links
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** This week [October 29 - November 6, 2016] in avant garde cinema
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Flowers of the Sky: Films By Janie Geiser, In Person (#anchor20) [November 6,
Austin, Texas 78752]
DEADLINES APPROACHING:
Winter Film Awards (New York NY USA; Deadline: November 15, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=073f8c45ea&e=4e65756555
Experiments in Cinema v12.3 (Albuquerque, NM USA; Deadline: November 01, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=41f3f99064&e=4e65756555
Alchemy Film and Moving Image Festival (Hawick, Scotland, UK; Deadline: October
30, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=34beaecb3e&e=4e65756555
Oscillation Transia (USA; Deadline: November 12, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b70dbe1205&e=4e65756555
Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* The Aliens Are Coming!! Baldwin's Tribulation 99 + 16mm Ufo Doc! (#anchor1)
[October 29, Denver, Colorado 80216]
* Films and Slide By Jim Jennings and John Matturri (#anchor2) [October 29, New
York, New York]
* Oct.29: Haxan Witches & Astral visions (#anchor3) [October 29, San Francisco,
California]
* Mad Sonic Scientists!: Tim Kaiser + Igloo Martian + Skincage + Fawn Bones
(#anchor4) [October 30, Tucson]
* Psychomania + Scorpio Rising (#anchor5) [October 31, Brooklyn, New York 11222]
* Dreamlands: Expanded - Malcolm Le Grice (#anchor6) [October 31, Brooklyn, New
York]
* Performance Tapes No. 6: Acting Out (#anchor7) [November 1, Austin, Texas
11111]
* Re/Night/Live/Mare (#anchor8) [November 1, Chicago, Illinois]
* Dream Sphinx: Films of Roger Jacoby (#anchor9) [November 2, Berkeley,
California]
* Aura Satz - Film Screenings - Oct. 26 and Nov. 2 (#anchor10) [November 2, New
York, New York 10013]
* InauguracióN De La Semana 6 -Semana Del Film Experimental. (#anchor11)
[November 3, La Plata, Argentina]
* Mono X : Kitch's Last Meal (#anchor12) [November 3, New York, New York]
* Shoot Shoot Shoot: the London Film-Makers’ Co-Op (#anchor13) [November 4,
Cambridge, Massachusetts]
* Visions 04.10.16: Terra Long: Parallax visions (#anchor14) [November 4,
Montreal, Canada]
* Mono X : Five Films of Gordon Matta-Clark (#anchor15) [November 4, New York,
New York]
* Many Worlds: An Evening of Sound, Film and video Performances (#anchor16)
[November 4, San Francisco, California]
* Dreamlands: Expanded - Ken Jacobs (#anchor17) [November 5, Brooklyn, New York]
* Mono X : Look For Me (#anchor18) [November 5, New York, New York]
* Nov.5: J.Grimonprez’ Shadow World + Smash Trump+ (#anchor19) [November 5, San
Francisco, California]
* Flowers of the Sky: Films By Janie Geiser, In Person (#anchor20) [November 6,
Austin, Texas 78752]
* Mono X : Children On the Edge of Itchy-Tectonics - Taiwanese New Experimental
Films (#anchor21) [November 6, New York, New York]
SATURDAY, OCTOBER 29, 2016
10/29
Denver, Colorado 80216: GLOB
7:30 PM - 10 PM, 3551 Brighton Blvd
THE ALIENS ARE COMING!! BALDWIN'S TRIBULATION 99 + 16MM UFO DOC!
On the 25th ANNIVERSARY of one of the most important experimental films ever
made, and in acknowledgment of our current*ahem*..."politi cal" spectrum of
MEDIA-AMPLIFIED LIES, XENOPHOBIA, and FEAR-MONGERING MADNESS, we host a
Halloween DOUBLE-FEATURE SPECIAL. The ultimate satire on media-overload, CRAIG
BALDWIN'S 1991 masterpiece TRIBULATION 99, a delirious onrush of found footage
from MEXICAN Z-FILMS to NEWSREELS to PSYCHOTRONIC FILMS to documentary,
accompanied by a rapid-fire paranoid Right-Wing V.O. connecting every
20th-century conspiracy from JFK's ASSASSINATION to FIDEL CASTRO'S threat to
America to the HOLLOW EARTH in an attempt to "explain" how South America's
Democratic leaders were actually UFOS FROM OUTER SPACE bent on annihilating the
US and the world, is the craziest mind-fuck of a film you'll ever encounter.
