Goa's Tiatr -- Grossly Ignored
   
  Tiatr! the very word brings to mind various times spent in viewing a good act 
on stage -- that too in Koankanni -- Goa's official language.
   
  Various tiatrists have come and gone, played their part and let the torch of 
the tiatr burn through younger generations and upcoming talents.
   
  But, years down the line, despite Goa producing various tiatrists of great 
caliber and talents, none of the tiatrists have been honoured, despite Goa 
having so many theatres where tiatrs are staged.
   
  The Goa government, which historically and traditionally has favoured the 
marathi theatre, specially at the kala academy, has done little, where it could 
have done much, to promote the tiatr and the tiatrists.
   
  The tiatrists on their part are also a divided lot, always trying to out do 
each other through stage names and self-imposed titles like king of centuries 
and prince of centuries, queen of the stage and princess of the stage,  etc.
   
  Even during the recent, and now almost fizzled out -- Romi koankanni 
agitation -- there was little unity among the tiatrists, and eventuality the 
politicians took the tiatrists, Goans and koankawani lovers for a jolly good 
ride.
   
  Goa's kala academy is a sad story in itself...touted as Pratapsingh Rane's 
fiefdom and Manohar Porrikars money spinning machine through the first IFFI -- 
the kala academy is named after Dinanath Mangueshkar -- in this the less said 
the better -- but the Goan Government could have done better by at least naming 
a gallery or a stand after great koankanni stalwarts like Alfred Rose, Lorna, 
Chris Perry and Jacinto Vaz...
   
  Now we are waiting for years to see the much hyped Ravindra Bhavan at 
Margao...the auditorium has taken ages to build and people of margao and the 
tiatrists feel that it will only be opened close to the next hustings. Here too 
the Goa government has failed to honour great koankannit tiatrists by at least 
making a mention of them.
   
  Most of the tiatrists have been used by opportunist politicians like 
Churchill Alemao, Mickey and others only at the time of the hustings to sing 
and compose songs and skits relating to the candidate by throwing a lot of 
money, booze free flowing also.
   
  Once the purpose of the elections was achieved -- the tiatrists were 
discarded like used condoms...only to be reused at the time of the next 
hustings.
   
  Ask Wilmix or a Prince Jacob...and he will tell you how Churchill, let down 
the Romi koankanni movement after his selfish motives was achieved of getting 
elected and clinching the coveted PWD portfolio.
   
  Still today, many a tiatrists look forward to the politicians to sponsor 
their tiatrists and also to assist in the producing of various albums and cds.
   
  At one time, several tiatrists tried to influence commercial establishments 
to sponsor the production of tiatrists, but sadly that trend didn't live long.
   
  I feel that tiatrists are given much honour and respect outside Goa, when 
they come with a tiatr, than in Goa itself.
   
  As the tiatrist fraternity celebrates the annual tiatr day...i propose that 
all the tiatrists unite under one banner for the casue of Goa's culture and 
keeping the tiatr alive sans Government aid, which will never ever come. The 
Goa government may cunningly promote marathi theatre as it has always done with 
an eye on the vote bank, but a tiatrist and the tiatr will never be looked into 
by the Goa government and also the minority community MLA's and ministers and 
MPs.
   
  It is time Goans come out to support the tiatr...and the tiatrists keep 
producing quality tiatrs.
   
  Good luck.
   
  Kind regards
  Cedric da Costa
  Dubai

       
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