No, WordStar was the perfect ASCII/monospace style tool.

On Sun, Mar 17, 2013 at 10:54 AM, Joshua Thorp <[email protected]> wrote:

> Also surprised Owen hasn't brought Markdown into the mix here.  Seems like
> the perfect ASCII/monospace style for meaningful formatting.
>
>
> On Mar 17, 2013, at 10:27 AM, Steve Smith <[email protected]> wrote:
>
> > Two things come to mind on this topic:
> >    Tower of Babel
> >    Uncanny Valley
> >
> > (I hope my indentation, use of Case and parenthesis didn't throw anyone
> off too far!)
> >
> > When the Web was young, Print Designers went simply *apeshit* over this
> new HTML thing, in both senses of the term.   Some had a great good time
> playing with all the possibilities but most just got surly about losing the
> precise control they had come to expect from print.  Designers used to
> *literally* attend a press check to make sure that what they specced into
> the camera and typographic work *was* exactly what they wanted... and
> sometimes there would be modest changes made on the spot while the presses
> idled in the background.
> >
> > I remember it being a perq of the job, though not without it's own
> stress, and a good "closure".  A trip to Denver or San Francisco or New
> York at the end of a finished job, and once the press-check was done and
> the presses started rolling, you didn't have to worry about someone
> saying... "oh.. one more thing!".  The client was usually at the press
> check too, so if they saw something *after* the print run was done, they
> just got tight lipped and held their tongue.  I think the apparent ease and
> convenience of making changes was the BANE of designers once WYSIWIG got
> rolling.  An excuse for clients to apply "late binding" to content...  run
> their own deadline right up to the press deadline and leave it to the
> designers to incorporate last minute changes hours before it went to press.
>  I think it was *this*, not the challenges of learning newfangled
> computers, that drove many old school print designers out of the Biz.
> >
> > As for WYSIWIS...   this has been a problem with *color* forever, and
> myriad strategies have been adopted to mitigate it, from the Pantone(tm)
> color specification system to elaborate attempts to resolve the
> mechanical/optical as well as *perceptual* differences between reflective
> (print) and emissive (computer screens) and between additive and
> subtractive color.  And referencing the "uncanny valley"... getting it
> "almost right" can be more disturbing than merely "in the ballpark".
> >> It is a bit humorous: the "What You See Is What I See" idea .. and its
> >> little brother WYSIWYG, but there is also an interesting point to be
> >> made.  It seems to be _hard_ to obtain!
> >>
> >> This is one of the reasons, IMHO, that twitter is so popular.  I've
> >> started using it quite a bit simply because it _is_ so readable and
> >> very fast to do so.  And it definitely has the greatest info content
> >> per sq. in. of any media I'm aware of.
> >>
> >> On thinking more about it, the chief problem I have with formatting in
> >> email is that our various machines and their apps have absurdly
> >> different ways of setting these things.
> >>
> >> So when I use GMail's web-mail system, it allows four text sizes, tiny
> >> to huge.  I have absolutely no idea how these translate to your
> >> screen.  I've resorted to creating images of email, sending it to the
> >> sender, and asking "is this what you meant me to see"? and gotten a
> >> horrified, Gawd No response.
> >>
> >> What I find is Silos of Usage: i.e. folks on Windows running Exchange
> >> will agree between themselves.  GMail-ers ditto.  Mac mail.app-ers
> >> too.  Oh, and naturally Twitter folk.  And naturally the Unformatted
> >> Text folk, bless them.
> >>
> >> Maybe we should have an agreed upon style that we all share and a few
> >> Windows, Mac, Linux hipsters transmit instructions on how to obtain
> >> that style with each of the Silos?
> >>
> >>    -- Owen
> >>
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> >
> >
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