Oops. Forgot to put the correct subject header - sorry!!! Hello all
I’m a very infrequent reader and an even more infrequent post-er on fw but I thought I’d respond to Chuck’s provocation and the posts that followed. For those of you who don’t know me (many I’m sure) I write about the experimental film community and experimental film practice, I teach film at Emerson College and I make and exhibit films. Some of you may be aware of parallel discussions taking place right now on fb (I am tuned into a few but I’m sure not all) about sexual harassment in film schools, in art school and in the experimental film community(s) that many of us operate in. For me and for so many others these are not discrete but overlapping fields of cultural production, so it is difficult for me to imagine an experimental film world utopia that isn’t deeply enmeshed in, at the very least art world and academic circles. Two things spring to mind that *might* expand this argument. One already posted here but worth amplifying is this post calling film schools to task for allowing structural misogyny (racism too!) and basically being a factory for Weinsteins https://blog.womenandhollywood.com/guest-post-how-film-schools-lead-to-pipelines-full-of-weinsteins-f49f4c69d78 the other is this post by artist Coco Fusco about her experience as an artist and a professor https://hyperallergic..com/411343/how-the-art-world-and-art-schools-are-ripe-for-sexual-abuse/ If we truly want to think as an expanded community of visual artists and thinkers about how sexual harassment and discrimination (of all kinds btw) impact our members we need to open our eyes to how it persists, reproduces itself, is accepted by all of us. It’s never just a few bad actors. It’s all the people who stay silent, who ignore, who excuse by saying “oh but they are a genius!” So thanks Chuck for your query.. There is some work to be done! All the best, Kathryn Ramey Sorry for the brevity of my reply. I am sending this from my cellphone. All the best, Kathryn Ramey Sorry for the brevity of my reply. I am sending this from my cellphone. Begin forwarded message: > From: Kathryn Ramey <krame...@yahoo.com> > Date: November 25, 2017 at 6:25:43 PM EST > To: frameworks@jonasmekasfilms.com > Subject: Re: FrameWorks Digest, Vol 90, Issue 26 > > Hello all > > I’m a very infrequent reader and an even more infrequent post-er on fw but I > thought I’d respond to Chuck’s provocation and the posts that followed. > > For those of you who don’t know me (many I’m sure) I write about the > experimental film community and experimental film practice, I teach film at > Emerson College and I make and exhibit films. > > Some of you may be aware of parallel discussions taking place right now on fb > (I am tuned into a few but I’m sure not all) about sexual harassment in film > schools, in art school and in the experimental film community(s) that many of > us operate in. For me and for so many others these are not discrete but > overlapping fields of cultural production, so it is difficult for me to > imagine an experimental film world utopia that isn’t deeply enmeshed in, at > the very least art world and academic circles. > > Two things spring to mind that *might* expand this argument. One already > posted here but worth amplifying is this post calling film schools to task > for allowing structural misogyny (racism too!) and basically being a factory > for Weinsteins > > https://blog.womenandhollywood.com/guest-post-how-film-schools-lead-to-pipelines-full-of-weinsteins-f49f4c69d78 > > the other is this post by artist Coco Fusco about her experience as an artist > and a professor > > https://hyperallergic..com/411343/how-the-art-world-and-art-schools-are-ripe-for-sexual-abuse/ > > If we truly want to think as an expanded community of visual artists and > thinkers about how sexual harassment and discrimination (of all kinds btw) > impact our members we need to open our eyes to how it persists, reproduces > itself, is accepted by all of us. > > It’s never just a few bad actors. It’s all the people who stay silent, who > ignore, who excuse by saying “oh but they are a genius!” > > So thanks Chuck for your query.. There is some work to be done! > > All the best, > Kathryn Ramey > > Sorry for the brevity of my reply. I am sending this from my cellphone. > > >> On Nov 25, 2017, at 7:00 AM, frameworks-requ...