On Nov 8, 2017, at 7:00 AM, [email protected] wrote:
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Shirley Clarke Bridges-Go-Round It’s on YouTube.
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Today's Topics:
1. Oona Nelson (Gene Youngblood)
2. Jazz Music and Avant-Garde Film (Albert Alcoz)
3. Risco Cinema - Contemporary Experiments on Film (Lucas Murari)
4. Re: Jazz Music and Avant-Garde Film (Pablo Marin)
From: Gene Youngblood <[email protected] <mailto:[email protected]>>
Subject: [Frameworks] Oona Nelson
Date: November 7, 2017 at 9:34:20 AM EST
To: [email protected] <mailto:[email protected]>
Does anyone have contacts for Oona?
From: Albert Alcoz <[email protected] <mailto:[email protected]>>
Subject: [Frameworks] Jazz Music and Avant-Garde Film
Date: November 8, 2017 at 3:13:59 AM EST
To: Experimental Film Discussion List <[email protected]
<mailto:[email protected]>>
Hello,
I was wondering about the connections between jazz music and avant-garde film
after watching Bridges-Go-Round (1958) by Shirley Clarke, with the soundtrack
version created by Teo Macero.
There should be plenty of avant-garde and experimental films where the
soundtrack is instrumental jazz music. Maybe the field of Visual Music should
be the most represented but i'm sure there are other films like the one by
Michael Snow that uses, in this case, free jazz music or improvisation.
Does anyone remember some other avant-garde films with jazz soundtracks?
Right my list is as follows:
Begone Dull Care (1949) by Norman McLaren. Music by Oscar Peterson
Films No. 1 (1948) by Harry Smith. Music by Dizzy Gillespie
Chasse des Touches (1959) by Hy Hirsh. Music by Thelonious Monk
Catalog (1961) by John Whitney. Music by Ornette Coleman
New York Eye and Ear Control (1964) by Michael Snow. Music by Albert Ayler, Don
Cherry, etc.
Thanks in advance,
Albert Alcoz
--
http://visionaryfilm.net/ <http://www.visionaryfilm.net/>
http://albertalcoz.com/ <http://www.albertalcoz.com/>
From: Lucas Murari <[email protected] <mailto:[email protected]>>
Subject: [Frameworks] Risco Cinema - Contemporary Experiments on Film
Date: November 8, 2017 at 5:34:27 AM EST
To: [email protected] <mailto:[email protected]>
“CONTEMPORARY FILM EXPERIMENTS”
Programs cured by Kim Knowles
Support: Aberystwyth University and Edinburgh International Film Festival and
Fagulha Films.
Auditório da Cinemateca
Museu de Arte Moderna do Rio de Janeiro
Av. Infante Dom Henrique, 85, Parque do Flamengo, Rio de Janeiro
<https://maps.google.com/?q=Av.+Infante+Dom+Henrique,+85,+Parque+do+Flamengo,+Rio+de+Janeiro&entry=gmail&source=g>.
1º PROGRAM - 13 de novembro (Monday), 18h.
PERSPECTIVES ON ANTHROPOCENE (88min)
Presentation: Kim Knowles
Discussion: Helena Martins (PUC Rio) e Kim Knowles (Aberystwyth University)
Movies:
- Le Pays Devasté, Emmanuel Lefrant, França, 2015, 12 mins
- The Atom Station, Nick Jordan, Reino Unido, 2015, 14 mins
- Sound of a Million Insects, Light of a Thousand Stars, Tomonari Nishikawa,
Japão, 2014, 2 mins
- Into the Great White Open, Michaela Grill, Áustria, 2015, 16 mins
- Disporting with a Shadow, Paul Clipson, Estados Unidos, 2015, 4 mins
- Blua, Carolina Charry Quintero, Colômbia, 2017, 25 mins
- The Place I Will Have Left, Lena Ditte Nissen, Alemanha, 2017, 15 mins
2º PROGRAM- 14 de novembro (Tuesday), 18h.
GESTURES AND TEXTURES - Contemporary Experimental Films in the UK (56 min)
Presentation: Kim Knowles
Discussion: Ana Kiffer (PUC Rio) e Kim Knowles (Aberystwyth University)
Movies:
- Abject Noise, Bea Haut, RU, 2014, 3 mins
- Attraction, Martha Jurksaitis, RU, 2014, 11 mins
- Aligning, Jenny Baines, RU, 2013, 3 mins
- Double Dapple, Mary Stark & David Chatton Barker, RU, 2016, 3 mins
- Primal, Vicky Smith, RU, 2016, 10 mins
- For Maynard, Tanya Syed, RU, 2016, 26 mins
Organization:
Departamento de Letras PUC-Rios PUC-Rio
Programa de Pós-graduação em Literatura, Cultura e Contemporaneidade (PPGLCC)
RISCO Cinema
Cinemateca do MAM Rio
Fagulha Filmes
Support:
Aberystwyth University
Edinburgh International Film Festival
<https://facebook.us12.list-manage.com/track/click?u=4613c3cfc4cf4a9b36103b593&id=93177420bb&e=8fc06f5f8c>
E-mail de contato:
[email protected] <mailto:[email protected]>
From: Pablo Marin <[email protected] <mailto:[email protected]>>
Subject: Re: [Frameworks] Jazz Music and Avant-Garde Film
Date: November 8, 2017 at 6:36:59 AM EST
To: Experimental Film Discussion List <[email protected]
<mailto:[email protected]>>
Reply-To: Pablo Marin <[email protected] <mailto:[email protected]>>
Hi Albert,
Daybreak Express (1953), by D.A. Pennebaker
Music by Duke Ellington.
https://www.youtube.com/watch?v=gDqBoUYpMq4
<https://www.youtube.com/watch?v=gDqBoUYpMq4>
Best!
Pablo Marín
Buenos Aires
On Wednesday, November 8, 2017 5:14 AM, Albert Alcoz <[email protected]
<mailto:[email protected]>> wrote:
Hello,
I was wondering about the connections between jazz music and avant-garde film
after watching Bridges-Go-Round (1958) by Shirley Clarke, with the soundtrack
version created by Teo Macero.
There should be plenty of avant-garde and experimental films where the
soundtrack is instrumental jazz music. Maybe the field of Visual Music should
be the most represented but i'm sure there are other films like the one by
Michael Snow that uses, in this case, free jazz music or improvisation.
Does anyone remember some other avant-garde films with jazz soundtracks?
Right my list is as follows:
Begone Dull Care (1949) by Norman McLaren. Music by Oscar Peterson
Films No. 1 (1948) by Harry Smith. Music by Dizzy Gillespie
Chasse des Touches (1959) by Hy Hirsh. Music by Thelonious Monk
Catalog (1961) by John Whitney. Music by Ornette Coleman
New York Eye and Ear Control (1964) by Michael Snow. Music by Albert Ayler, Don
Cherry, etc.
Thanks in advance,
Albert Alcoz
--
http://visionaryfilm.net/ <http://www.visionaryfilm.net/>
http://albertalcoz.com/ <http://www.albertalcoz.com/>
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