Melting away any divisions between "fact" and "fiction," TRIB 99, a watershed
film, set new standards for essay filmmaking and revolutionized the potentials
for collage film, turning its maker into an underground celebrity virtually
overnight. + the film which inspired TRIB 99, the ULTRA-RARE bizarro
DRIVE-\-\IN UFO DOC "MYSTERIES FROM BEYOND EARTH" ON 16MM!!! **SHOW STARTS AT
7:30!!
10/29
New York, New York: The Phatory
www.Phatory.com
7 P.M., 618 East 9th Street
FILMS AND SLIDE BY JIM JENNINGS AND JOHN MATTURRI
This event is presented in conjunction with the gallery's current exhibition of
photographic works by Jennings and Matturri. The exhibit is open Thursdays
through Saturdays from 2 P.M. to 6 P.M.
10/29
San Francisco, California: Other Cinema
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2573f47f78&e=4e65756555
8:30 PM, 992 Valencia St.
OCT.29: HAXAN WITCHES & ASTRAL VISIONS
After 2 epic Autumns in the East Bay, the Haxan Project now sets up stakes in
the Mission, to initiate a Big-City audience into its irresistible cycle of
wicca-ed cinema, with a tent-full of works—all women-made—capped by a
provocative live performance! Curators Courtney Fellion, Phaedra Restad, and
Hannah Schulman have hand-picked the very best work from their wildly creative
coven, including transformative pieces from Gina Basso, Karissa Hahn, Leslie
Supnet, Sarah Rooney, Natalie Tsui, Nazar Soares, Laura Conway, Lili White, and
Julia Triangular—all to be consummated in the rites of the Church of Color and
Light, whose overhead projections and hypnotic incantations promise a path to
thee metaphysical via our beloved smoke machine! Free mulled wine. *$9
SUNDAY, OCTOBER 30, 2016
10/30
Tucson: Exploded View Microcinema
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1a5d72432e&e=4e65756555
7:30, 197 E Toole Ave
MAD SONIC SCIENTISTS!: TIM KAISER + IGLOO MARTIAN + SKINCAGE + FAWN BONES
An evening of electro-acoustic innovations featuring Minnesota’s mad genius Tim
Kaiser! Kaiser is a sonic inventor exerting prowess over his hand-crafted
instruments. A rig of Frankenstein objects creates a wall of sound, reacting to
light, the flip of a switch, a shifted knob or the plucking of a steel rod.
Growing out of this array are audible undulations, sheets of reverb and unknown
timbre– all mutable, amorphous and evolving. Kaiser’s tableau of instruments
resemble a scientific laboratory, a steampunk console, entertaining our
imagination and questioning our definition of music. Joining Kaiser are Fawn
Bones, Skincage and Igloo Martian!!
MONDAY, OCTOBER 31, 2016
10/31
Brooklyn, New York 11222: Light Industry
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7086920b5b&e=4e65756555
7:30 PM - 9:30 PM EDT, 155 Freeman St
PSYCHOMANIA + SCORPIO RISING
Psychomania aka The Death Wheelers, Don Sharp, 1973, 16mm, 85 mins Scorpio
Rising, Kenneth Anger, 1963, 16mm, 29 mins This Halloween, come to Light
Industry for a rock 'n' roll occult biker movie double bill: Kenneth Anger's
Scorpio Rising and Don Sharp's Psychomania.
10/31
Brooklyn, New York: Microscope Gallery
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b88bff6268&e=4e65756555
7:30pm, 1329 Willoughby Ave, 2B
DREAMLANDS: EXPANDED - MALCOLM LE GRICE
British moving image pioneer Malcolm Le Grice revisits two of his early
performative works for the launch of Dreamlands: Expanded. In the rarely seen
“Principles of Cinematography” (1973) Le Grice reads from Leslie J. Wheeler’s
1953 book of the same name to the accompaniment of projection of clear 16mm
film leader. Le Grice also performs his iconic “Horror Film 1” for triple 16mm
projection, employing his own body in a shadow play with the superimposed
streams of colored light. First performed in 1971, the work was described at
the time by Jonas Mekas as “one of his most simple, most classical, and also
most ecstatic pieces”. This performance is the first in a series of events
organized by Microscope in collaboration with the Whitney Museum of American
Art as part of the exhibition Dreamlands: Immmersive Cinema & Art, 2015-2016.
