Hi Adam, yeah too late for the mailing but it'll be on the site tomorrow. I did enter the Redcat shows. Thanks. Scott Stark www.scottstark.com [1] Experimental Response Cinema [2] Flicker [3] -------- Original Message ---------- FORGOT TO POST TO FLICKER: SUNDAY, SEPTEMBER 17, 2017, 7:30PM LOS ANGELES FILMFORUM PRESENTS RESISTANCE ISN’T FUTILE AT THE SPIELBERG THEATRE AT THE EGYPTIAN, 6712 HOLLYWOOD BLVD, LOS ANGELES, CA 90028 Resistance takes many forms, riotous and quiet, political and economic, through education and through engagement. In our program this week, we look at some forms of resistance – by people and groups and filmmakers, by seeing some of the ways that films have found dynamic ways and unheralded people to face dark times and make better futures. We’ll also take a look at a few of the issues of the day, to remember the troubles of the past that people have resisted, and how some of them have never left us. Featuring films by Straub-Huillet, Kelly Gallagher, Danny Lyon, Kevin Jerome Everson,Penelope Spheeris, Marco Braunschweiler, Robert Fenz, and more. Curated by Adam Hyman. Rescheduled from January 22. Tickets: Suggested donation: $10 general; $6 for students/seniors; free forFilmforum members. Available in advance from Brown Paper Tickets at http://bpt.me/3081414 [4] or at the door. For more information: [5]www.lafilmforum.org [6] or 323-377-7238 Screening: EN RACHâCHANT by Danièle Huillet and Jean-Marie Straub 1982, France, b&w, 8 min. Text by Marguerite Duras: “Ah! Ernesto!” (1971) Image by Henri Alekan and Louis Cochet BLACK PANTHER 1969, 14 min. This is the film the Black Panthers used to promote their cause. Shot in 1969, in Oakland, San Francisco and Sacramento, this exemplar of 1960s activist filmmaking traces the development of the Black Panther organization. In an interview from jail, Minister of Defense Huey P. Newton describes the origins of the Panther Party, Eldridge Cleaver explains the Panthers' appeal to theBlack community, and Chairman Bobby Seale enumerates the Panther 10-Point Program as Panthers march and demonstrate. KEY TO THE CITIES by Kevin Jerome Everson 2008, 16mm, 1:45, black and white features two mayors honoring the “Candy Man” in two different ways. PEARL PISTOLS, by Kelly Gallagher 2014, video, 3 min. Pearl Pistols is an animated glitter bomb and resurrection of a speech by the radical and revolutionary civil rights leader Queen Mother Moore. NATIONAL REHABILITATION CENTER, by Penelope Spheeris 1969, 16mm screened from digital, 14 min Preserved by the Academy Film Archive. Two years before Peter Watkins’ Punishment Park (1971), director Penelope Spheeris takes the McCarran Act to its inevitable next step and shows us—via an early use of mockumentary—what the U.S. might be like if potential subversives were simply locked up en masse before they had a chance to subvert anything. "The Internal Security Act, sometimes called the McCarran Act, popularly named for Nevada's Senator PatMcCarran… argued for the fingerprinting and registration of all "subversives" at large in the United States… President Truman, who had himself imposed the Loyalty Order for federal government employees in 1947, immediately vetoed it, on the grounds that it "would make a mockery of our Bill of Rights [and] would actually weaken our internal security measures."But his veto was overridden by a humbling 89 percent majority vote, and McCarran's newly formed Senate Internal Security Subcommittee working closely with Hoover's FBI set up shop and conducted hearings for the next 27 years. One of the more bucolic provisions of the McCarran Act was its authorization ofconcentration camps "for emergency situations." -- from: _Better Red Than Dead: A Nostalgic Look at the Golden Years of RussiaPhobia, Red-baiting, and Other Commie Madness_, by Michael Barson (New York: Hyperion, 1992). EL MOJADO, [THE WETBACK] by Danny Lyon 1974, New Mexico, color, 14 minutes English and Spanish with subtitles, Produced by J.J. Meeker. A portrait of a hard-working undocumented laborer from Mexico. "It's like being a hunter, but you're stalking human beings, and that's a lot more fun." -- Border Patrol Officer "El Mojado is about my best friend in New Mexico, an undocumented worker from rural Chihuahua . . . His name is Eddie and I sooncame to regard him as a genius. Eddie could do anything, make anything, fix any car or truck, and usually do it with scraps. We built an adobe house together and every spring I would meet him near the border and smuggle him past the border patrol into the United States. He introduced me to the whole unbelievable world of 'illegal aliens'." - Danny Lyon, http://bleakbeauty.com/film%20pages/elmojado.html [7] CROSSINGS, by Robert Fenz 2006-07, 16mm, 10 min. In _Crossings_ (2006–07), made for the 2008 Whitney Biennial, Fenz switches to color film to convey more sensate information about the United States–Mexico border wall. Ten minutes of film features _Crossings_ played twice—first silently, next with ambient sound—allowing the viewer to imagine a soundtrack before the imposed audio begins. Presented as quick, single-frame