Andy, your search brings up the possibility of contrasting collaged and 
non-collaged parallel narratives. An example of the latter could be Sympathy 
for the Devil, which pairs the building of two revolutions, musical and 
political.


> On Feb 29, 2016, at 4:52 AM, Albert Alcoz <albertal...@gmail.com> wrote:
> 
> Abigail Child's films​
> 
> Now (Santiago Álvarez, 1965)
> https://www.youtube.com/watch?v=vQ6c5n1ycoE 
> <https://www.youtube.com/watch?v=vQ6c5n1ycoE>
> 
> Tribulations 99 (Craig Baldwin, 1992)
> https://www.youtube.com/watch?v=-So8ncddSBY 
> <https://www.youtube.com/watch?v=-So8ncddSBY>​
> 
> Well, maybe, those films are not "entirely shot by the filmmakers..."​
> 
> 
> On Mon, Feb 29, 2016 at 12:40 PM, Elena Duque <elenadu...@gmail.com 
> <mailto:elenadu...@gmail.com>> wrote:
> It for Others, by Duncan Campbell may be one:
> https://www.youtube.com/watch?v=7z6SCDeh4_A 
> <https://www.youtube.com/watch?v=7z6SCDeh4_A>
> 
> 
> 
> 2016-02-29 5:17 GMT+01:00 Andy Ditzler <a...@andyditzler.com 
> <mailto:a...@andyditzler.com>>:
> Dear all, 
> 
> I would appreciate any suggestions of films and videos using collage 
> structure in the context of political work. I'm thinking of a great video by 
> the Brazilian artist Tadeu Jungle, Herois da Decadensia (1987), which 
> incorporates parallel tracks of political documentary, street performance 
> art, Surrealist-inspired imagery, and other items. Though its elements are 
> wildly divergent, it coheres into a kind of "collage narrative." It struck me 
> that Makaveyev's WR: Mysteries of the Organism and Sweet Movie both work in 
> this fashion, as does Rivette's Out 1, with its parallel conspiracy narrative 
> and documentary footage of theater groups in rehearsal. 
> 
> Can anyone think of other work in this mode? Works that cut between divergent 
> events and sections, to create a whole? I'm especially interested in knowing 
> of short works, but anything that comes to mind would be useful. I've always 
> been fascinated by this kind of work. 
> 
> I'm thinking of this "genre" as distinct from the found footage collage 
> tradition exemplified by Bruce Conner's A MOVIE, since the above works were 
> all shot by the filmmakers. Nevertheless, suggestions that frustrate this 
> divide are also welcome. Many thanks. 
> 
> Best,
> 
> Andy Ditzler
> Founder and curator, Film Love: www.filmlove.org <http://www.filmlove.org/>
> Co-founder, John Q collective: www.johnq.org <http://www.johnq.org/>
> 
> 
> 
> 
> -- 
> 
> Andy Ditzler
> Founder and curator, Film Love: www.filmlove.org <http://www.filmlove.org/>
> Co-founder, John Q collective: www.johnq.org <http://www.johnq.org/>
> 
> 
> 
> 
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> 
> 
> -- 
> Elena Duque Viña
> Telf: (+34) 605431072 <tel:%28%2B34%29%20605431072> 
> elenadu...@gmail.com <mailto:elenadu...@gmail.com>
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> http://albertalcoz.com/ <http://www.albertalcoz.com/>
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