>    3. REDUX: These 4 Cameras (Ken Paul Rosenthal)
>    4.  Animated Conversations (Benjamin Popp)
>    5. Re: Animated Conversations (Fiona Trigg)
>    6. Re: Animated Conversations (Kelly Gallagher)
>    7. Experiments in Cinema deadline quickly approaching!
>       (Bryan Konefsky)
>    8. A doctor  T Halloween (Emile Tobenfeld (a.k.a Dr. T))
> 
> 
> ----------------------------------------------------------------------
> 
> Message: 1
> Date: Sun, 27 Oct 2013 11:47:31 -0400
> From: Philip Brubaker <[email protected]>
> To: "[email protected]" <[email protected]>
> Subject: [Frameworks] Please unsubscribe me
> Message-ID: <[email protected]>
> Content-Type: text/plain;     charset=us-ascii
> 
> Thank you
> 
> Sent from my iPhone
> 
> 
> ------------------------------
> 
> Message: 2
> Date: Sun, 27 Oct 2013 09:04:17 -0700
> From: Ken Paul Rosenthal <[email protected]>
> To: Frameworks Postings <[email protected]>
> Subject: [Frameworks] These 4 Cameras
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> I've narrowed my search for a prosumer video camera down to the following 
> four. I'd appreciate any and all feedback. My primary criteria is for the 
> image to be as 'cinema-like' as possible. I'm not interested in DSLR(!), and 
> understand that there are more expensive digital cinema cameras, but these 
> four fall within my price range:
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> Panasonic AG-AC160A 
> $4,859
> 
> 
> http://www.panasonic.com/business/provideo/AG-AC160A.asp
> 
>  
> 
> 
> Panasonic AG-AC130A  
> $3,680
> 
> 
> http://www.panasonic.com/business/provideo/AG-AC130A.asp
> 
>  
> 
> 
> Canon XF 105   $3000
> 
> 
> http://www.usa.canon.com/cusa/professional/products/professional_cameras/hd_video_cameras/xf105
> 
>  
> 
> 
> Canon XF 100   $2500
> 
> 
> http://www.usa.canon.com/cusa/professional/products/professional_cameras/hd_video_cameras/xf100
> 
> 
> 
> Thank, Ken
> www.maddancementalhealthfilmtrilogy.com
> www.kenpaulrosenthal.com                                                      
>                           
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> ------------------------------
> 
> Message: 3
> Date: Sun, 27 Oct 2013 09:11:33 -0700
> From: Ken Paul Rosenthal <[email protected]>
> To: Frameworks Postings <[email protected]>
> Subject: [Frameworks] REDUX: These 4 Cameras
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> Please ignore the prior list. Here's the correct one:
> 
> Panasonic AG-AC160A 
> $4,859
> 
> 
> http://www.panasonic.com/business/provideo/AG-AC160A.asp
> 
>  
> 
> 
> Panasonic AG-AC130A  
> $3,680
> 
> 
> http://www.panasonic.com/business/provideo/AG-AC130A.asp
> 
> 
> 
> Canon XF 300   $5000
> http://www.usa.canon.com/cusa/professional/products/professional_cameras/hd_video_cameras/xf300
>  
> 
> 
> 
> Canon XF 105   $3000
> 
> 
> http://www.usa.canon.com/cusa/professional/products/professional_cameras/hd_video_cameras/xf105
> 
>  
> 
> 
> 
> Thank, Ken
> www.maddancementalhealthfilmtrilogy.com
> www.kenpaulrosenthal.com                                                      
>                                                                   
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> ------------------------------
> 
> Message: 4
> Date: Sun, 27 Oct 2013 09:39:08 -0700
> From: Benjamin Popp <[email protected]>
> To: [email protected]
> Subject: [Frameworks]  Animated Conversations
> Message-ID:
>       <CAABsJEy5fEDwzk=bjmpbwsmygl-h64nj-jraxqleaun3vhc...@mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> Jodie Mack's "Lilly"
> 
> "Snack and Drink"  by Bob Sabiston and Tommy Pallotta
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> ------------------------------
> 
> Message: 5
> Date: Mon, 28 Oct 2013 10:05:41 +1100
> From: Fiona Trigg <[email protected]>
> To: Experimental Film Discussion List <[email protected]>
> Subject: Re: [Frameworks] Animated Conversations
> Message-ID:
>       <e0170753abb397419d34bd72a7961bf8466a85f...@fsqmail.corp.acmi.net.au>
> Content-Type: text/plain; charset="utf-8"
> 
> The First Interview, by Denis Tupicoff
> 
> 
> http://www.clermont-filmfest.com/index.php?m=205&c=3&id_film=200017972&o
> 
> Fiona Trigg
> Curator
> Australian Centre for the Moving Image
> Federation Square, Melbourne
> www.acmi.net.au
> [direct phone] 61 3 8663 2374 [fax] 61 3 8663 2498 [email] 
> [email protected]
> [street address] Federation Square, Flinders Street, Melbourne
> [postal address] PO Box 14, Flinders Lane VIC 8009, Australia
> 
> 
> [cid:[email protected]]<http://www.facebook.com/acmionline>   
> [cid:[email protected]] <https://twitter.com/ACMI>    
> [cid:[email protected]] <http://www.acmi.net.au/subscribe>
> 
> [cid:[email protected]]<http://www.acmi.net.au/spectacle.aspx>
> 
> [cid:[email protected]]
> From: FrameWorks [mailto:[email protected]] On Behalf Of 
> Jon Dieringer
> Sent: Sunday, 27 October 2013 8:13 AM
> To: Experimental Film Discussion List
> Subject: [Frameworks] Animated Conversations
> 
> Hi Frameworks Members
> 
> As research for an article I am writing, I'm curious to learn more of films 
> that might take the form of "animated conversations" -- audio interviews 
> rendered visually by animation -- or perhaps more broadly animated or collage 
> works based on extant audio of speech (whether found or deliberately 
> recorded).
