16mm Dominic Angerame
On Thu, Apr 3, 2014 at 6:54 AM, Green, Ron <[email protected]> wrote: > > Stan Lawder's *Runaway *is 16mm "copy" of a 16mm? or 35mm? film shot off > of a video monitor, with video-to-16mm frame-rate-phase-interference lines > featured as part of the looping rhythmics. > > Gary Beydler's *Hand Held Day *and *Pasadena Freeway Stills *demonstrates > the animation of still photos, as does, profoundly, Thom Andersen's > Muybridge film. > > Lots of Michael Snow's other work besides *Wavelength* plays with > remediation, e.g. *One Second in Montreal.* > > A nice topic--it's no wonder there's so much of it, since we're > constantly under remediation alert. > > Ron > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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