On Sun, Nov 24, 2013 at 2:28 PM, Bernard Roddy <[email protected]> wrote:

> given a certain context of achievement, would indeed appear to be a
> failure, but in which . . tadaaa! . . the artist has moved beyond any such
> wanna-be status into a strange space occupied by a particular obsession


Hi there,

Trying to follow your train of thought. Seems like the technique of film
scratching might fall into the category of according to Hollywood, one
should avoid scratching film, but because of particular obsessions, people
do so. Paul Sharits, for one. And I would say his work expresses an
impatience of sorts, and that the tactility of the scratches (even through
visual perception) amplifies this immediacy.

Maybe its a start: http://www.bboptics.com/sound-strip-film-strip.html


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