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Stage Play:  ON  THE  HOLY  TRAIL
Staged By:   The Mustard Seed Art Company 
Where:         Kala Academy - Mini Open-air Auditorium
When:          Dec 20 & 21, 2007  @  7pm

Read a Review at:
http://lists.goanet.org/pipermail/goanet-goanet.org/2007-December/066558.html
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I could not agree with Santosh more on this post.  Some time ago, I had posted 
the following on GRN (Goa Research Network) and cautioned the readers about 
what will happen down the line. Looks like my hunch was right earlier than I 
had predicted.  I think Goanetters will enjoy (LOL) the interview of this 
English author.  

It is bad enough that native Goans have to put up with distortions from 
Diaspora Goans. Now others including best selling authors and post-graduate 
students writing their PD thesis, from Europe to North America to South America 
are preying on Goans.
Regards, GL


This was posted by me on GRN - Goa Research Network

Below, are abstracts from an Internet web page of an interview with an author 
who wrote a novel / historical account about the Inquisition in Goa  - Richard 
Zimler's novel Guardian of the Dawn.  Goan authors and wannabe authors would 
find the following of great interest. Likely in two years someone on one of the 
Goan or the RSS web sites will quote this book as authoritative. 
 
Kind Regards, GL 
  
Abstract from the Internet web page interview with: 
Richard Zimler: Author of Guardian of the Dawn.  
Interviewer: Lindsay Pereira
http://www.rediff.com/news/2005/sep/14inter1.htm 
The advertising byline to the book is: 
"Goa Inquisition was most merciless and cruel ... It is important to reopen old 
wounds"
 
-----------------
 
The research involved in Guardian of the Dawn is obviously immense. Could you 
tell me a little about the kind of preparatory work you had to put in? 
 
To write the book, I tried to read everything I could about daily life on the 
west coast of India -- more specifically, in and around Goa -- at the end of 
the sixteenth century. The Internet has made that sort of research much easier 
than it used to be, and I was able to order books about everything from 
traditional medical practices -- including recipes for specific ailments -- to 
animals and plants indigenous to that region. 
 
When I write a novel, I want to get all the details right, so this is very 
important. Of course, it was also vital for me to know as much as I could about 
Hinduism and Catholicism. As you mentioned, I studied Comparative Religion at 
university, so this was pretty easy. One of the main characters in the novel is 
a Jain, which is a religion I have always been curious about, so I read three 
or four books about Jainism as well. It was wonderful to be able to learn a bit 
about Jain belief and practice. Writing is always a great opportunity for me to 
keep learning. 
 
Did you visit Goa at any point? If not, what did you base your descriptions of 
the state upon? 
 
No, I decided not to go to Goa, because I didn't want any images from modern 
Goa to infiltrate into the novel. I didn't want to risk inadvertently putting 
something from today into it. So I based my descriptions on other areas of the 
world I've visited that have similar flora and fauna -- Thailand, for instance. 
Also, I read all I could about the city so that my descriptions of the 
buildings, for instance, would be accurate. I then used my imagination, which 
is the most important thing for a writer. I now have a landscape in my head 
that is Goa -- and the surrounding region -- in 1600. I don't know how it 
developed. It's almost magical. 

As an author -- more specifically, an author devoted to history -- you have a 
unique perspective on the past. As a journalist, how important is examining the 
past to you? 

As a journalist, it's important, because I think we can change the world by 
exposing past injustices. By writing about atrocities, we can change policy and 
avoid future wars. We can get war criminals punished. We can help people win 
fundamental human rights. Unfortunately, so much journalism is superficial and 
stupid that there is little room left for important articles. 

------------ Santosh Helekar  wrote:

We ought to learn about our history in gruesome detail, however painful and 
distasteful it might be. But the history we learn has to be accurate. It is 
very easy to distort and revise it, and to propagate the distorted view through 
the internet without checking on the accuracy of the facts being propagated.
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