The evening concludes with a Q&A with the artist. General admission $15.
Students & Members $10. Tickets available at the link above.
TUESDAY, NOVEMBER 1, 2016
11/1
Austin, Texas 11111: Pastelegram
7:30 PM - 9 PM, The Museum of Human Achievement
PERFORMANCE TAPES NO. 6: ACTING OUT
In this sixth iteration of Performance Tapes, art and film historian Jennifer
Stob presents two mid-1970s videos from the artists Ant Farm and Ulay. Paired
together, the works challenge the distinction between aesthetic and embodied
acts of subversive appropriation, or détournement. In "The Eternal Frame," Ant
Farm and T.R. Uthco reenact the assassination of President John F. Kennedy as
it was accidentally captured in the Super-8 film footage of Abraham Zapruder.
Together, the performance and its documentation satirize the dubious
relationship between American media spectacle and collective memory. Ulay's "Da
ist eine kriminelle Berührung in der Kunst (There is a Criminal Touch to Art)"
records an "action in fourteen predetermined sequences" in which the artist
removed a famed painting from Berlin's New National Gallery and hung it in the
apartment of a Turkish immigrant family. The German press interpreted this
thievery as the "acting out" of a mentally disturbed person.
However, the issues of cultural capital, nationalism and the reproduction of
images raised by Ulay's détournement point instead to a condemnation of
societal psychology.
11/1
Chicago, Illinois: ACRE TV
www.acretv.org
Midnight, ACRETV.org
RE/NIGHT/LIVE/MARE
November 1 – December 31, 2016 /// Concept by Joseph Herring /// Programmed by
Joseph Herring, Kera MacKenzie, and Andrew Mausert-Mooney ///
RE/NIGHT/LIVE/MARE re- considers your nightmares; re- examines your daydreams;
re- contextualizes pre-existing (video art? videotaped performance work? found
footage?) through re- presenting, re- editing, re -mixing. Featuring works that
re- search, re- consider, re- examine, re- contextualize nightmares, daydreams,
flying-fancies, hyper-realities. Also included: live re- mixing pre- existing
work with new live footage to re- consider it in under the cold, hard, clinical
(or soft warm fuzzy *wicked grin ) light of the telematic screen. ///
RE/NIGHT/LIVE/MARE includes work by Alejandro Sajgalik, Antonio Anton, Arthur
Tuoto, Blanca Rego, Chanhee Choi, Chris Collins, Dakota Gearhart, Danielle
Zorbas, David Ian Bellows/Griess, Devin Harclerode, DSK (Juan Lesta & Belén
Montero), Dxn Anahí, Eden Mitsenmacher, Francesca Fini, Heejin Jang,
Isabelle McGuire, Jan & Dave, Janelle VanderKelen, Jen Clay, Katya Yakubov,
Lana Z Caplan, Lauren Kimball-Brown & Julia Zinn, Lauren Valley, Leslie Rogers,
Lili White, Lori Felker, Maddie Hewitt, Manuela De Laborde, Mark Kent, Nowhere
Mountain, Paul Wiersbinski, Richard Haley, Tommy Becker, Usumurasaki, Vivian
Ostrovsky, Yvette Granata, and Zachary Epcar. /// Featuring live broadcasts by
Alejandro T. Acierto, Jan & Dave, Jen Clay, and Richard Haley.
