My lazy thinking:  use paper punch for the hole and then substitute insert from 
another source. "film marquetry" so to speak, thus no build up of layers. 
(yes, I am aware this has been done, but maybe the technique could be taken to 
a whole new level, maybe I will try it myself....)

On Dec 12, 2014, at 10:18 AM, Myron Ort wrote:

> Actual collage. hmmmm. I don't know much about that, but I would assume in 
> some general sense it relates back to Mothlight by Brakhage who held elements 
> in place sandwiched between perforated mylar strips.
> 
> On Dec 12, 2014, at 10:10 AM, Myron Ort wrote:
> 
>> Hi Lena,
>> I assume, by collage, you mean editing (montage). Depending on what source 
>> materials you want to use, found footage etc. you sometimes need to be 
>> mindful of the emulsion position (A-wind or B-wind), single and/or double 
>> perforation. Tape splicing does make things much easier for combining 
>> different formats to start with.  Cement splicing can involve a whole 
>> variety of special little techniques when combining diverse footage sources. 
>> Some film stocks and/or leader cannot be cement spliced if not acetate 
>> based. Another issue is making the splice less visible (or even invisible)  
>> in the final result, if that is a concern. 
>> 
>> Myron Ort
>> 
>> 
>> On Dec 12, 2014, at 2:13 AM, Lena Ditte Nissen wrote:
>> 
>>> Dear Frameworkers -- I am about to start working on collaging with 16mm 
>>> film and wondered if there is anybody out there who I could ask some 
>>> questions regarding glue, slicing techniques and so forth...
>>> 
>>> Looking forward to hear from you!
>>> Best, Lena
>>> 
>>> 
>>> 
>>> LENADITTENISSEN.COM
>>>   BERGERNISSEN.COM
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>> 
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