For mainstream features, check out the BFI Screen Guides text, 100 Modern Soundtracks by Phillip Brophy. Brophy’s introduction offers a constructive contextualizing perspective. Decent text for laying a groundwork for thinking about sound in narrative features. Bresson is always brilliant with sound. Kubelka’s sound in Unsere Afrikareise is fantastic. Baillie is sonically strong in Castro Street and Quick Billy. Deborah Stratman does some great sound work. My own, Suite of Summer Evenings, if I may, has a rich soundscape. (if you’d like to judge for yourself, I’ll send you the Vimeo password).
robert harris On Jun 15, 2015, at 10:21 AM, Matt Shaw <[email protected]> wrote: > Hi Folks, > > I’m looking for recommendations of films + videos that can be used to > exemplify the use of sound (diegetic and non-). > > This is for an introductory video studio course with the section focusing on > sound ending with a portrait/doc project. > > All types and styles of filmmaking appreciated. > > > Matt Shaw > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks
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