The opening scene of Contact from Zemeckis? https://youtu.be/pXqOBMICkdA On Nov 5, 2015 6:07 PM, "fred truniger" <[email protected]> wrote:
> man ray: emak bakia, starts and ends with eyes. > hitchcock: spellbound. Dali's dreamsequence. > fred > > Am 01.11.15 um 10:38 schrieb [email protected]: > > Guy Sherwin's 'Eye', 'Maya' and 'Yi Wei' from the Short Film Series, > > Nicky. > > > > -----Original Message----- > From: Jorge Lorenzo Flores Garza <[email protected]> > <[email protected]> > To: Experimental Film Discussion List <[email protected]> > <[email protected]> > Sent: Sat, 31 Oct 2015 22:14 > Subject: Re: [Frameworks] The eye in experimental cinema > > Tscherkassky's "Outer Space" also has a very interesting reference to the > Vertovian eye. The outerspace of the medium watching the narrative, > perhaps. > > ------------------------------ > From: [email protected] > Date: Sat, 31 Oct 2015 13:07:23 -0600 > To: [email protected] > CC: [email protected] > Subject: Re: [Frameworks] The eye in experimental cinema > > Thanks all, these are great! > > Best, > > R > > On Sat, Oct 31, 2015 at 8:09 AM, Angélica Cuevas Portilla < > [email protected]> wrote: > > Hi Ryder, > Here you have an excellent film from mexican filmmaker Andrés Garcìa Franco > https://myspace.com/kinoandres/video/black-hole/53608351 > > Greetings, > Angélica > > --- > > Angélica Cuevas Portilla*Mex-Parismental* > 4, rue Mathis > 75019 Paris > France+33-6-64 24 09 10@MexParismental > <https://twitter.com/MexParismental>https://www.facebook.com/MexParismentalhttp://mex-parismental.blogspot.com > *************************** > -*17th Festival des Cinémas Différents de Paris* http://www.cjcinema.org > > 07-18 Oct 2015 > Festival Trailer : https://vimeo.com/138882009 > > > On 2015-10-29 21:38, Ryder White wrote: > > Hello Frameworkers, > > I am currently embarked on designing an installation the draws on > cinematic instances of the human eye and, as I write about it, I'm > interested in finding examples of the eye as a major symbolic device, > particularly in the realm of experimental and avant-garde cinema. I can > think up a couple of examples...Man With The Movie Camera, for instance, or > Un Chien Andalou, but I'd be happy to hear of other such appearances. > > If it helps narrow the (admittedly broad) field, of particular interest > are examples where the eye is used to refer to the cinematic apparatus > itself, or the camera's voyeur qualities. > > Thanks in advance! > > Ryder > > _______________________________________________ > FrameWorks mailing > [email protected]https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > _______________________________________________ FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing > [email protected]https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > _______________________________________________ > FrameWorks mailing > [email protected]https://mailman-mail5.webfaction.com/listinfo/frameworks > > > -- > *Dr. Fred Truniger* > Grünmattstrasse 52 > CH - 8055 Zürich > *Office* > Sihlquai 67 > 8005 Zürich > [email protected] > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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