@jonasmekasfilms.com wrote: >> >> Send FrameWorks mailing list submissions to >> frameworks@jonasmekasfilms.com >> >> To subscribe or unsubscribe via the World Wide Web, visit >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> or, via email, send a message with subject or body 'help' to >> frameworks-requ...@jonasmekasfilms.com >> >> You can reach the person managing the list at >> frameworks-ow...@jonasmekasfilms.com >> >> When replying, please edit your Subject line so it is more specific >> than "Re: Contents of FrameWorks digest..." >> >> >> Today's Topics: >> >> 1. Re: Asking for a friend (Bernard Roddy) >> 2. Re: Parallel Editing (Esperanza Collado) >> 3.. Re: Asking for a friend (Kate Ewald) >> 4. Re: Asking for a friend (Fred Camper) >> 5. UCLA tenure track Experimental/Emergent media job >> (Anderson, Steven) >> 6. Re: UCLA tenure track Experimental/Emergent media job >> (George, Sherman) >> 7. Re: Asking for a friend (Cecilia Dougherty) >> 8. A Celebration and Screening of TAKAHIKO IIMURA (Takahiko iimura) >> >> >> ---------------------------------------------------------------------- >> >> Message: 1 >> Date: Fri, 24 Nov 2017 07:10:32 -0600 >> From: Bernard Roddy <tactilecor...@gmail.com> >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >> Subject: Re: [Frameworks] Asking for a friend >> Message-ID: >> <CADn65_puC6ppGKpgHHPY7F+NMe2t2i2n4ABepjLd=bcoxl7...@mail.gmail.com> >> Content-Type: text/plain; charset="utf-8" >> >> Well, I would say it has the appearance of a media fiasco. >> >> By the way, I got the unemployment benefits I was being denied! Minimum >> enrollment for adjuncts went up, classes were cancelled, and I received >> adjunct offers at two different locations. I decided not to take the >> better paying arrangement and wrote a full explanation for this decision, >> but online I had to check the box that said I had "refused" employment. >> What a nightmare. I am so relieved to have my rent now. If anyone here >> works at O'Hare and would like to hire a driver, please write me. >> >> Bernie >> >> On Thu, Nov 23, 2017 at 3:06 PM, Chuck Kleinhans <chuck...@northwestern.edu> >> wrote: >> >>> Given the proliferation of items in the news about sexual harassment in >>> the film industry, and entertainment, and politics and academe, etc. why is >>> this listserv so quiet on these issues? Nothing to report? >>> >>> Chuck Kleinhans >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> -------------- next part -------------- >> An HTML attachment was scrubbed... >> URL: >> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20171124/3af46076/attachment-0001.html> >> >> ------------------------------ >> >> Message: 2 >> Date: Fri, 24 Nov 2017 15:06:45 +0100 >> From: Esperanza Collado <esperanzacolla...@gmail.com> >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >> Subject: Re: [Frameworks] Parallel Editing >> Message-ID: >> <calgkh1fnck9dt5zd1tb_fz95mo5ao_qvnyzdqxyersi2_mn...@mail.gmail.com> >> Content-Type: text/plain; charset="utf-8" >> >> Are you investigating Eisenstein's notion of parallel montage and its >> possible sequels in the history of film? Probably so, but just in case I >> wanted to add Battleship Potemkin and October. They are great examples of >> parallel montage (someone already mention Strike). In the famous "July >> days" or bridge sequence of October, shots of the iron structure of a >> rising bridge are intercut with shots of a dead white horse and a dead >> woman with very long hair. It's a good example. >> >> This makes me realize I used this type of editing once, but I wasn't aware >> of its name and history! >> >> 2017-11-21 23:39 GMT+01:00 Christopher Ball <cbifi...