[EMAIL PROTECTED] writes:
[chords and relative]
> The three d are 16th, set in an absolute pitch of d''16.
> (it doesn't matter if the voice contexts are commented out or not).
> This has often confused me a lot, but somehow I never got to
> report this. IMO, they should get the relative pitch *and* the
> duration of the last note in the first sequence of the chord, thus d''2
> d'16 might be ok (though I'd vote no), but mixing the duration
> and the relative pitch from the two components of the chord is
> obviously wrong.
The problem is , what do you do with
<c e g> <c e g> <c e g>
in your approach you have to add comma's to the c-s.
Dear mailinglist, what do you think?
An additional problem is that changing this breaks almost all mudela sources.
--
Han-Wen Nienhuys, [EMAIL PROTECTED] ** GNU LilyPond - The Music Typesetter
http://www.cs.uu.nl/people/hanwen/lilypond/index.html
