Andy, your search brings up the possibility of contrasting collaged and non-collaged parallel narratives. An example of the latter could be Sympathy for the Devil, which pairs the building of two revolutions, musical and political.
> On Feb 29, 2016, at 4:52 AM, Albert Alcoz <[email protected]> wrote: > > Abigail Child's films > > Now (Santiago Álvarez, 1965) > https://www.youtube.com/watch?v=vQ6c5n1ycoE > <https://www.youtube.com/watch?v=vQ6c5n1ycoE> > > Tribulations 99 (Craig Baldwin, 1992) > https://www.youtube.com/watch?v=-So8ncddSBY > <https://www.youtube.com/watch?v=-So8ncddSBY> > > Well, maybe, those films are not "entirely shot by the filmmakers..." > > > On Mon, Feb 29, 2016 at 12:40 PM, Elena Duque <[email protected] > <mailto:[email protected]>> wrote: > It for Others, by Duncan Campbell may be one: > https://www.youtube.com/watch?v=7z6SCDeh4_A > <https://www.youtube.com/watch?v=7z6SCDeh4_A> > > > > 2016-02-29 5:17 GMT+01:00 Andy Ditzler <[email protected] > <mailto:[email protected]>>: > Dear all, > > I would appreciate any suggestions of films and videos using collage > structure in the context of political work. I'm thinking of a great video by > the Brazilian artist Tadeu Jungle, Herois da Decadensia (1987), which > incorporates parallel tracks of political documentary, street performance > art, Surrealist-inspired imagery, and other items. Though its elements are > wildly divergent, it coheres into a kind of "collage narrative." It struck me > that Makaveyev's WR: Mysteries of the Organism and Sweet Movie both work in > this fashion, as does Rivette's Out 1, with its parallel conspiracy narrative > and documentary footage of theater groups in rehearsal. > > Can anyone think of other work in this mode? Works that cut between divergent > events and sections, to create a whole? I'm especially interested in knowing > of short works, but anything that comes to mind would be useful. I've always > been fascinated by this kind of work. > > I'm thinking of this "genre" as distinct from the found footage collage > tradition exemplified by Bruce Conner's A MOVIE, since the above works were > all shot by the filmmakers. Nevertheless, suggestions that frustrate this > divide are also welcome. Many thanks. > > Best, > > Andy Ditzler > Founder and curator, Film Love: www.filmlove.org <http://www.filmlove.org/> > Co-founder, John Q collective: www.johnq.org <http://www.johnq.org/> > > > > > -- > > Andy Ditzler > Founder and curator, Film Love: www.filmlove.org <http://www.filmlove.org/> > Co-founder, John Q collective: www.johnq.org <http://www.johnq.org/> > > > > > _______________________________________________ > FrameWorks mailing list > [email protected] <mailto:[email protected]> > https://mailman-mail5.webfaction.com/listinfo/frameworks > <https://mailman-mail5.webfaction.com/listinfo/frameworks> > > > > > -- > Elena Duque Viña > Telf: (+34) 605431072 <tel:%28%2B34%29%20605431072> > [email protected] <mailto:[email protected]> > _______________________________________________ > FrameWorks mailing list > [email protected] <mailto:[email protected]> > https://mailman-mail5.webfaction.com/listinfo/frameworks > <https://mailman-mail5.webfaction.com/listinfo/frameworks> > > > > > -- > http://visionaryfilm.net/ <http://www.visionaryfilm.net/> > http://albertalcoz.com/ <http://www.albertalcoz.com/> > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks
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