@gmail.com>: >> >>> This is a very broad question, but I just saw Dunkirk last night and it >>> was an interesting example of parallel editing that kept jumping time, so >>> what you thought was parallel time turned out not to be...sometimes you >>> went back in time, other times forward in time, sometimes you were >>> parallel, and from different points of view. So you never quite knew where >>> you were until it all came together at the end. I am not sure if it really >>> worked, but it was an interesting experiment. >>> >>> On Tue, Nov 21, 2017 at 9:36 AM, Cecilia Dougherty < >>> cecilia.doughe...@gmail.com> wrote: >>> >>>> Stanley Kubrick?s The Killing - many examples. >>>> >>>> On Mon, Nov 20, 2017 at 9:42 PM Amanda Christie < >>>> ama...@amandadawnchristie.ca> wrote: >>>> >>>>> thank you warren? >>>>> >>>>> on both counts? >>>>> of >>>>> >>>>> A) steering things away from the DWG >>>>> ..&.. >>>>> B) pointing out how uselessly broad the initial question was. >>>>> >>>>> please narrow it down kelsey? what are you really after? >>>>> >>>>> adc >>>>> >>>>> >>>>> >>>>>>> On Nov 20, 2017, at 8:53 PM, Warren Cockerham < >>>>>> warrencocker...@gmail.com> wrote: >>>>>> >>>>>> The problem with Kelsey?s inquiry is it?s much too broad. There are >>>>> literally millions of narrative examples in film and television. Every >>>>> popular tv show is parallel edited. Instead of listing millions of >>>>> examples, is there something more nuanced that you?re after here, Kelsey? >>>>>> >>>>>>> On Nov 20, 2017, at 8:45 PM, "o...@thenowcorporation.com" < >>>>> o...@thenowcorporation.com> wrote: >>>>>>> >>>>>>> yes. and the Baptism scene in The Godfather. >>>>>>> >>>>>>> owen >>>>>>> >>>>>>> >>>>>>>> On Nov 20, 2017, at 7:38 PM, Dominic Angerame < >>>>> dominic.anger...@gmail..com> wrote: >>>>>>>> >>>>>>>> look no further than DW Griffith who developed this fully. >>>>>>>> >>>>>>>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez < >>>>> kelsve...@hotmail.com> wrote: >>>>>>>> I'm looking for instances of parallel editing in narrative cinema, >>>>> if you please! >>>>>>>> >>>>>>>> >>>>>>>> Thanks, >>>>>>>> >>>>>>>> Kelsey >>>>>>>> >>>>>>>> >>>>>>>> _______________________________________________ >>>>>>>> FrameWorks mailing list >>>>>>>> FrameWorks@jonasmekasfilms.com >>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>>>> >>>>>>>> >>>>>>>> _______________________________________________ >>>>>>>> FrameWorks mailing list >>>>>>>> FrameWorks@jonasmekasfilms.com >>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>>> >>>>>>> _______________________________________________ >>>>>>> FrameWorks mailing list >>>>>>> FrameWorks@jonasmekasfilms.com >>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>> _______________________________________________ >>>>>> FrameWorks mailing list >>>>>> FrameWorks@jonasmekasfilms.com >>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> FrameWorks@jonasmekasfilms.com >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> -- >>>> ?As from when does somewhere become truly yours?? -- Georges Perec >>>> >>>> Cecilia Dougherty >>>> http://www.ceciliadougherty.com >>>> http://inbetweentheories.com >>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> FrameWorks@jonasmekasfilms.com >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> -- >> Esperanza Collado >> >> >> >> www.esperanzacollado.net >> -------------- next part -------------- >> An HTML attachment was scrubbed... >> URL: >> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20171124/c9cee217/attachment-0001.html> >> >> ------------------------------ >> >> Message: 3 >> Date: Fri, 24 Nov 2017 12:17:19 -0500 >> From: Kate Ewald <katherine.ew...@gmail.com> >> To: frameworks@jonasmekasfilms.com >> Subject: Re: [Frameworks] Asking for a friend >> Message-ID: >> <CAKAkbPyMFLAhSPG6ZtqVXJYLW0mfYy1g0XHLTRd_=yvgiu2...