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** This week [June 24 - July 2, 2017] in avant garde cinema
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The Illinois Parables (#anchor5) [June 29, San Francisco, CA]
NEW FILM/VIDEO: NON-FEATURE:
"COSMIC POPSICLE" by Dina Yanni
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NEW CALLS FOR ENTRIES:
56th Ann Arbor Film Festival (Ann Arbor, MI, 48103; Deadline: September 30,
2017)
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DEADLINES APPROACHING:
Edinburgh Short Film Festival (Musselburgh; Deadline: June 26, 2017)
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Coney Island Film Festival (Brooklyn, NY; Deadline: June 30, 2017)
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Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* Lynne Sachs & Mark Street: A Marriage of Remakes (#anchor1) [June 26,
Brooklyn, New York]
* Contact: Pairs: Nick Collins/Cathy Rogers (#anchor2) [June 26, London,
England]
* Early Monthly Segments #97 = Prisoners of Conscience (#anchor3) [June 27,
Toronto, Ontario M6J 1J6]
* Newfilmmakers (#anchor4) [June 28, New York, NY]
* The Illinois Parables (#anchor5) [June 29, San Francisco, CA]
* The Other Side (2015) Roberto Minervini (#anchor6) [June 30, Boston,
Massachusetts 02115]
* A Sorted Assortment of Queer Film From the Bay Area (#anchor7) [June 30, Los
Angeles, California 90026]
* An Evening With Tommy Turner (#anchor8) [June 30, New York, NY]
* Beat Cinema (#anchor9) [July 1, San Francisco]
MONDAY, JUNE 26, 2017
6/26
Brooklyn, New York: Microscope Gallery
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7:30 PM, 1329 Willoughby Ave. 2B
LYNNE SACHS & MARK STREET: A MARRIAGE OF REMAKES
Artist in Person. Microscope is pleased to premiere Marriage of Remakes, a new
project and conversation in moving images between Lynne Sachs and Mark Street
in which the New York-based filmmakers remake works of the other. Three
previous works by each will be followed by the other’s interpretations, which
are not meant to be literal recreations, but rather responses and reflections
to the work in part or in whole. “It is with curiosity and a tremor of fear
that we embark on an unusual filmmaking project that involves each of us
remaking a few selected short films from the other’s body of work. The remake
production process will start with picking up the camera and reacting to the
other person’s selected films with a combination of humor, insight, irony,
pathos and perhaps critique”, says Sachs. Lynne Sachs and Mark Street have been
making films individually and collaboratively under the name “XY Chromosome
Project” for over 30 years, which is also the length of the
relationship as a couple. Both will be in attendance and available for Q&A
after the screening.
6/26
London, England: Contact
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7:30, The Depot, 38 Upper Clapton Rd, E5 8BQ
CONTACT: PAIRS: NICK COLLINS/CATHY ROGERS
Nick Collins has been making films since the late 1970s. They centre on small
scale instances of human geography and habitation, spanning investigations of
archeological sites to contemporary environs. Graphic patterns of light and
shadow are the focus of his observational camera, with his subjects including
Greek temples, domestic gardens, and town squares. Collins has often collected
his films together in short series of 'little films' reflecting their lyricism.
Cathy Rogers’ films typically involve very direct means of production including
pinhole photography and photograms. Her work is often also site-specific and
reflects a mode of looking that is unique to the locations and materials that
she works with. While the strategies of her work are straightforward and
deceptively simple, the representational images they generate often prompt
viewers to question what they might be looking at in productive ways. Glass
House is a new performance piece.
