It is not the technology, the speed or the nostalgia that counts, it's the way 
in which you, as a teacher, re-situate what an artist does.
There is no i.e. for that.
No slow, no fast.
David

 
Le 23 avr. 2014 .AN` 21:05, Tim Halloran a Nicrit :

> But with our students it actually is "speed" that's killing creativity, as 
> they become more and more acclimated to working "fast"--digital cameras, 
> digital editing systems, etc. Ah, it's just terrible--so much junk.
>  
> Shoot slow, edit slow, experience slow. ;]
>  
> Tim
>  
> From: [email protected]
> Date: Tue, 22 Apr 2014 12:29:52 -0700
> To: [email protected]
> Subject: Re: [Frameworks] query for those who teach filmmaking
> 
> On Apr 18, 2014, at 15:26 , Tim Halloran <[email protected]> wrote:
> 
> Slow=bad?!
> 
> Bah. 
> 
> Tim
> 
> It's nice to work slowly if you are trying to do so; it's insanely annoying 
> if you are not.
> 
> Imagine if a painter put a stroke on the canvas and couldn't see it for 30 
> seconds afterwards.  Not too many painters are striving to achieve that 
> workflow.
> 
> ;-)
> 
> -- 
> * WHERE'S MY ARTICLE, WORLD? http://wikipedia.org/wiki/Flick_Harrison 
> 
> * FLICK's WEBSITE: 
> http://www.flickharrison.com
> 
> $B",(B Grab this Headline Animator
> 
> Sent from my iPhone
> 
> On Apr 18, 2014, at 1:16 PM, "Flick Harrison" <[email protected]> wrote:
> 
> ...will sloooooow you down, and that's bad creatively...
> 
> - Flick
> 
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