WEDNESDAY, NOVEMBER 2, 2016
11/2
Berkeley, California: Pacific Film Archive
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5cf25da109&e=4e65756555
7pm, 2155 Center Street
DREAM SPHINX: FILMS OF ROGER JACOBY
Introduction by Susan Chainey; Susan Chainey, Roger Jacoby’s sister, appears in
Pearl and Puppet. Introduction by Janis Crystal Lipzin. Janis Crystal Lipzin
knew Jacoby well during the last ten years of his life; former chair of the San
Francisco Art Institute film department, she is a Bay Area intermedia artist
and filmmaker. While Jacoby’s first film, Futurist Song, reveals his training
as a painter, his love of opera and cinema permeates much of his diverse work,
which traverses the intimate and theatrical, humorous and sensual. In his last
film, How to Be a Homosexual Part II, completed two years before his death,
Jacoby turns his camera on himself, ill from AIDS. Sarah Schulman observes,
“Roger was a transitional figure in the history of gay experimental film,
bridging from filmmakers who preceded gay liberation, like Anger, Broughton,
Warhol, Kuchar, Markopoulos, and others, to younger makers . . . whose entire
worldview was forged by gay liberation.” Films in this
Screening: Futurist Song, 1972; Dream Sphinx Opera, 1974; Aged in Wood, 1975;
L’Amico Fried’s Glamorous Friends, 1976; Pearl and Puppet, 1975; How to Be a
Homosexual Part II, 1982
11/2
New York, New York 10013: Fridman Gallery
7pm, 287 Spring Street
AURA SATZ - FILM SCREENINGS - OCT. 26 AND NOV. 2
Free Admission. Fridman Gallery presents a program of short films by Aura Satz,
in conjunction with her exhibition Aura Satz - Her Marks, a Measure, on view at
the gallery through November 5. The films explore the various relationships
between sound and visual phenomena, such as color, geometric shapes, movement,
synchronicity and repetition. "Chromatic Aberration", 2014 "Chromatic
Aberration" is a film installation which explores the early technologies of
color filmmaking drawn from the archives of George Eastman House, Rochester,
New York.
THURSDAY, NOVEMBER 3, 2016
11/3
La Plata, Argentina: Semana del Film Experimental
9 PM - 10:45 PM UTC-03, Pasaje Dardo Rocha. Calle 50 e/ 6 y 7.
INAUGURACIóN DE LA SEMANA 6 -SEMANA DEL FILM EXPERIMENTAL.
2016 por sexta vez en la ciudad de La Plata. Año tras año recreamos ese rito
en el que están presentes el artista, el proyector, la cinta de celuloide y el
público, generando una experiencia de sentido poético. Bienvenidos a la Semana
del Film Experimental. Inauguramos la muestra con una selección de films de
cineastas argentinas: Narcisa Hirsch, Daniela Cugliandolo, Luján Montes y
Montserrat Callao Escalada. PelÃculas pequeñas de carácter lÃrico en formato
reducido -diarios de viaje, retratos de personas y lugares. Luján (acompañada
en cello por Cecilia Quinteros) y Montserrat, estarán presentes en la sala.
Narcisa está en el sur, vaya un agradecimiento para ella por compartir con
nosotros uno de sus diarios patagónicos. Lo mismo para Daniela quien
gentilmente nos envió sus pelÃculas desde Ibiza, España, donde reside. Los
esperamos!
11/3
New York, New York: MONO NO AWARE
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1478942072&e=4e65756555
Doors at 7pm, Screening at 7:30pm, Anthology Film Archives, 32 2nd Ave, New
York, NY 10003
MONO X : KITCH’S LAST MEAL
MONO NO AWARE is excited to present KITCH'S LAST MEAL by Carolee Scheemann as
part of our community curated cinema arts festival, MONO X. The third part of
her autobiographical trilogy (including FUSES and PLUMB LINE), KITCH’S LAST
MEAL documents, among other things, the demise of Schneemann’s cat comrade,
Kitch. Presented in varying configurations and lengths over the years, KITCH’S
was shot in Super-8mm and shown simultaneously on two projectors with one image
arranged above another. This configuration is duplicated in Anthology’s
preservation, and the sound is played from CD in an attempt to keep the ‘live’
nature of the film intact. If you have not seen it before, KITCH’s undoubtedly
stands as one of Schneemann’s most emotionally gripping and cathartic works.
“Domestic imagery filmed weekly for three years in a country house where my
partner and myself are observed by our 19-year-old cat in the normal routine of
domestic intimacy and our work as artists. … The
ordinariness of the activities of the couple in association with the
disjunctive sound builds towards a disconcerting invisibility – beyond what is
here manifest.” –C.S. Anthology Film Archives is an international center for
the exhibition, preservation, and study of independent and artist film and
video. For the opening night of the festival, Anthology is pleased to partner
with MONO NO AWARE to present a special evening in celebration of the
pioneering artist Carolee Schneemann. The evening will center around
Schneemann's rarely-screened, 16mm dual-projection film KITCH’S LAST MEAL, with
special additions to the program to be announced!
