dear Frameworkers
ANALOGICA SELECTION 2014 will be projected this week, MAY 7 at the MILLENNIUM
in Bushwick, NY.
if you are around the area come here and have a seat and some wine with us.
best
vinz
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MAY 7 // start 9PM
MILLENIUM /// Johnson Ave. at Porter Ave. Brooklyn, NY 11237
milleniumfilm.org
analogica.org
members and no members / $ 5,00
ANALOGICA is a platform for the investigation and dissemination of analog
practices in visual and sonic experiments. It is a festival taking place during
the first week-end of October in Ora (BZ), Italy. Throughout the year, a
selection of the best works travels in various places around the world (Milano,
Roma, Naples, London, New York, etc.) to provide encounters where artists
working across disciplines (photo, film, sound, installation) can meet and
exchange ideas about analogue practices.
analogica.org
ANALOGICA SELECTION 2014 ///
Programm // 52’ //
Flabzilla
by Kayleigh O'Keefe / Bill Rodgers /// 3' 20'' / super8 / 2014 / UK
No Signal Detected
by Péter Lichter /// 3' / footage / 2013 / Hungary
The Bags, Probably 1971*
by Joshua Yates /// 5'10'' / Super8 / 2013 / USA
Vale Barcelona!
by Paulo Pécora /// 3' / super8 / 2013 / Argentina
Älä itke minua, äitini (Weep not for me, O mother)
by Joel Autio /// 6' 33'' / 16mm / Finnish with sub eng / Finland
Untitled / Hommage à Michel Brault
by Andrée-Anne Roussel Guillaume Vallée /// 3' 30'' / super8 / 2014 / Canada
The Voice of God
by Bernd Lützeler /// 9 min 35 sec / super8 + 16mm / 2011 / India & Germany
Renai no Daikyouen (Banquet of Love)
by Haruka Mitani and Michael Lyons /// 6' 14'' / super8 / 2014 / Japan
Full of Fire
by Rhayne Vermette /// 2' 14'' / super8 / 2013 / Canada
Assumptions of Your Phantom(sy)
by Karissa Hahn /// 2' / super8 / 2012 / USA
….......................................
Projectors Installation
Searching for Fireflies
By: Philippe Leonard & Jasmine Pisapia
2 x 16mm / 2014
In 1975, only a few months before his death, Pier Paolo Pasolini wrote a now
famous article in which he stages the allegorical disappearance of fireflies in
the Italian countryside, due to the effects industrial pollution. Echoing both
his sense of loss and his deep commitment to the cinematic image, this diptych
offers a snapshot of the postindustrial reality of Southern Italian landscapes
in the present. It evokes, side by side, the aged bark of an olive tree and the
antiquated structure of a steel plant, through the flickering and incandescent
medium of 16mm film.
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