David Rimmer’s Surfacing on the Thames Ernie Gehr Still
> On Mar 12, 2018, at 10:01 AM, Sebastian Wiedemann > <[email protected]> wrote: > > > Thanks to all, > Great and so generous comments. And indeed sorry for being so imprecise when > I asked to reference on "long takes". What I was wondering, was an intrinsic > relationship between long takes and still images. Films that include both > procedures. Like Weerasathakul in Uncle Boonme that include both or when > Sukurov and Tarkovsky make long takes from paintings (If we consider painting > also as still images) or even Hollis Frampton's Nostalgia and the classic > Wavelength by Michael Snow. > Once again thanks and I will check all the stuff you share with me, > Best, > Sebastian > > > > > <https://mailtrack.io/> Sent with Mailtrack > <https://mailtrack.io/?utm_source=gmail&utm_medium=signature&utm_campaign=signaturevirality&;> > > 2018-03-12 10:55 GMT-03:00 konstantinos goutos <[email protected] > <mailto:[email protected]>>: > ...since 2002 I am only working (or walking;) with long takes > and very often the whole work consists of one long take... > > Time Is variable: from 2 minutes: > > https://vimeo.com/user2082822/les-mysteres-de-paris-i > <https://vimeo.com/user2082822/les-mysteres-de-paris-i> > > till 16 minutes or more..: > > https://vimeo.com/user2082822/thevideoflaneu-shoots-himself-suite-a-des-problemes > > <https://vimeo.com/user2082822/thevideoflaneu-shoots-himself-suite-a-des-problemes> > > > konstantinos-antonios goutos / the[video]Flâneu® > > am ortenbergsteg 1, > d-35039 marburg > > > mobile:+49 1520 51 33 257 <tel:+49%201520%205133257> > mobile:+49 1763 48 77 173 <tel:+49%20176%2034877173> > home: +49 6421 8405497 <tel:+49%206421%208405497> > > [email protected] <mailto:[email protected]> > > > <https://konstantinosantoniosgoutos.wordpress.com/>https://konstantinosantoniosgo > <https://konstantinosantoniosgoutos.wordpress.com/>utos.wordpress.com > <https://konstantinosantoniosgoutos.wordpress.com/> > http://videoflaneur.googlepages.com <http://videoflaneur.googlepages.com/> > > > 🖼 next shows 📽 > > -thewrongwater.org <http://thewrongwater.org/> online show > -space/time berlin (d), spring 2018 > -kunst in marburg, marburger kunstverein (d), june 29th-august 16th, 2018 > -distraction and propaganda, MART gallery dublin (irl), july 2018 > -a virtual memorial madrid 2018, november 8th-10th, 2018, museo la > neomudejar, madrid (es) > > > ✉️ next grants 🥇 > > -goerlitz (d), fall 2018-summer 2019, artist-in-residence, > university of applied sciences zittau - goerlitz > > > 📚 next publications 📖 > > -10 years artists-in-residence enschede (nl), anniversary book, may 2018 > > > 💡 next praxis workshops / conferences 🔖 > > -urban walking – the Flâneur as an icon of metropolitan culture in > literature and other media, jena (d), march 9-10, 2018 > > > 🚶next [video]strolling.workshops 📹 > > -fbs giessen and city giessen (d) march 17th, 2018 <> > -volkshochschule (=folk high school) kreis giessen and city lich (d), april > 14th-15th, 2018 <> > -volkshochschule (=folk high school) wetzlar and city wetzlar(d), april > 21th-22th, 2018 <> > -volkshochschule (=folk high school) kreis marburg-biedenkopf and city > biedenkopf (d), april 28th, 201 <>8 > -volkshochschule (=folk high school) marburg and city marburg (d), may 5th, > 2018 <> > -volkshochschule (=folk high school) kreis giessen and city frankfurt (d), > june 9th-10th, 2018 <> > -academy burg fürsteneck, eiterfeld (d), june 22th-24th, 2018 <> > -bergische volkshochschule (=folk high school) wuppertal and city wuppertal > (d), june 30th-july 1, 2018 <> > -volkshochschule (=folk high school) mettmann-wülfrath and city mettmann (d), > july 7th-8th, 2018 <> > -hessische lernkräfteakademie, summer conference, august 31th, 2018, > frankfurt am main (d) > > 12 Μαρ 2018, 2:38 μμ, ο χρήστης «konstantinos-antonios goutos > <[email protected] <mailto:[email protected]>>» έγραψε: > >> >> >> Στις Κυρ, 11 Μαρ 2018 στις 8:10 μμ ο χρήστης lady snowblood >> <[email protected] <mailto:[email protected]>> έγραψε: >> I know it’s “television” but ... Twin Peaks : The Return is, in its >> entirety, astonishingly slow. Certain scenes are given the padding of ‘not >> turning away’ from really uncomfortable moments (especially couples >> fighting). One episode ends with a 3.5 minute shot of a bartender sweeping >> up peanut shells from the bar. >> >> The whole series lasts 18 hours; Lynch exhausts the viewer’s expectation of >> ‘plot movement’ early on by shifting the pacing. Pacing and sound design >> really put this in an ‘experimental’ space. >> >> I know it’s not film, and I know it’s pretty easy to tag the whole thing >> ‘Brechtian’ and move on, but it’s remarkable that this ended up on Showtime >> last year ... Every time an