@mail.gmail.com> >> Content-Type: text/plain; charset="utf-8" >> >> I will give an anecdote about this very listserv: I was very severely >> sexually harassed as a college student posting about a film screening in >> 2008. It was for a well-known experimental filmmaker. The response to my >> post involved "oh, you don't know what you're talking about and I bet you >> can shut up and stick a dick in your mouth." This persisted for several >> posts (becoming increasingly graphic), some just to me, some to the whole >> list - I'm not sure what prompted such a reaction from this stranger. >> Scott was kind enough to delete these posts from the archives out of >> respect and block this person from Frameworks, but as a young person first >> entering the experimental film community (it was my first post on >> Frameworks), I was shaken. Some people policed it and stood up for me >> then, but Scott made it go away very quickly. So yes, this happens in our >> community, and yes, this happens on this listserv. I wish it weren't the >> case. >> -------------- next part -------------- >> An HTML attachment was scrubbed... >> URL: >> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20171124/ab9b6483/attachment-0001.html> >> >> ------------------------------ >> >> Message: 4 >> Date: Fri, 24 Nov 2017 15:34:33 -0600 >> From: Fred Camper <f...@fredcamper.com> >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >> Subject: Re: [Frameworks] Asking for a friend >> Message-ID: <68fd7957-db36-253c-080d-91f29d541...@fredcamper.com> >> Content-Type: text/plain; charset="utf-8"; Format="flowed" >> >> Amazing, but unfortunately not that big of a surprise. It supports my >> point that no group should feel holier than thou, or immune from all the >> badness. (Take, for example, priests, oh, wait, let's not...) >> >> I have to admit I do not understand the psychology at work here -- what >> pleasure could any male get out of such behavior? I will say with >> virtual certainty that nothing that you did "prompted" him. I guess we >> humans are all different, and not always in good ways. >> >> Thanks for speaking up. >> >> Fred Camper >> Chicago >> >>> On 11/24/2017 11:17 AM, Kate Ewald wrote: >>> I will give an anecdote about this very listserv: I was very severely >>> sexually harassed as a college student posting about a film screening >>> in 2008.? It was for a well-known experimental filmmaker.? The >>> response to my post involved "oh, you don't know what you're talking >>> about and I bet you can shut up and stick a dick in your mouth."? This >>> persisted for several posts (becoming increasingly graphic), some just >>> to me, some to the whole list - I'm not sure what prompted such a >>> reaction from this stranger.? Scott was kind enough to delete these >>> posts from the archives out of respect and block this person from >>> Frameworks, but as a young person first entering the experimental film >>> community (it was my first post on Frameworks), I was shaken.? Some >>> people policed it and stood up for me then, but Scott made it go away >>> very quickly.? So yes, this happens in our community, and yes, this >>> happens on this listserv.? I wish it weren't the case. >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> -------------- next part -------------- >> An HTML attachment was scrubbed... >> URL: >> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20171124/9bc4fe84/attachment-0001.html> >> >> ------------------------------ >> >> Message: 5 >> Date: Sat, 25 Nov 2017 00:00:30 +0000 >> From: "Anderson, Steven" <sfand...@tft.ucla.edu> >> To: "frameworks@jonasmekasfilms.com" <frameworks@jonasmekasfilms.com> >> Subject: [Frameworks] UCLA tenure track Experimental/Emergent media >> job >> Message-ID: >> <4db96803d7d7bb4fa2e8dd732fd352ec34d16...@em1c.ad.ucla.edu> >> Content-Type: text/plain; charset="Windows-1252" >> >> Please help circulate! >> https://recruit.apo.ucla.edu/apply/JPF03396 >> >> UCLA Assistant Professor of Experimental and Emergent Media >> Cinema & Media Studies Program >> Department of Film, Television & Digital Media >> School of Theater, Film & Television >> Job #JPF03396 >> >> Application deadline: December 22nd, 2017 >> >> Job Description: UCLA TFT Assistant Professor of Experimental and Emergent >> Media >> The UCLA Department of Film, Television and Digital Media seeks to fill an >> Assistant Professor, tenure track professor position in Cinema and Media >> Studies with expertise in critical and historical approaches to