How about re-shooting films? Like Tom,Tom the Piper's son by Jacobs and Outer Space by Tscherkassky.
On Tue, Apr 8, 2014 at 10:13 PM, Dominic Angerame < dominic.anger...@gmail.com> wrote: > 16mm > > Dominic Angerame > > > On Thu, Apr 3, 2014 at 6:54 AM, Green, Ron <green...@osu.edu> wrote: > >> >> Stan Lawder's *Runaway *is 16mm "copy" of a 16mm? or 35mm? film shot >> off of a video monitor, with video-to-16mm frame-rate-phase-interference >> lines featured as part of the looping rhythmics. >> >> Gary Beydler's *Hand Held Day *and *Pasadena Freeway Stills *demonstrates >> the animation of still photos, as does, profoundly, Thom Andersen's >> Muybridge film. >> >> Lots of Michael Snow's other work besides *Wavelength* plays with >> remediation, e.g. *One Second in Montreal.* >> >> A nice topic--it's no wonder there's so much of it, since we're >> constantly under remediation alert. >> >> Ron >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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