une grande folie
-----Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Sunday, June 1, 2003 9:28 PM
To: [EMAIL PROTECTED]
Subject: Re: [Futurework] new book
Harry,
In Hitler's Germany most of the population saw a wall.
Bill
On Sun, 01 Jun 2003 13:26:59 -0700 Harry Pollard
<[EMAIL PROTECTED]> writes:
> Ray,
>
> If one person sees a wall, that may be subjective reality. When
> everyone sees that wall, that's a confirmation of reality and is
objective.
>
> One hopes that on the Freeway all the drivers see objective reality.
>
> Harry
>
> ------------------------------------------
>
> Ray wrote:
>
> >Scale reality is like "scale economics." Or as you say not "one
> of a
> >kind."
> >
> >I wrote this to another of your posts about alternate practicality
> but the
> >bottom includes a part about "objective" reality. There is none.
> There
> >is agreed reality that is ever changing and it is not "object-ive"
> but
> >"fluid" or a constant reality of energy exchanges with walls based
> upon a
> >lack of information. When the information is complete (no
> complexity)
> >then we can literally "walk through walls" "beam me up Scotty."
> That
> >is the reality of the Arts and most of all the kinetic arts where
> they place
> >their life and limb on the line using that knowledge. Walking is
> only
> >complex to the child or a damaged adult in therapy. The world
> as a
> >continual energy exchange in a fluid medium which is only complex
> to the
> >person never trained in the Arts. That is why so many of the
> great
> >breakthroughs have been made by people who first discovered those
> in playing
> >an instrument, writing a sonata or controlling their body through
> the dance
> >or sculpting the air in a song.
> >
> > From the other post.
> >
> >That's because you don't work in the Performing Arts. Alternate
> Universes
> >are the tools of such things as trapeze work although they don't
> call it
> >that. Ballerinas involved with lifts and jumps do speak of life
> as "energy
> >exchange" and it is non-visual and multi-phasic. The "user
> friendly
> >writing" I know on such techniques is Peter Brook discussing his
> Midsummer
> >Night's Dream which was all done on Trapezes. People who do tight
> rope
> >work are also "familiar" with dimensional shifts. But the average
> person
> >who works in mass production and who belongs to the "mean" and who
> never has
> >a problem with drug side effects is thoroughly grounded here and
> knows no
> >other. Alternate Universes is called in this dimension
> "interpretation."
> >Like the lady who was blind who invited a friend over for dinner.
> The
> >friend came into a darkened house and stumbled. The blind woman
> >apologized and said: "Oh forgive me, I forgot that you were
> handicapped."
> >What is believed is that we know the world that they both inhabit
> and that
> >it is the world of mutual agreement or as Harry says, "objective
> reality"
> >but in the brains of both people the worlds were objective to them
> but not
> >to each other. They literally inhabited different physical
> universes.
> >Like Bees and Dogs.
> >
> >
> >REH
>
> ****************************************************
> Harry Pollard
> Henry George School of Social Science of Los Angeles
> Box 655 Tujunga CA 91042
> Tel: (818) 352-4141 -- Fax: (818) 353-2242
> http://home.attbi.com/~haledward
> ****************************************************
>
>
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