Dr. Jose Pereira has made important contributions to
Konkani and Goa studies. however, I do feel that total
attention is being paid to western aspects to the
detriment of our own. I have rarely or never hear a
discussion on Konkani ovi/ovyo. 

it had to take a foreigner Fr. Thomas Stevens to
appreciate the beauty of this metrical form and who
composed his Kristapurana in the ovi metre. it is in
Marathi, but was known among goan christians until
atleast 1880. the time of Gerson Da Cunha's 'Konkani'.

the ovi is a prakrit metre. the best known work is the
Jnaneshwari of around 1295 AD. the work was edited by
Sant Eknath, a contemporary of Fr. Thomas Stevens. I
believe the influence of the Jnaneshwari shows up in
the Kristapurana. 

agnelo

> Message: 8
> From: "Joel D'Souza" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Date: Wed, 21 Jan 2004 09:25:06 +0530
> Subject: [Goanet]21 JAN 2004: GOACOM DAILY NEWS
> CLIPPINGS
> Reply-To: [EMAIL PROTECTED]

> GOA, WESTERNISATION, MUSIC: Homophony, dominant in
> Europe (and in Goa), from
> the 16 to the 19th centuries, is a single melody,
> supported only by chordal
> accompaniment. Harmonized Goan songs, initially
> represented by the Goan
> hymns, seems not to precede the 18th century. At the
> start, the main
> promoter of Western music appears to have been the
> Flemish Jesuit Gaspar
> Barzeus/Barzeus (1515-1555), who imported the music
> of the Flemish and
> French Renaissance dominant in the Europe of his
> time. (Dr Jose Pereira in
> Herald)


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