FRIDAY, NOVEMBER 4, 2016
11/4
Cambridge, Massachusetts: Harvard Film Archive
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=fff05ca87c&e=4e65756555
7PM, 24 Quincy Street
SHOOT SHOOT SHOOT: THE LONDON FILM-MAKERS’ CO-OP
To celebrate the 50th anniversary of the London Film-Makers’ Co-operative, this
screening presents a selection of work by some of innovative film artists who
gathered there in its formative years: David Crosswaite, Marilyn Halford,
Malcolm Le Grice, Mike Leggett, Annabel Nicolson, William Raban, Lis Rhodes and
John Smith. Inspired by the example set by Jonas Mekas and his colleagues in
New York, the London Co-op was founded in 1966. In contrast to similar
organizations, the LFMC’s activity was not limited to distribution; within a
few years it was running a regular program in its own cinema and, most notably,
had a workshop in which filmmakers could control every stage of the creative
process. The workshop housed a continuous processor and step printer and was an
essential, contributory factor in steering the direction of the uncompromising
films produced at the LFMC in the 1970s. The tendency was defined by as
“structural/materialist” by one of the group’s leading
polemicists, Peter Gidal, alluding to what was then the dominant mode in
avant-garde cinema but adding a qualification that suggests both Marxist
philosophy and the physical presence of the medium that was foregrounded in
British filmmaking. A second, and equally significant, form of practice was
expanded cinema, which made creative use of the mechanics of projection in the
presentation of multiscreen films and performance works. Light Music by Lis
Rhodes is exemplary in this regard. Two projectors face each other across the
room, creating an environment in which the audience is participant. Its
abstract imagery (an ever-changing array of horizontal lines composed as a
musical score) is printed across the frame and optical soundtrack area of a
16mm film print, enabling it to be both seen and heard. – Mark Webber The
program will be introduced by Mark Webber, author of Shoot Shoot Shoot: The
First Decade of the London Film-Makers’ Co-operative 1966-76 (LUX, October
2016) and
co-editor of Flare Out: Aesthetics 1966–2016, a collection of essays by Peter
Gidal issued by The Visible Press in April 2016.
11/4
Montreal, Canada: Visions
8 PM - 11 PM EDT, la lumière [7080, rue Alexandra, #506
VISIONS 04.10.16: TERRA LONG: PARALLAX VISIONS
In collaboration with la lumière collective, VISIONS presents TERRA LONG :
PARALLAX VISIONS [Filmmaker in attendance | 16mm projection] Programme selected
by Terra Long. Sinclair Gas Ads - 4 min - HD; Bloom - Scott Stark - 12min - SD;
Notes from the Anthropocene - Terra Long - 16 min - HD; Lunar Almanac - Malena
Szlam - 4 min - 16mm; The Dragon is the Frame - Mary Helena Clark - 14 min -
16mm; 350 MYA - Terra Long - 5 min - 16mm; 55mins | 16mm + HD.
11/4
New York, New York: MONO NO AWARE
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=330cbeb188&e=4e65756555
Doors at 7pm, Screening at 7:30pm, 516 West 20th Street New York, NY, 10011
United States
MONO X : FIVE FILMS OF GORDON MATTA-CLARK
MONO NO AWARE is excited to present five films of Gordon Matta-Clark as part of
our community curated cinema arts festival, MONO X. Co-Presented by Samuel
Adams of Tenant416 and MONO NO AWARE, Tenant416 is honored to present five
films of Gordon Matta-Clark, widely considered one of the most influential
artists working in the 1970s. His practice introduced new and radical modes of
physically exploring and subverting urban architecture, and some of his most
well known projects involved laboriously cutting holes into floors and walls of
abandoned buildings. Often overlooked in otherwise illuminating texts and
exhibitions that focus on Matta-Clark, his films add immeasurably to our
understanding and appreciation of the inimitable artist's ability to shift the
spatial, temporal, and philosophical ground beneath us. The five films
presented have been carefully selected to reveal not only the breadth of his
architectural interventions and performances, but also the artist's
interest and gravity towards avant-garde filmmaking. Co-director of the Estate
of Gordon Matta-Clark, Jessamyn Fiore, will generously, introduce the program
as well as each film individually, followed by a Q&A.
