I agree here again…the possibility of  ridicule and  being willing to be
considered a fool are involved in original insight (creativity). In fact
even in this friam forum I have felt a kind of ridicule (you don’t know
anything about mathematics) when I am making a point or something
similar…and being encouraged to shut up and raising laughter (at me not with
me). I am somewhat grizzled from experience so I expect this from time to
time. But why are those who do this doing it? What is gained? I think being
able to use mathematical symbology on the friam  would be wonderful but not
if the syntax is not pliable to speak in new ways. And yes I invent
constantly in every language I am able to. 

 

Think of people whose jobs and families’ well being depend on being well
thought of by others. How much ridicule can they stand. Not much. 

 

From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of Orlando Leibovitz
Sent: Thursday, July 31, 2008 10:31 PM
To: The Friday Morning Applied Complexity Coffee Group
Subject: Re: [FRIAM] The Brain and Creativity 2

 

Orlando here,

In addition to intelligence I think there are other personality traits
involved in original insight (creativity). It seems to me one must accept
the possibility of  ridicule and  be willing to be considered a fool.
Pursuit of  personal expression at all cost seems  to be essential. In this
regard I am quoting  Martha Graham to Agnes De Mille.  Her words, for me,
touch on  artistic creativity.  Or at least partially explain what enables
it. I think they apply to scientific  creativity but I'm not sure. 

                                                       MARTHA GRAHAM TO
AGNES DE MILLE

There is a vitality, a life force, a quickening that is translated through
you into action and because there is only one of you in all time, this
expression is unique.
And if you block it, it will never exist through any other medium and will
be lost. The world will not have it. It is not your business to determine
how good it is nor how valuable it is nor how it compares with other
expressions. It is your business to keep it yours clearly and directly, to
keep the channel open.
You do not even have to believe in yourself or your work. You have to keep
open and aware directly to the urges that motivate you.
Keep the channel open. No artist is pleased. There is no satisfaction
whatever at any time. There is only a queer, divine dissatisfaction, a
blessed unrest that keeps us marching and makes us more alive.

 It may be so that insights are "historically situated" and the "time is
just ripe" and if it is not this person it will be another  but does this
explain why  Einstein  perceived  E=MC2  and not  Poincare'.  

The Yudowsky post is wonderful.

O

Carl Tollander wrote: 

Not sure that the Cosmic Pez Dispenser of Picassos would have produced a 
similar Guernica painting five years later.   Insights are historically 
situated, as you say.  Any of these players, in a different milieu or 
time would have different insights, but insights they would have.
 
This doesn't say anything about mapping propensity to insight to some 
average relative "intelligence" (as if it were measurable by one scalar 
or located in one place).  Even the village idiot has a good day now and 
then; it's just that the crowd (or what we call "The Crowd") hasn't 
engineered itself to listen.  The argument that insights will happen 
anyway in effect says it doesn't have to.
 
C.
 
Günther Greindl wrote:
  

Hi,
 
    

  Orlando here,
What 
is it that allows Newton or Einstein or Picasso to see something 
essential that no one has seen or understood before?
      

I guess the time is just ripe (viz.: enough knowledge has accumulated 
and is lying around for a new synthesis) at certain moments for 
intelligent guys to have insights. If it hadn't been Einstein or Newton, 
then it would have been another bright person 5 years later.
 
The intelligence of these people in relation to other people is usually 
overrated.
 
See this lovely post by Eli Yudkowsky on OB about Einstein, the village 
idiot, and _real_ superintelligences:
 
http://www.overcomingbias.com/2008/05/my-childhood-ro.html
 
Cheers,
Günther
 
 
    

 
 
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-- 



Orlando Leibovitz

[EMAIL PROTECTED]

www.orlandoleibovitz.com

Studio Telephone: 505-820-6183

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