Thanks Nicky, Good to read you. Best, Marco On 20 October 2014 22:57, <nicky.ham...@talktalk.net> wrote: > I think you're worrying unnecessarily about losing film at the lab. These > labs are professional outfits you know, not amateurs with bathtubs! > You could also try Haghe Film in Amsterdam or Prestech in London for prints, > iDailies in London if you just want dev and T'fer to ProRes HQ. > > Nicky. > > > > -----Original Message----- > From: Jason Halprin <jihalp...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Sent: Mon, 20 Oct 2014 20:11 > Subject: Re: [Frameworks] advice on Europen film labs > > Marco, > > Not to be a buzzkill, but its likely that you'll already have some > variability if some of your film has been sitting around a few years after > shooting it. Letting film sit after exposure will usually cause fogging, > though it may not necessarily create a look that is displeasing to you. This > would mean that the fogging levels on your film would vary depending on just > how long it has been since shooting, and how they've been stored since. > > That being said, if you've been shooting negative film, there's not too much > to worry about from a reputable lab (which both DeJonghe and Andec are). > Even if the development causes slight shifts in density and/or color > balance, this can be worked out in printing or scanning (depending on your > workflow). You'd be better off getting it all in at once so that it has a > consistent look throughout. Everyone I know who has sent enough films to > labs has a story of a batch getting damaged or not processed perfectly, but > this is the exception rather than the norm. > > Of course, if you're shooting reversal, you'd also want to get it all in > together for a consistent look, even though corrections can't be made unless > you're scanning and/or creating an internegative for later. > > -Jason Halprin > > Jason Halprin > jihalp...@gmail.com > > On Mon, Oct 20, 2014 at 11:46 AM, Marco Poloni <mar.pol...@gmail.com> wrote: >> >> Dear frameworkers, >> >> I'm back from a shooting with 25 rolls of 16mm film and many more S8mm >> film. Three years of painstaking work that will go into a movie. >> >> All this material has to go to a lab for development and I'm really >> nervous about the possibility of making the wrong choice. >> >> I addressed this question about one month ago and received some goof >> tips from some of you. So right now I am thinking of DeJonghe in >> Brussels or TaunusFilm/Cinenova in Wiesbaden for 16mm and AndecFilm in >> Berlin for S8mm. >> >> Is there any other lab you can think of that comes to mind? What I am >> looking for is reliability and constancy throughout the whole >> development chain: strict control of temperatures, of times, etc. >> >> Also, I was thinking of delivering the film rolls in batches of 4 or 5 >> to minimize the risk of damage (that is, to avoid that all the rolls >> be lost because of some serious issue with the development machine) >> but on the other hand this means more variability throughout the >> process. What would you advise? >> >> Finally, AndecFilm with whom I have a good experience with S8mm have >> had some residual jet rem as of lately. What should I say to Mr Draser >> (the owner, a great guy) about this? >> >> Many thanks in advance! >> >> Very best, >> Marco >> >> >> >> -- >> >> >> >> marco poloni >> usedomer strasse 8 >> d – 13355 berlin >> gsm de +49.163.6294080 >> gsm ch +41.78.6322028 >> skype marcopoloni >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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