> 
> Thank you for giving it your consideration!
> 
> Warm regards,
> Jon
> 
> --
> SCREEN SLATE<http://www.screenslate.com/> / Publisher-Editor / Independent, 
> Repertory & Gallery Screening Listings
> SPECTACLE<http://www.screenslate.com/> / Programmer / A community screening 
> space in Williamsburg, Brooklyn
> 330.265.3875 / [email protected]<mailto:[email protected]> / 
> follow screen slate on facebook<http://www.facebook.com/screenslate> & 
> twitter<http://twitter.com/#!/screenslate>
> 
> This email and any attachments may be confidential and contain copyright or 
> privileged material. If you are not the intended recipient of this email you 
> must not copy, disclose, distribute, store or otherwise use this material 
> without permission. Additionally, please notify the sender immediately and 
> destroy all copies of this email and any attachments.  Any personal 
> information in this email must be handled in accordance with the Information 
> Privacy Act 2000 (Vic) and applicable laws. Any views expressed in this 
> message are those of the individual sender and unless specifically stated may 
> not be the views of the Australian Centre for the Moving Image (ACMI). The 
> above email message does not represent a legally binding agreement on behalf 
> of ACMI. ACMI does not accept liability in connection with computer viruses, 
> data corruption, delay, interruption, unauthorised access or use.
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> 
> ------------------------------
> 
> Message: 6
> Date: Sun, 27 Oct 2013 19:47:10 -0500
> From: Kelly Gallagher <[email protected]>
> To: Experimental Film Discussion List <[email protected]>
> Subject: Re: [Frameworks] Animated Conversations
> Message-ID:
>       <CAB1wftburmLgxgR_1uwrc+KPMkZNuuVNidw6hfwTsgiwJv6=p...@mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> my short 'pearl pistols' about Queen Mother Moore-
> https://vimeo.com/60050624
> 
> 
> 
> On Sun, Oct 27, 2013 at 6:05 PM, Fiona Trigg <[email protected]>wrote:
> 
> >   The First Interview, by Denis Tupicoff****
> >
> > ** **
> >
> > ** **
> >
> > http://www.clermont-filmfest.com/index.php?m=205&c=3&id_film=200017972&o**
> > **
> >
> > ** **
> >
> > *Fiona Trigg*
> > *Curator*
> > *Australian Centre for the Moving Image*
> > Federation Square, Melbourne
> > www.acmi.net.au ****
> >
> > [direct phone] 61 3 8663 2374 [fax] 61 3 8663 2498 [email]*
> > [email protected]*
> > [street address] Federation Square, Flinders Street, Melbourne
> > [postal address] PO Box 14, Flinders Lane VIC 8009, Australia ****
> >
> > ** **
> >
> > [image: ACMI Facebook] <http://www.facebook.com/acmionline>   [image:
> > ACMI twitter] <https://twitter.com/ACMI>   [image: ACMI 
> > e-news]<http://www.acmi.net.au/subscribe>
> >
> > [image: Spectacle: The Music Video Exhibition. 26 September 2013 - 23
> > February 2014. Open Daily.] <http://www.acmi.net.au/spectacle.aspx>
> >
> > [image: Please consider the environment before printing this email]
> >
> > *From:* FrameWorks [mailto:[email protected]] *On
> > Behalf Of *Jon Dieringer
> > *Sent:* Sunday, 27 October 2013 8:13 AM
> >
> > *To:* Experimental Film Discussion List
> > *Subject:* [Frameworks] Animated Conversations****
> >
> >  ** **
> >
> > Hi Frameworks Members****
> >
> > ** **
> >
> > As research for an article I am writing, I'm curious to learn more of
> > films that might take the form of "animated conversations" -- audio
> > interviews rendered visually by animation -- or perhaps more broadly
> > animated or collage works based on extant audio of speech (whether found or
> > deliberately recorded).****
> >
> > ** **
> >
> > Thank you for giving it your consideration!****
> >
> > ** **
> >
> > Warm regards,****
> >
> > Jon****
> >
> > ** **
> >
> > -- ****
> >
> > *SCREEN SLATE <http://www.screenslate.com/>* / Publisher-Editor /
> > Independent, Repertory & Gallery Screening Listings****
> >
> > *SPECTACLE <http://www.screenslate.com/>* / Programmer / A community
> > screening space in Williamsburg, Brooklyn****
> >
> > 330.265.3875 / [email protected] / follow *screen slate* on *
> > facebook <http://www.facebook.com/screenslate>* & 
> > *twitter<http://twitter.com/#!/screenslate>
> > *****
> >
> > This email and any attachments may be confidential and contain copyright
