An interesting review from Peter Montague....



Date: Tue, 7 Nov 2000 18:52:17 -0500 (EST)
>.                                                               .
>.          RACHEL'S ENVIRONMENT & HEALTH BIWEEKLY #711          .
>.                    ---November 9, 2000---                     .
>.                          HEADLINES:                           .
>.                    THE CULTURAL CREATIVES                     .
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>=================================================================
>
>
>THE CULTURAL CREATIVES
>
>A brand new book titled THE CULTURAL CREATIVES offers important
>insights into U.S. culture and how we might organize to change
>our future.[1] It offers entirely original, new perspectives that
>could help the environmental and social justice movements find
>new paths, sidestepping the troubles that have stymied them in
>recent years. Listen up.
>
>THE CULTURAL CREATIVES was written by Paul Ray and Sherry Ruth
>Anderson who have spent more than a decade doing survey research
>to discover the values that we in the U.S. hold dear. ("Values
>are the best single predictor of real behavior," they say.) They
>find that, based on fundamental values, U.S. citizens can now be
>classified into three major groups: Moderns, Traditionals, and
>Cultural Creatives. We all recognize Moderns and Traditionals,
>but most people don't know that the Cultural Creatives exist.
>Even the Cultural Creatives themselves are not aware of their
>huge numbers -- 50 million strong, according to Ray and Anderson.
>Here lie the seeds of a cultural revolution -- one that is
>already well along.
>
>The Moderns: The Moderns are the dominant subculture of our time.
>They make the rules we all live by--they control the civil
>service, the military, the courts, and the media. Some of them
>operate the multinational corporations. Their ideology is laid
>out for us every day, in detail, in the NEW YORK TIMES and the
>WALL STREET JOURNAL, in the other major papers, and on TV. The
>Moderns' belief in a technological economy is reshaping the face
>of the globe. The Moderns tend to dismiss other cultures and
>other ways of life as somehow inferior. In sum, "The simplest way
>to understand today's Moderns is to see that they are the people
>who accept the commercialized urban-industrial world as the
>obvious right way to live. They're not looking for alternatives,"
>say Ray and Anderson. To Moderns, growth is not only good, it is
>essential. What's most important to moderns is
>
>(a) making lots of money;
>
>(b) climbing the ladder of success with measurable steps toward
>one's goal;
>
>(c) having lots of choices (as a consumer, or voter or on the
>job);
>
>(d) being on top of the latest trends, styles and innovations;
>
>(e) supporting economic and technological progress at the
>national level;
>
>(f) rejecting the values and concerns of native people, rural
>people, Traditionals, New Agers, and religious mystics.
>
>Moderns represent 48% of the U.S. citizenry (93 million adults)
>and, in 1995, they had a median family income of $42,500.
>
>The Traditionals: Traditionals represent 24.5% of U.S. citizens
>(48 million adults). "Many Traditionals are not white bread
>Republicans but elderly New Deal Democrats, Reagan Democrats, and
>old-time union people as well as social conservatives in
>politics...."
>
>Traditionals tend to believe (among other things) that
>
>(a) patriarchs should again dominate family life;
>
>(b) FEMINISM is a swearword;
>
>(c) men need to keep their traditional roles and women need to
>keep theirs;
>
>(d) family, church, and community are where you belong;
>
>(e) customary and familiar ways of life should be maintained;
>
>(f) it's important to regulate sex -- pornography, teen sex,
>extramarital sex-- and abortion;
>
>(g) men should be proud to serve in the military;
>
>(h) all the guidance you need for your life can be found in the
>Bible;
>
>(i) preserving civil liberties is less important than restricting
>immoral behavior;
>
>(j) freedom to carry arms is essential;
>
>(k) foreigners are not welcome.
>
>Many Traditionals are pro-environment and anti-big business. They
>are outraged at the destruction of the world they remember, both
>natural areas and small-town life. Traditionals tend to be older,
>poorer, and less educated than others in the U.S. At the end of
>World War II, Traditionals were 50% of the population, but today
>they are 25%, and their numbers are shrinking as older
>Traditionals die and are not being replaced by younger ones.
>
>The Cultural Creatives: What Ray and Anderson discovered during a
>decade of research is that the Moderns and Traditionals have now
>been joined by a third subculture within the U.S., 50 million
>strong (26% of all adults) -- a population the size of France,
>and growing. Ray and Anderson have labeled them "Cultural
>Creatives." Here is a list of 18 characteristics; if you have 10
>or more of them, you're probably a cultural creative:
>
>(a) love nature and are deeply concerned about its destruction;
>
>(b) are strongly aware of the problems of the whole planet and
>want to see action to curb them, such as limiting economic
>growth;
>
>(c) would pay more taxes or higher prices if you knew the money
>would go to clean up the environment and stop global warming;
>
>(d) give a lot of importance to developing and maintaining
>relationships;
>
>(e) place great importance on helping other people;
>
>(f) volunteer for one or more good causes;
>
>(g) care intensely about psychological or spiritual development;
>
>(h) see spirituality and religion as important in your own life
>but are also concerned about the role of the religious Right in
>politics;
>
>(h) want more equality for women at work and want more women
>leaders in business and politics;
>
>(i) are concerned about violence and the abuse of women and
>children everywhere on Earth;
>
>(j) want politics and government to emphasize children's
>education and well being, the rebuilding of neighborhoods and
>communities, and creation of an ecologically sustainable future;
>
>(k) are unhappy with both left and right in politics and want a
>new way that is not the mushy middle;
>
>(l) tend to be optimistic about the future and distrust the
>cynical and pessimistic view offered by the media;
>
>(m) want to be involved in creating a new and better way of life
>in our country;
>
>(n) are concerned about what big corporations are doing in the
>name of profit: exploiting poor countries, harming the
>environment, downsizing;
>
>(o) have your finances and spending under control and are not
>concerned about overspending;
>
>(p) dislike the modern emphasis on success, on "making it," on
>wealth and luxury goods;
>
>(q) like people and places that are exotic and foreign, and enjoy
>experiencing and learning about other ways of life.