snapshots are a pair of frames shot looking to the left and right from eachside of the wall followed by upward and downward views on both sides, creating a strobelike effect that recalls the psychedelic experiments of James Whitney or Harry Smith. The length of each shot is of primary importance to Fenz, for whom each frame is a captured moment in time. These moments build, highlighting the surprising formal beauty of the wall while evoking the frenetic, fearful energy one might feel if trapped by it. By visually simulating what the wall symbolizes, Fenz depicts terror and awe as impossibly intertwined. TRINIE DALTON, https://whitney.org/www/2008biennial/www/?section=artists&page=artist_fenz BRADLEY MANNING HAD SECRETS, by Adam Butcher 2012, color, 5:30 Written and Directed by Adam Butcher Animation: Ben Claxton, Adam Butcher The story of Chelsea Manning (formerly known as Bradley), not as a Wikileaks 'hacktivist', but as a young American soldier simultaneously going through a crisis-of-conscious and a crisis-of-gender-identity. Animated in a rotoscoped pixel-art style and using dialogue from Chelsea’s online conversations, the film explores issues of personal and political secrets, digital identity and alienation. All dialogue was taken from the real online conversations that Manning had with Adrian Lamo. This was then voiced by actors. Source: http://www.wired.com/2011/07/manning-lamo-logs [8] This film was created in November 2011, nearly 2 years before Chelsea came out publicly as a trans woman. This was also before her chosen name “Chelsea” became public knowledge. JAMES BALDWIN #1-#5 by Marco Kane Braunschweiler 2014, HD video, 4:11 Marco Kane Braunschweiler is a Swiss-American artist based in Los Angeles. In James Baldwin #1-#5, Braunschweiler strips away the image of writer James Baldwin, leaving a white shifting silhouette of his likeness against a black background to content with his disembodied voice. Baldwin delivered effective, incisive rhetoric to speak truth to oppression in America, against the backdrop of the Civil Rights movement. Removing the image of Baldwin altogether underscores the natural effect the photograph has to condense and flatten time, showing just how little has changed in the past fifty years. -Erin Christovale, Curator, Los Angeles Municipal Art Gallery PORTRAIT #2: TROJAN, by Vanessa Renwick 2006, 5 minutes, 35mm to SD video score: Sam Coomes; cinematography: Eric Edwards; edit: Vanessa Renwick The Trojan Nuclear Power Plant, with its 499-foot tall cooling tower that loomed over its otherwise bucolic Columbia river setting, is the only commercial nuclear power plant ever built in the state of Oregon, at the cost of $450 million in the 1970's economy (almost 3 _trillion_ dollars in today’s money). Beset by environmental concerns and citizen protest from the moment it began operations in 1975, resting in close proximity to a fault line, suffering unplanned closures due to leaking steam tubes and other operating issues, and shortlyafter Portland General Electric spent $4.5 million to defeat a ballot measure to shut the reactor down, the plant finally closed for good in 1993, after only 17 years in operation. At 7:00 am on May 21, 2006, in the first ever implosion of a cooling tower at a reactor plant in the United States, with the river and its denizens as witness, Trojan fell. _Portrait #2: Trojan _is a sublime representation of the surrounding environment leading dramatically up to the moment of demolition. Sam Coomes’ flawless score provides stunning sonic context for the happy ending of the Oregon nuclear skyline. The film is an effective prescription in prevention of politically-triggered anxiety and depression in post-modern Cascadia. --------------------------- This program is supported by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission; the Department of Cultural Affairs, City of Los Angeles; and Bloomberg Philanthropies. We also depend on our members, ticket buyers, and individual donors. Los Angeles Filmforum is the city’s longest-running organization dedicated to weekly screenings of experimental film, documentaries, video art, and experimental animation. 2017 is our 42nd year. Coming Soon to Los Angeles Filmforum: Sept 22-24 – The launch of ISMO ISMO ISMO: CINE EXPERIMENTAL EN AMÉRICA LATINA (ISM, ISM, ISM: EXPERIMENTAL CINEMA IN LATIN AMERICA Images (Part of Pacific Standard Time:LA/LA) – at REDCAT Sept 28 - Raúl Ruiz: Anthropology’s Trembling Images (Part of Pacific Standard Time: LA/LA) – at MOCA on Grand Avenue Memberships available, $70 single, $115 dual, or $50 single student Contact us at lafilmfo...@yahoo.com. Find us online at http://lafilmforum.org. [9] Become a fan on Facebook and follow us on Twitter @LosAngFilmforum!
Links: ------ [1] http://www.scottstark.com [2] http://www.ercatx.org [3] http://www.hi-beam.net [4] http://bpt.me/3081414 [5] http://www.lafilmforum.org [6] http://www.lafilmforum.org [7] http://bleakbeauty.com/film%20pages/elmojado.html [8] http://www.wired.com/2011/07/manning-lamo-logs [9] http://lafilmforum.org./
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