Cecelia Condit and Vanalyne Green

On November 10, 2017 at 3:05:47 PM, mary billyou ([email protected]) wrote:

my movie "The Wonder of It All"

and "ours be the tossing"

PS I love "Crowdog" by Vanessa Renwick and "Dirty Fingernails" by Sarah Kennedy 
and "Hair Piece" by Ayoka Chenzira. 

There's also a bunch by Martha Rosler: "A Budding Gourmet," "How Do We Know 
What Home Looks Like?," and one of the best: "Martha Rosler Reads Vogue"

MM Serra's "Enduring Ornament"

Some of Sabine Gruffat's recent work has her voice – "Speculation Nation"

Shelly Silver's work



On Sun, Nov 5, 2017 at 4:47 PM, Ann Deborah Levy <[email protected]> 
wrote:
Hi Ben,

My 16mm films all used voiceover with women’s voices prominent.  The most 
ambitious, and definitely off the radar, is:
 
WATERSCAPE: ILLUSIONS, 52 minutes, an essay film that meditates on illusion and 
reality in both myth making and filmmaking in the context of shooting a film on 
a “wilderness” lake with swans.  The principal voices are all women:  the 
filmmaker whose shooting diary provides narration of events and thoughts, a 
scholar on swan symbolism, and three young girls trading fairy tales and a 
poem.  If you would like a link, please contact me off list.  


Other films with women in voiceover that come to mind, but in no way represent 
a comprehensive list are:

Marguerite Duras films:  especially INDIA SONG and her short film CESAREE with 
a woman’s voice describing the ruined city of Cesaree (Caesarea) over images of 
the Tuileries and Paris.


Some films preserved by the Women’s Film Preservation Fund of NYWIFT:

MAKE OUT, 1970, a narrative short showing a couple in a romantic moment with a 
woman’s voice expressing what she is feeling.  The film made by the Newsreel 
Collective was conceived by Geri Ashur, who co-directed, (with Peter 
Schlaifer), the filming of the actors. The voice-over script was created 
collectively by Ashur, Andrea Eagan, Marcia Salo Rizzi, Deborah Shaffer and a 
few other women, and was taken from thetranscript of their "conscious-raising 
group" discussions.

SISTERS!, 1973, Barbara Hammer, director, with the voices of Hammer and Kate 
Millet.  The film begins with a woman’s voice declaring: “I had a dream of 
women where men used to be: building, working, growing strong, building their 
bodies into strength for self-defense.” This film collage is a celebration of 
lesbians.

ALL WOMEN ARE EQUAL, Marguerite Paris.  This may be a stretch because it’s a 
documentary about a male to female transvestite, Paula, whose voice taken from 
an interview out of synch with filmed images of her in her apartment.


And one more addition: 
HAIR PIECE, A FILM FOR NAPPY-HEADED PEOPLE, 1985, Ayoka Chenzira, director, an 
animated film about Black women coping with expectations about their 
hairstyles.  (available through Women Make Movies)


ANN

Ann Deborah Levy
filmmaker: www.resonantimages.com
and
Co-Chair, Women’s Film Preservation Fund of NYWIFT:  
www.womensfilmpreservationfund.org


On Nov 2, 2017, at 9:42 AM, Ben Ogrodnik wrote:

Hi all,

I am requesting some film suggestions for a list of experimental,  
independent, and/or feminist-leaning films that contain a woman --  
or multiple women -- providing voice-over narration to the images.

The works can be from any era, in any format: documentary,  
animation, fiction, found-footage, anthropological, installation- 
based, etc.

Some well-known examples of this tradition would be: Laura Mulvey  
and Peter Wollen's Riddles of the Sphinx, 1977; Michelle Citron's  
Daughter Rite, 1978; or Su Friedrich's Sink or Swim, 1990.

Any examples of woman-voiced films that may be lesser known, or  
made outside EuroAmerican settings, would be greatly appreciated as  
well!

Thanks so much.

Sincerely,
Ben

-- 
Ben Ogrodnik
Department of Film Studies // History of Art and Architecture
University of Pittsburgh
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www.marybillyou.com
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