Prof Dilip Loundo <[EMAIL PROTECTED]> announces an event
being held in Goa shortly. Prof Loundo is at the Goa
University's chair of Brazilian studies.

Sambada-Sangam: A Dialogue with Brazilian Art and Identity.

Photo Installation by Brazilian artist Andre Santagelo and
Screening of Documentary The Brazilian People. Venue: The Art
Gallery, Kala Academy. Date: March 31 and April 1, 2006.
Organizers: Brazilian Chair (Embassy of Brazil), Kala Academy
and Lila.

Schedule: March 31, 2006. 10 am to 8 pm - Sambada-Sangam, the
photo installation will open in the presence of artists Andre
Santangelo and Apurva Kulkarni. 5 pm - A talk on Contemporary
Brazilian Art by André Santangelo.

April 1, 2006: 10 am to 8 pm - Sambada-Sangam, the
photo-installation continues. 11 am - In the Black Box,
screening of the documentary The Brazilian People, based on
anthropologist Darcy Ribeiro's seminal work (in Portuguese
with English subtitles), followed by a discussion moderated
by Cláudio Pinheiro, anthropologist, National Museum, Rio de
Janeiro and Dilip Loundo, Brazilian Chair, Goa University.

5 pm - Sambada-Sangam: Cross-Cultural Interaction on
Installations, Photography and Arts with Andre Santangelo and
Apurva Kulkarni.

Further details from: Dilip Loundo <[EMAIL PROTECTED]> in
Goa (0832)2459135/2000290 or Apurva Kulkarni
<[EMAIL PROTECTED]> (091)9822158469

About the Artist: Andre Luiz Santangelo Vianna (Rio de
Janeiro, Brazil, 1977) represents the contemporary art
production of Brazil. His work is subtle and utilizes
infinite types of support: photography, drawings, poetry,
music, video, installations, interventions, performance. He
navigates easily between the formal and informal creating
constant bridges between modernism and contemporary art. He
examines the urban quotidian of Brazil, its reflections,
transparences and refractions where bodies get melted.

His works frequently resort to oppositions and 'tension among
equals'. The spaces he creates demand daily maintainance,
bringing his work into the threshold of performance. With his
eyes turned towards the quotidian and the geographies of the
'common man'. He is a graduate in Plastic Arts by Dulcina de
Moraes Arts Faculty of Brasília, where he presently teaches.
His major photographic series, exhibited in Brazil and
abroad, include: Beleza Roubada (Stolen Beauty, 2004);
Brasília Poema Concreto (Brasília Concrete Poem, 2001);
Congada (2005); Cordao de Ouro Capoeira (2004); Deformacao
por Reflexao (Deformation by Reflection, 2005); DeLeite
(Delight, 2002); Expulsante x Espulsarte (Ex-pulsing x
Expuls-art, 2005); Reflexao Fusao a Frio (Reflection Cold
Fusion, 2005). The Sambadas Photo Exhibition the artist's
first exhibition in India. It is about human rhythms and
includes collages of various sizes depicting the human
spatial geography of dream-like situations in Brazil and in
India which are pregnant with identity-conveying symbols.
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