Hi Vail, Not sure if you're just looking at the chemistry aspects of this, but there's a long tradition of rayographs in experimental film, Man Ray's own Return to Reason (1923) being an early example, https://archive.org/details/returnToReasonleRetourLaRaison1923 . Len Lye used it in Color Cry (1952), I expect Norman McLaren explored it, and there are many other examples up to the present day.
For my 2002 film, Hojas de Maíx, I worked in a dark room, though not a wet darkroom, and contact printed strips of etchings directly to 8 foot long lengths of 16mm on a light table I built. Stills at http://erictheise.com/films/hojas-de-maiz/ Robert Schaller's quite an expert on this subject ( http://www.robertschaller.org/), perhaps he'll be along momentarily with other suggestions. Eric On Thu, Nov 6, 2014 at 11:16 AM, Alvalia Pemberton <[email protected]> wrote: > Hello, > > I'm a Photography and Filmmaking major and am working on a project where > I'd like to try using experimental darkroom photography techniques on 16mm > and make a film out of it. Do you have any process or films to recommend > watching? > > Vail > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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