> > or privileged material. If you are not the intended recipient of this email
> > you must not copy, disclose, distribute, store or otherwise use this
> > material without permission. Additionally, please notify the sender
> > immediately and destroy all copies of this email and any attachments.  Any
> > personal information in this email must be handled in accordance with the
> > *Information Privacy Act 2000* (Vic) and applicable laws. Any views
> > expressed in this message are those of the individual sender and unless
> > specifically stated may not be the views of the *Australian Centre for
> > the Moving Image (**ACMI)*. The above email message does not represent
> > a legally binding agreement on behalf of ACMI. *ACMI* does not accept
> > liability in connection with computer viruses, data corruption, delay,
> > interruption, unauthorised access or use.
> >
> > _______________________________________________
> > FrameWorks mailing list
> > [email protected]
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
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> 
> ------------------------------
> 
> Message: 7
> Date: Sun, 27 Oct 2013 19:22:03 -0600
> From: Bryan Konefsky <[email protected]>
> To: Experimental Film Discussion List <[email protected]>
> Subject: [Frameworks] Experiments in Cinema deadline quickly
>       approaching!
> Message-ID:
>       <cajx9ddx+-zgneb0bzq6o2gndnku8smt2wabl9vanfafh3qy...@mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> Hi all - just a last reminder that Experiments in Cinema will close its
> call for submissions on November 1 (postmark deadline and online submission
> deadline) - we've gotten some fantastic submissions so far and would love
> to see yours!
> 
> www.experimentsincinema.com (go there for the online submission form)
> 
> all the best,
> 
> Bryan Konefsky
> director, Experiments in Cinema
> 
> Great art has always gone to the masses, to their hopes and dreams, for
> that spark that kindled their souls. The rest, "the many, all too many" as
> Nietzsche called mediocrity, have been mere commodities that can be bought
> with money, cheap glory, or social position.
> - Emma Goldman
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> ------------------------------
> 
> Message: 8
> Date: Sun, 27 Oct 2013 23:00:47 -0400
> From: Emile Tobenfeld (a.k.a Dr. T) <[email protected]>
> To: [email protected]
> Cc: [email protected], [email protected],
>       [email protected], [email protected],
>       [email protected], [email protected]
> Subject: [Frameworks] A doctor  T Halloween
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset="utf-8"
> 
> Hi folks,
> 
> October 31 @CC Outpost 186
> 
> "Scaring the Children"  Doctor T  with extended guitarists.
> 
> Doctor T - video
> Michael Bloom - table guitar
> Michael Bierylo - guitar and laptop
> Tim Mungenast - guitar and electronics
> 
> Outpost 186, 186 Hampshire St (in the back), near Inman Square, Cambridge MA
> 
> Suggested donation,  $10
> 
> 617.876.0860 ~ all ages ~ http://www.zeitgeist-outpost.org
> 
> Many of my finished video pieces (both studio and live) can be seen at 
> http://www.youtube.com/Tobenfeld.
> -- 
> My photography can be viewed at 
> http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/
> 
> My videos can be viewed at
> http://www.youtube.com/Tobenfeld
> 
>               Emile Tobenfeld, Ph. D.                                         
>                                 
> Video Producer                  Image Processing Specialist
> Video for your HEAD!                 Boris FX
> http://www.foryourhead.com              http://www.borisfx.com
> 
> "My destination is always the same, but I work out a different route to get 
> there"  -- Henri Matisse
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> ------------------------------
> 
> Subject: Digest Footer
> 
> _______________________________________________
> FrameWorks mailing list
> [email protected]
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> ------------------------------
> 
> End of FrameWorks Digest, Vol 41, Issue 32
> ******************************************
                                          
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