TUESDAY, JUNE 27, 2017
6/27
Toronto, Ontario M6J 1J6: Early Monthly Segments
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8pm, 1214 Queen Street West
EARLY MONTHLY SEGMENTS #97 = PRISONERS OF CONSCIENCE
EARLY MONTHLY SEGMENTS #97 = Prisoners of Conscience by Anand Patwardhan + The
New Wave by Chandrasekhar Nair Guest programmed by Shai Heredia (Experimenta
India) Co-presented with South Asian Visual Arts Centre and introduced by SAVAC
Director Indu Vashist (Industani Vee) Early Monthly Segments is pleased to
present two films from mid-1970's India guest programmed by Shai Heredia
juxtaposing the political clampdown on freedom of expression with a government
propaganda piece extolling the virtues of the state-imposed Emergency. An
important historical record of a traumatic period in India's recent political
history, Prisoners of Conscience by Anand Patwardhan focuses on the State of
Emergency imposed by Indira Gandhi from June 1975 to March 1977. During the
Emergency the media was muzzled, over 100,000 people were arrested without
charge and imprisoned without trial. But political prisoners existed before the
Emergency and they continue to exist long after it has ended. "In
1975 a State of Emergency was declared in India. A new wave of discipline and
order entered the nation's life. The 20-point Programme aimed at removing
corruption, nepotism and lawlessness on the university and college campuses so
that peace and disciple may prevail, and examinations may be conducted in a
free and fair atmosphere. The New Wave outlines the benefits that the state of
Emergency brought to the student community." - from Films Division India
catalogue Programme: Prisoners of Conscience, Anand Patwardhan, India, 1978,
16mm, 45 minutes, b&w, sound *still above* The New Wave, Chandrasekhar Nair,
India, 1976, 35mm on video, 9 minutes, b&w, sound
WEDNESDAY, JUNE 28, 2017
6/28
New York, NY: Anthology Film Archives
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6:00 PM, 32 Second Avenue
NEWFILMMAKERS
For full program listings, visit www.newfilmmakers.com.
THURSDAY, JUNE 29, 2017
6/29
San Francisco, CA: Yerba Buena Center for the Arts
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7:30pm, 701 Mission St, San Francisco 94103
THE ILLINOIS PARABLES
Deborah Stratman appears in person to present The Illinois Parables (2016), a
suite of Midwestern parables relaying histories of settlement, removal,
technological breakthrough, violence, messianism and resistance, based on
histories of the state of Illinois. Utilizing reenactment, archival footage,
observational shooting, inter-titles and voiceover to tell its stories, the
film suggests links between technological and religious abstraction, allowing
its histories to become allegories that explore how we're shaped by conviction
and ideology. "The Illinois Parables consider what might constitute a
liturgical form. Not a sermon, but a form that questions what morality
catalyzes, and what belief might teach us about nationhood. In our desire to
explain the unknown, who or what do we end up blaming or endorsing?" (Deborah
Stratman) Also screening: Stratman's 2014 film Hacked Circuit, which explores
the thematic parallels between the Cinematic art of Foley recordings and the
contemporary climate of government surveillance while citing and sonically
enacting Coppola's 1974 masterpiece The Conversation.
FRIDAY, JUNE 30, 2017
6/30
Boston, Massachusetts 02115: Massachusetts College of Art and Design
8:30 PM EDT, 621 Huntington Ave
THE OTHER SIDE (2015) ROBERTO MINERVINI
Featured at the Cannes Film Festival 2015 Un Certain Regard, Roberto
Minervini's documentary THE OTHER SIDE will be screening at 7pm in East Hall,
screening room 1 of MassArt - brought to you by CINÉMA-OKTÃ "In an invisible
territory at the margins of society lives a wounded community who face the
threat of being forgotten by political institutions and having their rights as
citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying
to escape addiction through love; ex-special forces soldiers still at war with
the world; floundering young women and future mothers; and old people who have
not lost their desire to live. Through this hidden pocket of humanity, renowned
documentarian RobertoMinervini opens a window to the abyss of today's America. "
6/30
Los Angeles, California 90026: Echo Park Film Center
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8pm, 1200 N Alvarado St
A SORTED ASSORTMENT OF QUEER FILM FROM THE BAY AREA
Experimental queer film from the bay area has such a rich history. Digging into
both its history and its current incarnation my gaze///yr gaze brings a sorted
assortment of queer film from the bay spanning from 1972-2016 to Los Angeles on
June 30th and the Echo Park Film Center. "Confessions" (Curt McDowell, 1972)
"Dyketactics" (Barbara Hammer, 1974) "Hard Core Home Movie" (Greta Snider,
1989) "Affirmations" (Marlon Riggs, 1990) "Google Google Apps Apps" (Persia,
2013) "Free Jazz" (Brontez Purnell, 2015) "Folson Street" (Aron Kantor, 2015)
"Scream Of The Mandrake" (Gary Fembot, 2015) "Estoy Presente" (Christian
Ovando, 2016) This screening is made possible thanks to a grant from the Andy
Warhol Foundation for the Visual Arts. Doors 7:30 pm; admission $5. / my
gaze///yr gaze is curated by irwin swirnoff.