11/4
San Francisco, California: Artists Television Access
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7dd6a83a5e&e=4e65756555
8pm,
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=848dc0417d&e=4e65756555
MANY WORLDS: AN EVENING OF SOUND, FILM AND VIDEO PERFORMANCES
A program of three improvisatory sound, audio and music compositions performed
live in collaboration with film and video projection. with: Buttons and Faith
Arazi / All My Senses Rebel and Konrad Steiner / Dire Wolves and Paul Clipson.
BUTTONS: Per Anders Nilsson is an Improvising musician and electro-acoustic
composer based in Gothenburg, Sweden. Gino Robair has performed and recorded
with Tom Waits, Anthony Braxton, John Zorn, Nina Hagen, Terry Riley, Lou
Harrison, John Butcher, Derek Bailey, Peter Kowald, Otomo Yoshihide, and the
ROVA Saxophone Quartet. Tom Djll studied electronic music with Stephen Scott at
the Colorado College, working with the EMS Synthi 100. All My Senses Rebel is
the duo of Josephine Torio and Benjamin Tinker. The two have been working
together for sometime in the expanded improvising collective known as That
Hideous Strength. The Dire Wolves Absolutely Perfect Brothers Band brew an
overblown kosmische folk improv, “splicing the DNA of MV & EE,
Pharoah Sanders and Sonic Youth, honing in on the heavy kraut psych of early
70s Amon Duul II, in a way that neatly bridges the gap between Burnt Hills’
profound freeform primitivism and Desmadrados Soldados de Ventura’s enlightened
groove-locked chaos” (Psi Lab). Faith Arazi is an artist based in San
Francisco, developing a body of handmade films by use of optical printers, arts
and crafts, and a penchant for playfulness. Konrad Steiner is a filmmaker since
1981. He has curated, produced and performed in live cinema events in San
Francisco since 2004. Paul Clipson is a San Francisco-based filmmaker who often
collaborates with sound artists and musicians on films, live performances, and
installations.
SATURDAY, NOVEMBER 5, 2016
11/5
Brooklyn, New York: Microscope Gallery
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5934160d33&e=4e65756555
7:30, 1329 Willoughby Ave, 2B
DREAMLANDS: EXPANDED - KEN JACOBS
Ken Jacobs’ “Black Space” is an exploration of a completely black room,
intended as an actualization of the theoretical “black space” needed for
optimal film projection. The piece was conceived and first performed in the
mid-70s and has only previously been presented twice in the past 40 years.
“Complete darkness and we only acknowledge sensation, what we feel and hear and
see, and not what we know…flashes of light leave 3D images lingering on our
retinas as they join the other sensations, as does my disembodied guiding
voice.” – Ken Jacobs, 2016. The evening concludes with a presentation and Q&A
with the artist. This performance is one in a series of expanded cinema events
organized by Microscope in collaboration with the Whitney Museum of American
Art as part of the exhibition Dreamlands: Immmersive Cinema & Art, 2015-2016.
General admission $15.Students & Members $10. Tickets available at the link
above.
11/5
New York, New York: MONO NO AWARE
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5c66b5aead&e=4e65756555
Performance at 7pm, Center for Performance Research: 361 Manhattan Ave,
Brooklyn, NY 11211
MONO X : LOOK FOR ME
MONO NO AWARE is excited to present the world premiere expanded cinema
performance LOOK FOR ME by Lucy Kerr as part of our community curated cinema
arts festival, MONO X. LOOK FOR ME (2016) is a multimedia project intersecting
a two channel film and a live performance. The film component of this work was
shot on 16mm using an Arri S camera. Portions of the film were hand processed
and the footage was edited digitally. The music accompanying this piece is an
original score by Clay Wilson and Jack Leahy composed on analog synthesizers
and recorded on a reel to reel tape machine. LOOK FOR ME is a visual portrait
of a female figure in conversation with her memory. The performer on stage is
multiplied through the projected images of herself in distant landscapes. This
work is inspired by Simone de Beauvoir’s notion of ambiguity, in which a person
is painted as being both subject and object. In LOOK FOR ME, the figure is
extracted from herself as other than herself. The audience is
invited to witness the performer as if she is looking at herself through the
lens of her imagination. LOOK FOR ME is co-presented by DFA, CPR and MONO NO
AWARE. Produced by MONO NO AWARE with the help of ColorLab, MD
11/5
San Francisco, California: Other Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5ff1afe454&e=4e65756555
8:00 PM, 992 Valencia St.
