Dear Frameworkers, Apologies for cross-posting and self-promotion, but I hope that my first book will be of interest to you. *Please ask your host library to purchase the book as it is currently available only in hardcover. Alternatively, for those who want to purchase a personal copy, please use the 35%-discount flyer from the following link*:
https://www.academia.edu/27431138/Between_Film_Video_and_the_Digital_Hybrid_Moving_Images_in_the_Post-Media_Age *Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age* by Jihoon Kim (For table of contents and more information: http://www.bloomsbury.com/us/between-film-video-and-the-digital-9781628922936/ ) Published: 07-14-2016 Format: Hardback Edition: 1st Extent: 416 ISBN: 9781628922936 Imprint: Bloomsbury Academic Series: International Texts in Critical Media Aesthetics <http://www.bloomsbury.com/us/series/international-texts-in-critical-media-aesthetics/> Illustrations: 60 bw illus Dimensions: 5 1/2" x 8 1/2" List price: $140.00 Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such. Grounding its study in interdisciplinary framework of film studies, media studies, and contemporary art criticism, *Between Film, Video, and the Digital *offers a fresh insight on the post-media conditions of film and video under the pervasive influences of digital technologies, as well as on the crucial roles of media hybridity in the creative processes of giving birth to the emerging forms of the moving image. Incorporating in-depth readings of recent works by more than thirty artists and filmmakers, including Jim Campbell, Bill Viola, Sam Taylor-Johnson, David Claerbout, Fiona Tan, Takeshi Murata, Jennifer West, Ken Jacobs, Christoph Girardet and Matthias Müller, Hito Steyerl, Lynne Sachs, Harun Farocki, Doug Aitken, Douglas Gordon, Stan Douglas, Candice Breitz, among others, the book is the essential scholarly monograph for understanding how digital technologies simultaneously depend on and differ film previous time-based media, and how this juncture of similarities and differences signals a new regime of the art of the moving image. *Jihoon Kim* is an assistant professor of cinema and media studies at Chung-Ang University, South Korea. His essays on film theory, media theory, experimental film and video, arts of the moving image, and digital art have appeared in *Screen, Film Quarterly, Animation: An Interdisciplinary Journal, and Millennium Film Journa*l, amongst others. Currently he is working on a new book manuscript entitled *Documentary's Expanded Fields: New Media, New Platforms, and the Documentary*. Jihoon Kim Author of *Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age* http://www.bloomsbury.com/us/between-film-video-and-the-digital-9781628922912/ Assistant Professor, Cinema and Media Studies Department of Film Studies Chung-ang University website: chungang.academia.edu/JKIM Art Center (301-dong) RM 507 221 Heukseok-dong, Dongjak-gu Seoul, South Korea 156-756 Tel: 82-2) 820-5471 Mobile: 82-10) 2929-1895
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