--- You wrote:
But why? What about the simplicity of using the device, if it works 
well enough for the user? It's just that it isn't good enough for _my_ 
purposes, is all; could be fine for others.
--- end of quote ---
If you are plannng a recording studio, a good little mixer with mic inputs would
be a very good idea.  There are mixers that have usb outputs, but a simple mixer
with line level analog outputs to the iMic would probably be ok too.

I'm not as up on current equipment as I'd like to be, but I know that there are
lots of mics out there with different levels of output, dynamic and condenser,
not to mention professional mics that require phantom power from the mixer. 
With a mic preamp, or better, a mixer that has mic inputs (which is essentially
an adjustable mic preamp with lots of other features)  you can adjust the mic
output to the best level required by the analog digital converter, like the
iMic.   

Trusting the mic preamp in a gadget like the iMic is a bit of a crapshoot, might
be good, might not.   Earlier Macs that had mic inputs (mono only) had mic
preamps that were not of pro quality.   I prefer not to trust onboard mic inputs
unless there is no other choice.

You might get lucky with a mic and the onboard mic preamp and have a match that
works.  But with an outboard preamp, especially a nice mixer, you are sure and
have control.

And yes, lots of audio programs have controls that will de-ess or correct
booming or popping.  These work  but there is always a degredation in quality
and it takes a lot of experience to use them well.   It is far better not to
record defects in the first place.  Get your mic, mic placement and the rest of
it in good shape first.

Hope this helps,
Rich

 

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