Thank you, Scott, Jeff and Bill (who replied to me directly) for your advice. I'm always experimenting, and neither of the "off" colors seriously alters the point of the project. I'll use your suggestions and see where they take me. I'll also have a talk with my lab.
Happy New Year. CC On Sat, Dec 27, 2014 at 2:57 PM, Scott Dorsey <[email protected]> wrote: > Sure, you could use CC filters on the light source. Ask your local camera > store for a CC filter kit like people with B&W enlargers used to use for > printing still color work. > > But you could also just let it go blue, and correct it in the final print > when you print the interneg. You won't have as much range, but if you are > starting with a blue positive original you probably don't have much color > range in the original anyway. > --scott > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > -- Caryn Cline Experimental Filmmaker & Teacher vimeo.com/carynyc Co-producer & cinematographer, *Acts of Witness* www.actsofwitness.com
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