>
>Cultural Creatives are not defined by particular demographic
>characteristics -- they are accountants and social workers,
>waitresses and computer programmers, hair stylists and lawyers
>and chiropractors and truck drivers, photographers and gardeners.
>The large majority of them are very mainstream in their religious
>beliefs. They are no more liberal or conservative than the U.S.
>mainstream, though they tend to reject "left-right" labels.
>Really, their one distinguishing demographic characteristic is
>that 60% of them are women, and most Cultural Creatives tend to
>hold values and beliefs that women have traditionally held about
>issues of caring, family life, children, education,
>relationships, and responsibility. In their personal lives, they
>seek authenticity -- meaning they want their actions to be
>consistent with what they believe and say. They are also intent
>on finding wholeness, integration, and community. Cultural
>Creatives are quite clear that they do not want to live in an
>alienated, disconnected world. Their approach to health is
>preventive and holistic, though they do not reject modern
>medicine. In their work, they may try to go beyond earning a
>living to having "right livelihood" or a vocation.
>
>Ray and Anderson summarize the forces that have given rise to
>Cultural Creatives: "In the twenty-first century, a new era is
>taking hold. The biggest challenges are to preserve and sustain
>life on the planet and find a new way past the overwhelming
>spiritual and psychological emptiness of modern life. Though
>these issues have been building for a century, only now can the
>Western world bring itself to publicly consider them. The
>Cultural Creatives are responding to these overwhelming
>challenges by creating a new culture." New businesses, new
>management styles, new technologies, new forms of social
>organization (for example, leasing products, such as carpets and
>refrigerators, to consumers instead of selling them, to make sure
>they are recycled), and new decision-making techniques (the
>precautionary principle, for example) -- the Cultural Creatives
>are constructing a new world in our midst, largely ignored by the
>media.
>
>By different paths, fifty million Cultural Creatives emerged from
>(or were influenced by) social movements of the '60s and '70s.
>Ray and Anderson describe 20 such movements that have spawned
>Cultural Creatives who, in turn, have begun to put a positive
>spin on movements that have been mainly oppositional. "Slowly a
>lesson has been drifting in on one movement organization after
>another. At some point, opposing something bad ceases to be
>enough, and they must stand for positive values, or produce a
>service that is important to their constituency," Ray and
>Anderson note.
>
>Ray and Anderson see this shift occurring in the environmental
>movement, and we see it too. "Cultural Creatives are urging the
>environmental movement into a new phase. Having educated us
>through protests and information, some are moving beyond that
>now, to develop new kinds of businesses, technologies, and
>cooperative ventures." To put labels on these innovations, they
>are the Natural Step,[2] clean production,[3] and zero waste.[4]
>Together, they are beginning to rebuild the industrial
>infrastructrure of the Western world. There's a long way to go,
>but it's a start.
>
>A major impediment to further innovation is the fact that
>Cultural Creatives all think there are very few of them when in
>fact there are very many of them. Therefore, "They do not know
>that they have the potential to shape the life of twenty-first
>century America," say Ray and Anderson. "Like an audience in a
>theater, Cultural Creatives all look in the same direction. They
>read the same books and share the same values and come to similar
>conclusions--but rarely do they turn toward one another. They
>have not yet formed a sense of 'us' as a collective identity; nor
>do they have a collective image of themselves."
>
>Again and again, Ray and Anderson stress that the Cultural
>Creatives are hampered by their own lack of self-awareness. They
>don't yet see themselves in their diverse totality, and so they
>fail to recognize their own potential for creating a new world.
>"Since they are part of a subculture that cannot yet see itself,
>these millions of Cultural Creatives do not know what a potential
>they carry for our common future." Until we recognize each
>other's existence, we cannot work together.
>
>This is a rich, thought-provoking book. If you are interested in
>influencing our future, you will definitely benefit from reading
>it.
>                                                --Peter Montague
>                 (National Writers Union, UAW Local 1981/AFL-CIO)
>
>==============
>
>[1] Paul H. Ray and Sherry Ruth Anderson, THE CULTURAL CREATIVES
>(New York: Harmony Books, 2000). ISBN 0-609-60467-8. And see
>http://www.culturalcreatives.org.
>
>[2] On The Natural Step, see REHW #667, #668, #670, #676.
>
>[3] On clean production, see REHW #650, #651, #704.
>
>[4] On zero waste, see
>http://www.grrn.org/zerowaste/resource_zw.html, and Robin Murray,
>CREATING WEALTH FROM WASTE (London: Demos, Panton House, 1999).
>ISBN 1 898309 07 8. Email: [EMAIL PROTECTED] Telephone:
>0171-321-2200.
>
>
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