Thanks to all. I especially appreciate Jonathan Walley's skepticism bout the entire venture! I share that skepticism, actually....
all the best, Mark On Fri, Dec 15, 2017 at 6:50 AM, <[email protected]> wrote: > > As some of this is perhaps about intent and ways of thinking I'd push for > you to consider those that were never made. Leopold Survage, designs for > his 'Le Rythme Colore' for instance. OK it dates from 1913 but being > flexible with dates could accomodate an ever so slightly wider range of > material. > > > > > |||||||||||||||||||||||||||||||||||||| > NACHLEBEN FILM LAB AND ARCHIVE > http://www.nachleben.org.uk > CUBE CINEMA. BRISTOL > http://www.cubecinema.com/ > > |||||||||||||||||||||||||||||||||||||| > > On Wed, 13 Dec 2017, Mark Street wrote: > > Hey All, >> >> Preparing a brief talk on The Experimental Impulse in Early Cinema.... >> thinking about how it ALL was that way by >> definition early on; an inventory of tricks, effusions, failed and >> successful experiments. >> >> Any favorites anyone can recommend? >> >> Mark >> >> >> >> > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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