Hello all,
After asking about jazz and music an experimental film , and feeling grateful for all the answers, I was wondering about the connections between early electronic music and avant-garde film. Recently I watched *OFFON* (1967-72) by Scott Bartlett with a “sound composition” by Manny Meyer. Again, there should be plenty of avant-garde films where the soundtrack is instrumental electronic music or experimental abstract sound created with magnetic tape recorders, synthesizers, electronic tools, etc. Maybe one question would be to define what is considered to be early electronic music but anyway, lets try it. Does anyone remember some other avant-garde films with early electronic music from the 50's, 60's, 70's even 80's ? Right now here’s the first list: *Cybernetik 5.3* (1968) by John Stehura. Music: Tod Dockstader. *Crystals* (1968) by Herbert Loebel. Music: Michael Lloyd. *Rohfilm *(1968) by Birgit & Wilhelm Hein. Music: Christian Michaelis. *Two Images for a Computer Piece *(1969) by Lloyd Williams. Music: Vladimir Ussachevsky. *Variations on a Cellophane Wrapper* (1970) by David Rimmer. Music: Don Druick. *Berlin Horse* (1970) de Malcolm Le Grice. Music: Brian Eno. *Mutations* (1973) by Lilian F. Schwartz. Music: Jean Claude Risset. Several films by Dore O. and Werner Nekes with sountracks by Anthony Moore like *Diwan *(1973) or* Kaskara* (1974). *Riddles of the Sphinx* (1977) by Laura Mulvey and Peter Wollen. Music: Mike Ratledge. Thanks in advance, Albert Alcoz -- http://visionaryfilm.net/ <http://www.visionaryfilm.net/> http://albertalcoz.com/ <http://www.albertalcoz.com/>
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