experimental >> and emergent media in film, television, video, and digital media. >> >> The Department encourages work that aims at social impact. We see >> non-traditional, alternative, and innovative, media as a critical interface >> between media studies and practice. Such media has often catalyzed >> innovation in narrative form. Thus, we are interested in candidates whose >> work resonates with the areas of MFA programs in the FTV Department: >> Animation, Digital Media, Production, Producers and Screenwriting. We >> especially encourage applications from candidates whose interests include >> documentary, media arts, avant-garde, interactive work, development of >> archival resources from underrepresented communities, and/or digital media >> production. >> >> The Cinema and Media Studies (CMS) Program places an emphasis on >> ?intermediality? across historical, contemporary, and applied research in >> our field. We understand intermediality as an approach that is attentive to >> the complex relations existing across media texts, platforms, industries, >> and cultures. CMS supports a broad array of critical interests, training >> students to engage with and work across several disciplinary axes: >> >> ? Participatory, rigorous archival, or data-driven research >> ? Critically informed approaches to the analysis of texts and the cultural >> formations within which they are produced and circulated >> ? Applied research within professional and policy arenas for media >> ? Emerging modes of videographic and digital scholarship >> >> The University of California, Los Angeles, and the Department of Film, >> Television, and Digital Media are interested in candidates who are committed >> to the highest standards of scholarship and professional activities and to >> the development of a campus climate that supports equality and diversity. >> Women and minorities are encouraged to apply. >> >> Application information: Applicants must have a PhD in film studies, media >> studies, area studies, or a related discipline. The department is searching >> for applicants who have a demonstrated commitment to diversity and social >> change and who are able to teach and advise broadly across the Cinema and >> Media Studies core and elective curriculum. >> >> Please submit an electronic version of your CV, the names of 3 references >> who may be contacted regarding your application, a statement of teaching >> goals and experience, a statement of contributions to diversity, one >> published article or book chapter (no more than 40 pages) and a cover letter >> of no more than 3 pages that illustrates your particular suitability for the >> position. Please address your materials to Professor Steve Anderson ? Chair >> of the Search Committee. >> >> Application Deadline: Applications should be received by December 22nd, 2017 >> >> The University of California is an Equal Opportunity/Affirmative Action >> Employer. All qualified applicants will receive consideration for employment >> without regard to race, color, religion, sex, sexual orientation, gender >> identity, national origin, disability, age or protected veteran status. For >> the complete University of California nondiscrimination and affirmative >> action policy see: UC Nondiscrimination and Affirmative Action Policy. >> >> The vision of the School of Theater, Film and Television is to serve as a >> premier interdisciplinary global professional school that develops >> outstanding humanistic storytellers, industry leaders and scholars whose >> diverse, innovative voices enlighten, engage and inspire change for a better >> world. >> >> DOCUMENTS >> Curriculum Vitae - Your most recently updated C.V. >> Cover Letter >> Statement of Teaching - statement of teaching goals and experience >> Statement of Contributions to Diversity - Statement addressing past and/or >> potential contributions to diversity through research, teaching, and/or >> service. >> Misc / Additional - one published article or book chapter (no more than 40 >> pages) >> >> REFERENCES >> 3 references required (contact information only) >> >> APPLY HERE >> https://recruit.apo..ucla.edu/apply/JPF03396 >> >> >> ------------------------------ >> >> Message: 6 >> Date: Sat, 25 Nov 2017 00:25:17 +0000 >> From: "George, Sherman" <sgeo...