6/30
New York, NY: Anthology Film Archives
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8:00 PM, 32 Second Avenue
AN EVENING WITH TOMMY TURNER
Tommy Turner in attendance for discussion with programmer/media conservator Jon
Dieringer (EAI).An artist working in print, performance, photography, and film,
Tommy Turner is a key figure of the Downtown No Wave and Cinema of
Transgression scenes. While working days as a genetic research scientist and
nights as a bartender at the legendary Peppermint Lounge, the New York native
rose to prominence through his zine Redrum and collaborations with artists such
as Richard Kern and David Wojnarowicz. In the mid-1980s, Turner directed a
number of arresting small-gauge films that retain the ability to inspire shock,
awe, and revulsion, while conveying a biting sense of humor and incisive social
commentary. With a cinematic oeuvre running approximately the length of a
single feature film, Turner's subject matter has managed to encompass the
intersections of black magic, domestic dysfunction, addiction, rock 'n' roll,
demagoguery, murder, and wasted teenhood, often addressed through
gleefully graphic, lo-fi special effects that verge between clinical detachment
and sardonic irreverence. Tonight's program will premiere brand new
preservations of Turner's SIMONLAND and RAT TRAP, along with WHERE EVIL DWELLS,
made with David Wojnarowicz. Both SIMONLAND and RAT TRAP were preserved by
Fales Library & Special Collections/NYU in collaboration with Electronic Arts
Intermix through the National Film Preservation Foundation Avant-Garde Masters
program. Special thanks to Brent Phillips, Rebecca Cleman, Bill Brand, Richard
Kern, and Tessa Hughes-Freeland. SIMONLAND (1984, 12 min, Super 8-to-16mm. Made
with Richard Kern.) In the unsettling, absurdist SIMONLAND, a grotesque,
televangelist-style demagogue leads his studio audience and isolated viewers
through a psychotic game of Simon Says with twisted results. RAT TRAP (1985, 12
min, Super 8-to-16mm. Made with Tessa Hughes-Freeland.) A no-holds-barred
portrait of addiction, RAT TRAP is an unflinching portrayal of a
junkie injecting heroin cut with footage of (already expired) rodents being
tortured and maimed, all underscored by a fiery guitar rock solo, painting a
grim picture of numbing daily grind, dependency, and domestic urban squalor.
WHERE EVIL DWELLS (1985, 33 min, Super 8-to-16mm. Made with David Wojnarowicz.)
Friends and collaborators, Turner and Wojnarowicz became fixated on the recent
story of Ricky Kasso, teenage heavy metal fan and self-described "Acid King" of
Northport, Long Island, who was the subject of media hysteria when he committed
the pseudo-ritual-satanic murder of a fellow teen in the woods while wearing an
AC/DC t-shirt. Shooting off a script based on interviews with Kasso's friends,
the pair ultimately edited their footage into a 30-minute "trailer" that
represents an anarchic, assaultive, and wildly expressionistic take on what
Wojnarowicz described as "the imposed Hell of the suburbs." It's complemented
by a spectacular title song by Wiseblood (a
collaboration between Roli Mosimann of Swans and J.G. Thirlwell of Foetus) and
distorted hard rock radio jams. Total running time: ca. 60 min.
SATURDAY, JULY 1, 2017
7/1
San Francisco: San Francisco Public Library/North Beach
4-6pm, 20 Romolo Place #4
BEAT CINEMA
Starting the first Saturday in July (July 3rd) I will be hosting a free film
group at the North Beach Library on Saturdays from 4-6pm. The series is called
"Beat Cinema". During the 40s, 50s and early 60s many Beat poets also made
avant garde films. Poets such as Lawrence Ferlinghetti; James Broughton;
Christopher MacClaine; Weldon Kees and others made films during this time
period. This series will feature these poets and other filmmakers as well such
as Robert Frank; Willard Maas; Marie Menken; Maya Deren; Sitney Peterson; Harry
Smith etc. Many of the films were made in North Beach so it is fitting to show
them at the North Beach Libray. The July 1 program with feature the work of
Maya Deren, Sidney Peterson and James Broughton
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