I did it with an enlargement lamp set over the synchronizer and a motorized
rewind. I did tests, and alas so will you since there are numerous factors
involved, the brightness of light, the speed of movement, film stock being
used. This is a very complicated process in the beginning but you get good
results for much less than a lab. Its a poor man's way of printing.

On Tue, Nov 3, 2015 at 10:30 AM, Francisco Torres <[email protected]>
wrote:

> smoothly and evenly i guess... but how can you know if it got enough
> exposure? is there an optimal time per frame?
> sorry for asking so many questions...
>
> 2015-11-03 14:25 GMT-04:00 Dominic Angerame <[email protected]>:
>
>> One can, at least I have, you need to bi pak raw stock with the film you
>> want to print and shine a light on top of the synchronizer in a dark room
>> and try to smoothly wind the film over the sprockets evenly. It takes
>> practice, etc.
>>
>> On Tue, Nov 3, 2015 at 10:15 AM, Francisco Torres <[email protected]>
>> wrote:
>>
>>> you can contact print with a synchronizer?
>>>
>>> 2015-11-03 12:27 GMT-04:00 Dominic Angerame <[email protected]>
>>> :
>>>
>>>> are you talking about a synchronizer?
>>>>
>>>> On Mon, Nov 2, 2015 at 10:08 AM, mary stark <[email protected]>
>>>> wrote:
>>>>
>>>>> Hi there,
>>>>>
>>>>> I'm looking for a 16mm sync machine so I can contact print film. Just
>>>>> wondering if anyone in the UK has got one for sale or spare?
>>>>>
>>>>> Best wishes,
>>>>>
>>>>> Mary
>>>>>
>>>>> www.marystark.co.uk
>>>>> Tel: 07828450979
>>>>>
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