@ucsd.edu> >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >> Subject: Re: [Frameworks] UCLA tenure track Experimental/Emergent >> media job >> Message-ID: <ce20c083-13e2-480d-9b98-104e76a73...@ucsd.edu> >> Content-Type: text/plain; charset="Windows-1252" >> >> Steve >> Don't you dare apply for this position! >> >> Sent from my iPhone >> Sherman George >> 858-229-4368 >> >> >>> On Nov 24, 2017, at 16:00, Anderson, Steven <sfand...@tft.ucla.edu> wrote: >>> >>> Please help circulate! >>> https://recruit.apo.ucla.edu/apply/JPF03396 >>> >>> UCLA Assistant Professor of Experimental and Emergent Media >>> Cinema & Media Studies Program >>> Department of Film, Television & Digital Media >>> School of Theater, Film & Television >>> Job #JPF03396 >>> >>> Application deadline: December 22nd, 2017 >>> >>> Job Description: UCLA TFT Assistant Professor of Experimental and Emergent >>> Media >>> The UCLA Department of Film, Television and Digital Media seeks to fill an >>> Assistant Professor, tenure track professor position in Cinema and Media >>> Studies with expertise in critical and historical approaches to >>> experimental and emergent media in film, television, video, and digital >>> media. >>> >>> The Department encourages work that aims at social impact. We see >>> non-traditional, alternative, and innovative, media as a critical interface >>> between media studies and practice. Such media has often catalyzed >>> innovation in narrative form. Thus, we are interested in candidates whose >>> work resonates with the areas of MFA programs in the FTV Department: >>> Animation, Digital Media, Production, Producers and Screenwriting. We >>> especially encourage applications from candidates whose interests include >>> documentary, media arts, avant-garde, interactive work, development of >>> archival resources from underrepresented communities, and/or digital media >>> production. >>> >>> The Cinema and Media Studies (CMS) Program places an emphasis on >>> ?intermediality? across historical, contemporary, and applied research in >>> our field. We understand intermediality as an approach that is attentive to >>> the complex relations existing across media texts, platforms, industries, >>> and cultures. CMS supports a broad array of critical interests, training >>> students to engage with and work across several disciplinary axes: >>> >>> ? Participatory, rigorous archival, or data-driven research >>> ? Critically informed approaches to the analysis of texts and the cultural >>> formations within which they are produced and circulated >>> ? Applied research within professional and policy arenas for media >>> ? Emerging modes of videographic and digital scholarship >>> >>> The University of California, Los Angeles, and the Department of Film, >>> Television, and Digital Media are interested in candidates who are >>> committed to the highest standards of scholarship and professional >>> activities and to the development of a campus climate that supports >>> equality and diversity. Women and minorities are encouraged to apply. >>> >>> Application information: Applicants must have a PhD in film studies, media >>> studies, area studies, or a related discipline. The department is searching >>> for applicants who have a demonstrated commitment to diversity and social >>> change and who are able to teach and advise broadly across the Cinema and >>> Media Studies core and elective curriculum. >>> >>> Please submit an electronic version of your CV, the names of 3 references >>> who may be contacted regarding your application, a statement of teaching >>> goals and experience, a statement of contributions to diversity, one >>> published article or book chapter (no more than 40 pages) and a cover >>> letter of no more than 3 pages that illustrates your particular suitability >>> for the position. Please address your materials to Professor Steve Anderson >>> ? Chair of the Search