Film by S. Beckett (Some people may not consider it truly experimental...)
2015-10-29 16:51 GMT-04:00 William Wees, Dr. <[email protected]>: > See my book “Light Moving in Time,” pp. 13-20. > > > > --Bill Wees > > > > > > *From:* FrameWorks [mailto:[email protected]] *On > Behalf Of *Ryder White > *Sent:* October 29, 2015 4:38 PM > *To:* Experimental Film Discussion List > *Subject:* [Frameworks] The eye in experimental cinema > > > > Hello Frameworkers, > > I am currently embarked on designing an installation the draws on > cinematic instances of the human eye and, as I write about it, I'm > interested in finding examples of the eye as a major symbolic device, > particularly in the realm of experimental and avant-garde cinema. I can > think up a couple of examples...Man With The Movie Camera, for instance, or > Un Chien Andalou, but I'd be happy to hear of other such appearances. > > If it helps narrow the (admittedly broad) field, of particular interest > are examples where the eye is used to refer to the cinematic apparatus > itself, or the camera's voyeur qualities. > > Thanks in advance! > > Ryder > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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