I'm not aware that Le Corbusier was involved with any of the visual elements of 
the Philips Pavilion. Varese and Xenakis did their respective pieces and there 
was a synchronized light show and of the course the slides and the films. 
Jeanneret was in India during much of the time Varese was working on the 
piece... So what was his role in making any of the imagery?


> On December 21, 2017 at 7:00 AM [email protected] 
> mailto:[email protected] wrote:
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>     Today's Topics:
>     1. expeimental or modernist (Bernard Roddy) 2. Re: expeimental or 
> modernist (Albert Alcoz) 3. Electronic Soundtracks for Avant-Garde Films 
> (Albert Alcoz)
> 
> 
>     ---------------------------------------------
> 
>     Message: 1
>     Date: Wed, 20 Dec 2017 17:04:28 -0600
>     From: Bernard Roddy
>     To: Experimental Film Discussion List
>     Subject: [Frameworks] expeimental or modernist
>     Message-ID:
> 
>     Content-Type: text/plain; charset="UTF-8"
> 
>     Has anyone ever seen a film by Le Corbusier?
> 
> 
>     ---------------------------------------------
> 
>     Message: 2
>     Date: Thu, 21 Dec 2017 11:15:50 +0100
>     From: Albert Alcoz
>     To: Experimental Film Discussion List
>     Subject: Re: [Frameworks] expeimental or modernist
>     Message-ID:
> 
>     Content-Type: text/plain; charset="utf-8"
> 
>     Here's the most famous one, *Po?me ?lectronique*:
> 
>     https://www.youtube.com/watch?v=hkQbs1ankQc
> 
>     http://www.medienkunstnetz.de/works/poeme-electronique/
> 
>     https://en.wikipedia.org/wiki/Po%C3%A8me_%C3%A9lectronique
> 
>     On Thu, Dec 21, 2017 at 12:04 AM, Bernard Roddy
>     wrote:
> 
>         > > Has anyone ever seen a film by Le Corbusier?
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>     --
>     http://visionaryfilm.net/
>     http://albertalcoz.com/
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>     Message: 3
>     Date: Thu, 21 Dec 2017 12:38:59 +0100
>     From: Albert Alcoz
>     To: Experimental Film Discussion List
>     Subject: [Frameworks] Electronic Soundtracks for Avant-Garde Films
>     Message-ID:
> 
>     Content-Type: text/plain; charset="utf-8"
> 
>     Hello all,
> 
> 
> 
>     After asking about jazz
>     ? and?
>     ? music an experimental film
>     ?, ?
>     and feeling grateful for all the answers?, I was wondering about the
>     connections between early electronic music and avant-garde film.
>     ? ?
>     Recently I watched *OFFON* (1967-72) by Scott Bartlett with a ?sound
>     composition? by Manny Meyer.
> 
> 
>     Again, there should be plenty of avant-garde films where the soundtrack is
>     instrumental electronic music or experimental
>     ?abstract ?
>     sound created with magnetic tape recorders, synthesizers, electronic 
> tools,
>     etc.
> 
> 
> 
>     Maybe one question would be to define what is considered to be early
>     electronic music but anyway, lets try it.
> 
> 
> 
>     Does anyone remember some other avant-garde films with
>     ?early ?
>     electronic music
>     ? from the 50's, 60's, 70's even 80's?
>     ?
> 
> 
> 
>     Right now here?s the first list:
> 
> 
> 
>     *Cybernetik 5.3* (1968) by John Stehura. Music: Tod Dockstader.
> 
> 
> 
>     *Crystals* (1968) by Herbert Loebel. Music: Michael Lloyd.
> 
> 
> 
>     *Rohfilm *(1968) by Birgit & Wilhelm Hein. Music: Christian Michaelis.
> 
> 
> 
>     *Two Images for a Computer Piece *(1969) by Lloyd Williams. Music: 
> Vladimir
>     Ussachevsky.
> 
> 
> 
>     *Variations on a Cellophane Wrapper* (1970) by David Rimmer. Music: Don
>     Druick.
> 
> 
> 
>     *Berlin Horse* (1970) de Malcolm Le Grice. Music: Brian Eno.
> 
> 
> 
>     *Mutations* (1973) by Lilian F. Schwartz. Music: Jean Claude Risset.
> 
> 
> 
>     Several films by Dore O. and Werner Nekes with sountracks by Anthony Moore
>     like *Diwan *(1973) or* Kaskara* (1974).
> 
> 
> 
>     *Riddles of the Sphinx* (1977) by Laura Mulvey and Peter Wollen. Music:
>     Mike Ratledge.
> 
> 
> 
>     Thanks in advance,
> 
> 
> 
>     Albert Alcoz
> 
> 
>     --
>     http://visionaryfilm.net/
>     http://albertalcoz.com/
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>     End of FrameWorks Digest, Vol 91, Issue 21
>     ******************************************
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