From the art world side of things (which adds to the evidence confirming your 
hunch below, Albert), is "Standard Time" by Mark Formanek, which migrated from 
performance to video:

https://www.core77.com/posts/16111/standard-time-a-clock-rebuilt-every-minute-16111

I saw it as a small installation in a gallery right off of Alexanderplatz in 
Berlin maybe 4 years ago.

That article led me to this other work which I didn’t know before, “Real Time” 
by Maarten Baas, who apparently comes from the design world:

https://www.youtube.com/watch?v=e_3KY2gWDwg

More food for thought.
Roger

On Oct 30, 2018, at 4:30 AM, Albert Alcoz 
<[email protected]<mailto:[email protected]>> wrote:

Thank you for those new suggestions.

Roger Beebe, maybe what is happening nowadays is that those artists interested 
on "that kind of rigid formal investigation", around the clock, easy to link 
with structural film, have changed their mediums. This is something Tyler Maxin 
has already noted. Instead of cinema or video they use some other digital tools 
for their projects. I'm thinking this realizing what's behind a piece like Zero 
Noon (2013) by Rafael Lozano-Hammer: "a digital clock that shows the current 
time according to eccentric metrics". 
(http://www.lozano-hemmer.com/zero_noon.php) or The Pirate Cinema (2012-214) by 
Nicolas Maigret 
(http://peripheriques.free.fr/blog/index.php?/works/2012-the-pirate-cinema-/)

Best,
Albert

On Tue, Oct 30, 2018 at 1:01 AM Peter Snowdon 
<[email protected]<mailto:[email protected]>> wrote:
Boris Lehman, La chute des heures (1990). Nothing but clocks for 8 minutes:-)

Envoyé de mon iPad

Le 27 oct. 2018 à 14:07, Albert Alcoz 
<[email protected]<mailto:[email protected]>> a écrit :

Hello frameworkers,

I’m trying to write a short article in spanish about different notions of time 
concerning contemporary experimental film and video. Since the concept of “time 
related to cinema” is almost impossible to delimit I have decided to 
concentrate just about the clock.

So, i’m searching films and videos where the clock is an important object/issue 
for the development of the piece. By now I have just found appropiation works 
as 60 Seconds (2002) by Christoph Girardet and The Clock (2012) by Christian 
Marclay but i’m sure there are dozens.

There’s a brilliant film by Chris Gallagher named Time Being (2009) that could 
also be useful to theorize some ideas but I need some more titles.

Any suggestions?

Thank you all,

Best,
Albert

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