email comes through answering this question I >> think about the remarkable slowness and prevalence of single camera long >> shots; I need to say it :) >> >> Jessica >> >> * * * * * >> >> Jessica Fenlon >> >> artist : poet : experimental : http://sixth-station.com >> <http://sixth-station.com/> >> >> flickr <https://www.flickr.com/photos/drawclose> : vimeo >> <http://vimeo.com/jessicafenlon> : instagram >> <https://www.instagram.com/port.manteaux> >> >> On Mar 11, 2018, at 10:28 AM, Gashouse Films <[email protected] >> <mailto:[email protected]>> wrote: >> >>> Add in Filipino filmmaker Lav Diaz whose films average length around 4-6 >>> hrs >>> >>> On Fri, Mar 9, 2018 at 10:53 AM, Jorge Lorenzo Flores Garza >>> <[email protected] <mailto:[email protected]>> wrote: >>> Larry Gottheim's work. >>> >>> >>> De: FrameWorks <[email protected] >>> <mailto:[email protected]>> en nombre de >>> [email protected] <mailto:[email protected]> >>> <[email protected] <mailto:[email protected]>> >>> Enviado: viernes, 9 de marzo de 2018 09:58 a. m. >>> Para: Experimental Film Discussion List >>> Asunto: Re: [Frameworks] Long takes and still images/ photography in >>> experimental films >>> >>> >>> Whats long? ASL for industrial cinema ranges from 3 - 6 seconds, so a shot >>> of even 10 seconds would be double the average. The shot length possible >>> on a clockwork Bolex of about 20 seconds is common throughout the field you >>> are researching so are they normal or long? Does experimental cinema >>> materialogically deal with longer takes, so is there 'long' for exp' >>> cinema and long for 'narrative' cinema? The two being different. Does a >>> still frame copied thousands of times on a printer constitute a 'take'? >>> Does animation count as 'take based', ie Rhythmus 21 is a continuous flow >>> that is unified in the end as a take? >>> >>> Sorry for all the questions..... >>> >>> I guess check out 'Motion(less) Pictures: The Cinema of Stasis (Film and >>> Culture Series)' by Justin Remes amongst probably loads of other good >>> books. >>> >>> >>> |||||||||||||||||||||||||||||||||||||| >>> NACHLEBEN FILM LAB AND ARCHIVE >>> http://www.nachleben.org.uk <http://www.nachleben.org.uk/> >>> n a c h l e b e n – Experimental film lab and archive >>> <http://www.nachleben.org.uk/> >>> www.nachleben.org.uk <http://www.nachleben.org.uk/> >>> I have finally, after what feels like 10 years (prob 10 years since >>> acquiring this machine) but is […] >>> >>> >>> CUBE CINEMA. BRISTOL >>> http://www.cubecinema.com/ <http://www.cubecinema.com/> >>> |||||||||||||||||||||||||||||||||||||| >>> >>> On Thu, 8 Mar 2018, Sebastian Wiedemann wrote: >>> >>> > [7dd061b1eb7afcde9b6c43cda741479e5ff7e486.png?u=95490] >>> > Dear Frameworkers, >>> > I'm beginning a research about the presence of long takes and still >>> > images/photography as expressive resources in the production of >>> > experimental films. >>> > If anyone has in mind films that work with these procedures and can share >>> > with me some titles, I will appreciate a lot. >>> > Best, >>> > Sebastian >>> > >>> > -- >>> > Sebastian Wiedemann >>> > http://swiedemann.tumblr.com/ <http://swiedemann.tumblr.com/> >>> > http://wavesproject.tumblr.com/ <http://wavesproject.tumblr.com/> >>> > http://hambrecine.com/ <http://hambrecine.com/> >>> > >>> > >>> > >>> > >>> > [icon-signature.png] Sent with Mailtrack >>> > >>> > >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] <mailto:[email protected]> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >>> >>> >>> >>> >>> -- >>> Daniel Maldonado >>> >>> "H.O.M.E." >>> >>> www.homeacronymfilm.com <http://www.homeacronymfilm.com/> >>> >>> "H.O.M.E." - LIKE our Facebook page >>> https://www.facebook.com/pages/HOME-the-film/167592933349015 >>> <https://www.facebook.com/pages/HOME-the-film/167592933349015> >>> >>> Gashouse Films - Facebook page >>> https://www.facebook.com/pages/Gashouse-Films-Inc-LLC/174621872592282 >>> <https://www.facebook.com/pages/Gashouse-Films-Inc-LLC/174621872592282> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] <mailto:[email protected]> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] <mailto:[email protected]> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> > > _______________________________________________ > FrameWorks mailing list > [email protected] <mailto:[email protected]> > https://mailman-mail5.webfaction.com/listinfo/frameworks > <https://mailman-mail5.webfaction.com/listinfo/frameworks> > > > > > -- > Sebastian Wiedemann > http://swiedemann.tumblr.com/ <http://swiedemann.tumblr.com/> > http://wavesproject.tumblr.com/ <http://wavesproject.tumblr.com/> > http://hambrecine.com/ <http://hambrecine.com/> > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks
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