NOV.5: J.GRIMONPREZ’ SHADOW WORLD + SMASH TRUMP+
Kick-starting our Scritti Politti specials, 2 Saturdays straddling the US
election: the West Coast theatrical premiere of Johan (Dial HISTORY)
Grimonprez’ searing indictment of the sleeeazy underworld of global weapons
dealers, and the corrupt political/military leaders awash in their slush-funded
kick-backs and call-girls! Based on Andrew Feinstein’s book and with help from
Eduardo Galeano, Seymour Hersch, Chris Hedges, and Jeremy Scahill, this
archive-heavy assemblage is preceded bya brillrally of feisty political satire,
crystallizing our collective anxiety on the eve of this Presidential fiasco:
Bryan Boyce’s Stupidity and WrestleMania Inauguration, Martha Colburn’s Drumpf
and Hillary Hip-Hop, Mark Boswell’s Trust But Verify, and Hoover/Scantlebury’s
Survival Oblivious. Early show-time to smash the Trump piñata! *8PM
SUNDAY, NOVEMBER 6, 2016
11/6
Austin, Texas 78752: Experimental Response Cinema
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5:15 PM 7:15 PM, Alamo Draft House Ritz, 6th & San Jacinto
FLOWERS OF THE SKY: FILMS BY JANIE GEISER, IN PERSON
Janie Geiser is a multidisciplinary artist whose practice includes performance,
film, installation, and visual art. Geiser's work is known for its
recontextualization of abandoned images and objects, its embrace of artifice,
and its sense of suspended time. "Geiser gives voice to the reaches of the
unconscious, pointing to the abandoned splendor that exists prior to the rules
of society and language." -Holly Willis, Res, 2004 Experimental Response Cinema
is proud to welcome Janie Geiser for an in-person screening of her lush and
complex film and digital video works, most made within the last five years,
including her most recent work, Flowers of the Sky which just premiered at the
New York Film Festival. She will follow the screening with a q&a. PROGRAM:
Kriminalistik (digital film, 2014, 4 minutes); Ghost Algebra (16mm/finished on
digital, 2009, 9 minutes); Kindless Villain (16mm film/finished on digital,
2010, 5 minutes); The Floor of the World (16mm film/digital print,
2010, 11 minutes); Arbor (16mm film/digital print, 2012, 8 minutes); The
Hummingbird Wars (digital film, 2015, 8 minutes); Cathode Garden (digital film,
2015, 8 minutes); Flowers of the Sky (digital film, 2016, 9:15 minutes).
11/6
New York, New York: MONO NO AWARE
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Doors at 7 pm, Screening at 8 pm, Ace Hotel - Liberty Hall: 20 West 29th St,
New York, NY, 10001
MONO X : CHILDREN ON THE EDGE OF ITCHY-TECTONICS - TAIWANESE NEW EXPERIMENTAL
FILMS
MONO NO AWARE is excited to present Children on the edge of itchy-tectonics :
Taiwanese New Experimental Films as part of our community curated cinema arts
festival, MONO X .This program is a collection of the younger generation of
Taiwanese experimental films. It is the New York premiere of Dooll Chao, Lin
Mao, Kaire Wang, 王鈞, Ya-Ting Hsu, Huang Ya-Li, Ye Mimi, Tzu-An Wu, Yin-Ju Chen,
HSU Tsen-chu, and Lin Shih-Chieh. Locates in the tight corner between
geographical and cultural political plate tectonics, the island rides on the
eruption dynamics which converges as well as destructs. These millennials
filmmakers grow up from the rise and fall of Taiwanese New Wave Cinema, and the
dilemmas of the contemporary moving images: forms, media, and
institutionalization… While date lines vanishes, cross-national transferring
turned common, they emerge from the foundation of transformations, friction and
tickling between these gaps are here to stay. Co-presented by Tzu-An Wu, Wen
Hsu,
L/Y, The Other Cinema and MONO NO AWARE.
------------------------------------------------------------
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