Committee. >>> >>> Application Deadline: Applications should be received by December 22nd, 2017 >>> >>> The University of California is an Equal Opportunity/Affirmative Action >>> Employer. All qualified applicants will receive consideration for >>> employment without regard to race, color, religion, sex, sexual >>> orientation, gender identity, national origin, disability, age or protected >>> veteran status. For the complete University of California nondiscrimination >>> and affirmative action policy see: UC Nondiscrimination and Affirmative >>> Action Policy. >>> >>> The vision of the School of Theater, Film and Television is to serve as a >>> premier interdisciplinary global professional school that develops >>> outstanding humanistic storytellers, industry leaders and scholars whose >>> diverse, innovative voices enlighten, engage and inspire change for a >>> better world. >>> >>> DOCUMENTS >>> Curriculum Vitae - Your most recently updated C.V. >>> Cover Letter >>> Statement of Teaching - statement of teaching goals and experience >>> Statement of Contributions to Diversity - Statement addressing past and/or >>> potential contributions to diversity through research, teaching, and/or >>> service. >>> Misc / Additional - one published article or book chapter (no more than 40 >>> pages) >>> >>> REFERENCES >>> 3 references required (contact information only) >>> >>> APPLY HERE >>> https://recruit.apo.ucla.edu/apply/JPF03396 >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> ------------------------------ >> >> Message: 7 >> Date: Sat, 25 Nov 2017 02:37:04 +0000 >> From: Cecilia Dougherty <cecilia.doughe...@gmail.com> >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >> Subject: Re: [Frameworks] Asking for a friend >> Message-ID: >> <caa40d94mr_f0fc9f_0lksrybfmtb14eeqsyg-gmhw0t-kad...@mail.gmail.com> >> Content-Type: text/plain; charset="utf-8" >> >> Thank you! >> >>> On Fri, Nov 24, 2017 at 4:34 PM Fred Camper <f...@fredcamper.com> wrote: >>> >>> Amazing, but unfortunately not that big of a surprise. It supports my >>> point that no group should feel holier than thou, or immune from all the >>> badness. (Take, for example, priests, oh, wait, let's not...) >>> >>> I have to admit I do not understand the psychology at work here -- what >>> pleasure could any male get out of such behavior? I will say with virtual >>> certainty that nothing that you did "prompted" him. I guess we humans are >>> all different, and not always in good ways. >>> >>> Thanks for speaking up. >>> Fred Camper >>> Chicago >>> >>> >>> On 11/24/2017 11:17 AM, Kate Ewald wrote: >>> >>> I will give an anecdote about this very listserv: I was very severely >>> sexually harassed as a college student posting about a film screening in >>> 2008. It was for a well-known experimental filmmaker. The response to my >>> post involved "oh, you don't know what you're talking about and I bet you >>> can shut up and stick a dick in your mouth." This persisted for several >>> posts (becoming increasingly graphic), some just to me, some to the whole >>> list - I'm not sure what prompted such a reaction from this stranger. >>> Scott was kind enough to delete these posts from the archives out of >>> respect and block this person from Frameworks, but as a young person first >>> entering the experimental film community (it was my first post on >>> Frameworks), I was shaken. Some people policed it and stood up for me >>> then, but Scott made it go away very quickly. So yes, this happens in our >>> community, and yes, this happens on this listserv. I wish it weren't the >>> case. >>> >>> >>> _______________________________________________ >>> FrameWorks mailing >>> listFrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> -- >> ?As from when does somewhere become truly yours?? -- Georges Perec >> >> Cecilia Dougherty >> http://www.ceciliadougherty.com >> http://inbetweentheories.com >> -------------- next part -------------- >> An HTML attachment was scrubbed... >> URL: >> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20171125/bdb34ff3/attachment-0001.html> >> >> ------------------------------ >> >> Message: 8 >> Date: Sat, 25 Nov 2017 06:31:58 -0500 >> From: Takahiko iimura <iim...