> Han-Wen> hshift has no effect if there is no unshifted note (which
> Han-Wen> is correct behaviour). You should hshift the middle
> Han-Wen> voice, not the bottom one.
>
> hmmm... i don't understand. the bottom voice is the one that's
> causing a conflict; the note in that voice is the one i want to shift
> so that it's out of the way of the others. are you saying that lily
> has decided for me that the conflict is another voice, so it's not
> going to do anything about the bass?
>
> here's just measure nine by itself:
>
Now that's handy. I tried briefly yesterday,
but using 1.0 and 1.1 lilypond alongside eachother
is quite a pain (perhaps we should make sure that
Lily *prepends* paths derived from LILYPONDPREFIX
to the seachpath.)
Anyway, here are two solutions (let's include this
in lily: voices.ly)
% you may want to define these
% shifton = \property Voice.hshift = 1
% shiftoff = \property Voice.hshift = 0
%{
There are two solotions:
two voices
- melody+middlevoice
- bass
the bass is shifted
three voices
- melody
- middlevoice
- bass
the middlevoice is shifted
%}
melody = \type Voice=one \notes \relative c'' {
\stemup
d4 cis e
}
middlevoice = \type Voice=one \notes \relative c'' {
\stemup
bes a a
}
bass = \type Voice=three \notes \relative c' {
\stemdown
\shifton
g'2 g4
}
\score {
\type Staff <
\clef violin; \time 3/4;
\melody
\middlevoice
\bass
>
\paper {}
}
melody = \type Voice=one \notes \relative c'' {
\stemup
d4 cis e
}
middlevoice = \type Voice=two \notes \relative c'' {
\stemup
\shifton
bes a a
}
bass = \type Voice=three \notes \relative c' {
\stemdown
g'2 g4
}
\score {
\type Staff <
\clef violin; \time 3/4;
\melody
\middlevoice
\bass
>
\paper {}
}
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music
typesetter
http://www.xs4all.nl/~jantien/ | http://www.lilypond.org/
