Hi Jimmy,

It could be that the ‘takes’ are not long enough for the spool to take-up the 
slack so that the loose film then accumulates … or there is something wrong 
with the take-up spool or drive of your camera.

Rob



> On 10 Oct 2019, at 14:17, jimmyschaus1 . <[email protected]> wrote:
> 
> Hi all,
> 
> Recently I've been experimenting with doing lots of exposures using the 
> rewind crank on the bolex, combined with pixelation.  Specifically, a few 
> "base layers" of pixelation, alternating exposed and black frames, then 
> rewinding and doing that again 3 more times.  Then rewinding again and fading 
> in on top of that more exposures, but just regular shooting, continuous 
> takes, usually just shooting the length of the full wind.  I think I did 
> around 4 or 5 full rewinds, and an additional 4 partial rewinds to reach 
> specific places in the roll.  
> 
> ...and after what I thought was finally getting all the film onto the take up 
> reel, I open the camera to find the dreaded film "spaghetti".  I'm going to 
> develop some of what I managed to salvage from getting too overexposed when I 
> opened the camera, but I don't have high hopes.  
> 
> Just wondering if anyone on here has experience experimenting with lots of 
> exposures on the bolex, and if you've been able to discern any sort of "upper 
> limit" before things just get too out of hand, if its feasible that such a 
> limit even exists (for who knows the exact cause of the malfunction, could 
> have nothing at all to do with all the rewinds).  I've shot many films with 
> double and triple exposures before with success, but I don't think I've ever 
> stressed the camera so hard as this past time, perhaps also due to all the 
> pixelation?  I want to try the experiment again but thought I'd seek some 
> wisdom out there before diving back in.  
> 
> thank you,
> an icarus too close to the sun,
> Jimmy
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