@gol.com> >> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >> Subject: [Frameworks] A Celebration and Screening of TAKAHIKO IIMURA >> Message-ID: <46f45f20-a035-4b0c-a051-96dc8d3a5...@gol.com> >> Content-Type: text/plain; charset="utf-8" >> >> >> A Celebration and Screening of TAKAHIKO IIMURA >> >> Takahiko Iimura (???? Iimura Takahiko, born February 20, 1937) is a Japanese >> <https://en..wikipedia.org/wiki/Japanese_people> avant-garde filmmaker and >> fine artist. He is considered one of the pioneers of experimental >> <https://en.wikipedia.org/wiki/Experimental_film> and independent >> <https://en.wikipedia.org/wiki/Independent_film> filmmaking in Japan. Iimura >> was born in Tokyo and is a graduate of Keio University >> <https://en.wikipedia.org/wiki/Keio_University>. His film Onan (1963) won >> the Special Prize at the Brussels International Independent Film Festival >> <https://en.wikipedia.org/wiki/Brussels_International_Independent_Film_Festival> >> in 1964. He published a seminal work on experimental film and film art in >> 1970, Geijutsu to higeijutsu no aida, and a biography of Yoko Ono >> <https://en.wikipedia.org/wiki/Yoko_Ono>, Ono Y?ko hito to sakuhin, in >> 1985.Eizou-art no genten, in 2015. Iimura made much of his film in New York >> City, but became a professor at the Nagoya Zokei University of Art >> & Design <https://en.wikipedia.org/wiki/Nagoya_Zokei_University> in 1992 and >> Tokyo Kougei University in 2003. >> >> Awarded Korou-Shou(Life-Time Contribution Award to Film-Art from >> Bunka-Chou(The Agency of Cultural Affairs) ),2015, Japan >> >> >> at Film-Makers? Cooperative, 212-267-5665 <tel://212-267-5665> >> ? 475 PARK AVE SOUTH, 6TH FLOOR NEW YORK, NY 10016, SUBWAY, NO.6, 33RD ST. >> >> Saturday, December 9th @6pm, >> >> AI (LOVE) (1962). 10 min. 16mm. >> >> >> AI (LOVE) (1962). 10 min. 16mm. >> >> IN THE RIVER (1971) 12 min. 16mm. >> >> TALKING PICTURE (1981) 15 min. 16mm. >> >> OBSERVER/OBSERVED (1999). 22 min. Digital. >> >> AIUEONN, SIX FEATURES (2005) 7 min. 16mm. >> >> >> ?Although Takahiko was an active part of the New York avant-garde scene, he >> always remained an enigmatic, mysterious presence, pursuing his own unique >> route through the very center of the avant-garde cinema. While the intensity >> and the fire of the American avant-garde film movement inspired him and >> attracted him, his Japanese origins contributed decisively to his >> uncompromising explorations of cinema?s minimalist and conceptualist >> possibilities. He has explored this direction of cinema in greater depth >> than anyone else.? ? Jonas Mekas, Director, Anthology Film Archives, New >> York >> >> >>> >>> MM Serra, Executive Director >>> Courtney Muller, Assistant to Director >>> Jeremy Stebens, Digital Media Technician >>> NACG/The Film-Makers' Cooperative >>> 475 Park Ave South, 6th Floor >>> <https://maps.google.com/?q=475+Park+Ave+South,+6th+Floor+New+York,+NY+10016&entry=gmail&source=g> >>> New York, NY 10016 >>> <https://maps.google.com/?q=475+Park+Ave+South,+6th+Floor+New+York,+NY+10016&entry=gmail&source=g>, >>> 212-505-5181 >>> www.film-makerscoop.com <http://www.film-makerscoop.com/> >>> >>> <58935bf02a325.jpg> >> -------------- next part -------------- >> An HTML attachment was scrubbed... >> URL: >> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20171125/b4047b48/attachment-0001.html> >> -------------- next part -------------- >> A non-text attachment was scrubbed... >> Name: A_5_AI_1962.jpeg >> Type: image/jpeg >> Size: 19678 bytes >> Desc: not available >> URL: >> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20171125/b4047b48/attachment-0001.jpeg> >> >> ------------------------------ >> >> Subject: Digest Footer >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5..webfaction.com/listinfo/frameworks >> >> >> ------------------------------ >> >> End of FrameWorks Digest, Vol 90, Issue 26 >> ******************************************
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