Actually, Jon, I liked your original final line best.

I take your point about Frost, but perhaps there is more about the 
compositional spirit of Haiku that survives, beyond line and meter counts.

The first line will often establish place and condition, frequently with one or 
another seasonal reference that has stylized associations.  In the middle is 
some particular action or observation.  But in the spirit of the Zen aesthetic, 
the final line is meant to deliver a suddenness of recognition of the essence 
of some experience.  (I take for granted that you already know all this, and 
probably better than I do.  And of course none of these is a “rule”; variants 
of inclusion, exclusion, and order of elements are all explored.)

In something that is either my delight in the absurd, or sincere — I can’t 
tell, which probably means it is both — to end a poem with a question about 
genetic variants seems somehow perfect.

Eric


> On Feb 4, 2021, at 3:23 PM, jon zingale <[email protected]> wrote:
> 
> Above my house, an unkindness of ravens flew.
> And distinguished from the many was one
> whose feathers shone white, almost translucent
> against the sky in the bright sunlight.
> Is this a common genetic variant?
> 
> 
> 
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