1.M.F.Hussain is neither a saint nor a sinner,but an  artist who has chosen 
Qatar for business reasons.
He spelled it out himself-

 
March 3, 2010: M.F. Husain speaks to NDTV:"If I were 40 years old, I would have 
fought them tooth and nail...but now I need to concentrate and need all the 
comforts...  I never said that India rejected me... It was largely a practical 
decision ... I would have had to become an NRI.. sponsors... taxes... etc"
So he did not want to pay taxes!
 
2.As far as Hinduism and Hussain are concerned-Some people have been  trying to 
compare his art with the sculptures on Hindu Temples. The Khajuraho temples do 
not contain sexual or erotic art inside the temple or near the deities- 
however, some external carvings bear erotic art. They portray that, for seeing 
the deity, one must leave his or her sexual desires outside the temple. A 
common misconception is that, since the old structures with carvings in 
Khajuraho are temples, the carvings depict sex between deities.
 
The spiritual guru,Sri Sri Ravi Shankar of Art of Living and a great proponent 
and frequent participant of inter faith dialogue had this to say on Hussain and 
his paintings-
 
 "While India has a policy of free expression, one cannot accept blatant insult 
to the heroes of its land. It is the intention behind a man's creativity which 
is questionable," 

"In one of Husain's paintings of Mahatma Gandhi, Karl Marx, Albert Einstein and 
Hitler, he painted only Hitler nude and said that his way of humiliating a 
person is to paint him nude.

"No one has ever sculpted Rama and Sita as nude. Creative expression is always 
welcome. No country has been as liberal as India... Any nude woman could have 
been painted by him but calling the women Sita, Lakshmi (and) Saraswati shows 
his perversion and hatred."
 
"Will MF Husain show the same creativity and the same spirit with Islamic 
heroes and would he, then, be able retain his Qatari citizenship? Double 
standards, bias and hatred do not go well with men of excellence."

 
3.And as far as his decision to embrace Qatar is concerned,Vir Sanghvi,a strong 
supporter of Hussain expressed it very well-
 
So, it looks like it is goodbye to India for MF Husain. His son Owais has 
confirmed that Husain will surrender his Indian passport and accept citizenship 
of Qatar. The other stories have yet to be confirmed: that Husain has already 
begun travelling on a Qatari passport; that the Qatar royal family will spend 
millions on a museum for him etc.  

 
   All of us who like and admire Husain, both as an artist and as a human 
being, will be saddened by the turn that events have taken. There is no doubt 
that self-proclaimed defenders of Hinduism have behaved like the Taliban in 
persecuting this great artist. In Ahmedabad, a gallery dedicated to his work 
was vandalized. In other cities, those who dare organize exhibitions of 
Husain’s art have been subjected to threats of violence.
  
   And then, there are the legal cases. According to some estimates 900 cases 
were filed against Husain all over the country so that he would have to spend 
his time going from court to court, fighting off the nuisance litigators. 
  
   What is more worrying is that even after the Congress took office six years 
ago, the harassment continued.  You would have expected a political party which 
says that it is committed to secularism and freedom of expression to have 
declared that it would bring Husain back from his self-imposed exile in Dubai 
and make sure that he gets the protection he deserves in his homeland. Instead, 
till a few months ago, the government turned a blind eye to the persecution of 
our greatest living artist. 
  
   But Husain’s decision to become a citizen of Qatar also saddens me for many 
other reasons. Most of us in the media have looked at the Husain case through 
the prism of freedom of expression. As far as we are concerned, the issue is 
one of artistic liberty. 
  
   But there are also other ways of looking at the case. Forget, for a minute 
about the Hindu Taliban or the vandals who drove Husain out of India. Try 
looking at the Husain saga through the prism of secular double standards. 
  
   Our position as liberals is that an artist has the freedom to paint what he 
likes. If some Hindus are offended by Husain’s nude Saraswatis, then they can 
simply look away. They have no right to restrict his creativity or to deny the 
rest of us the opportunity to view Husain’s work. 
  
   But sceptics (all of whom are not necessarily Muslim-haters or communalists) 
frequently ask the obvious follow-up question: how would we have responded if 
Husain had painted Muslim religious figures in the nude? 
  
   The answer is an uncomfortable one. Even if he had painted the Prophet, 
fully clothed and portrayed with respect. we would not have risen to Husain’s 
defence with the same vigour.  We would have said “Islam prohibits visual 
representations of the Prophet so Husain should not have offended Muslims”. 
  
   That answer weakens our claims about artistic freedom. Why should Husain’s 
creative abilities be hampered by some Quranic injunction?  Why should 
non-believers be bound by the dictates of believers? Why do we campaign so hard 
for Husain and yet condemn the Danish cartoonist who offended Islamists? 
  
   It is an awkward situation for secular liberals to find ourselves in, and I 
must confess that each time I have spoken up for Husain, I have been troubled 
by the contradiction. 
  
   Which leads me to the third reason for my sadness at Husain’s decision to 
surrender his Indian citizenship. Artists routinely flee oppressive regimes 
which censor their work or persecute them. Thousands of Iranian, Afghan and 
Arab writers, poets and painters have found refuge in the West. In our own 
country, we have frequently offered shelter to Taslima Nasreen. 
  
   But the general rule is: you flee an oppressive society for a liberal one. 
  
   Husain is the only artist I know who has abandoned a democratic society that 
still values (in our own bumbling way) freedom of expression and chosen to live 
in undemocratic societies where there is no true freedom of expression. 
  
   Does that sound like a great artistic statement to you? 
  
   Anyone who has visited Dubai, where Husain has lived for several years now, 
will tell you that it is a wonderful place: vibrant, international, full of 
good shopping etc. But they will also tell you that the Emirates are not big on 
free speech. Try criticizing the ruler in your local newspaper and the article 
will never get published.  Find a way of publishing it yourself and you will be 
thrown into jail. 
  
   There is a third way in which Husain case is viewed and that is through the 
prism of Hindu-Muslim relations. Those of us who know Husain know that he is 
entirely secular and almost above religion. He finds as much joy in a dancing 
Ganesh as he does in a portrait of Mother Teresa. 
  
   But not everyone knows him. And so, it has been possible for the Hindu 
Taliban to portray Husain as a Muslim who delights in offending Hindus. His 
admirers know that his naked Hindu goddesses emerge out of love and respect for 
an ancient tradition. But it is easy for critics to portray them as a vulgar 
representations of Hindu religious figures from the brush of a Muslim. 
  
   Now that he has chosen to live in Qatar, the Hindutva-wallahs will ask the 
obvious questions: How much freedom will he have there? Of course the Arabs 
will let him paint naked Hindu goddesses. But will they let him paint anything 
that even remotely offends Muslims? Anything that offends the royal family? 
Nude portraits of previous rulers of Qatar? Or even, nude portraits of Arab 
women? 
  
   These are crude questions. But sadly, the answers are as crude. Husain will 
have no artistic freedom in Qatar. He will be no more than a court painter to a 
medieval monarch. So has he chosen to live in a society that values the 
artistic freedom that he says he is denied in India? Or has he just taken the 
soft, very profitable, option and forgotten all about artistic freedom? 
  
   These are troubling questions and I think they will worry many of us who 
have spoken up so vociferously in Husain’s defence for so many years. From what 
I can tell, the threat of nuisance litigation has now retreated after the 
Supreme Court has intervened. Nor is India a particularly unsafe place. The 
Home Secretary has now offered Husain as much security as he needs. 
  
   So here’s my view: if he wants to stay abroad, fine. That’s reasonable. But 
he should not turn his back on his own country.  He should not surrender his 
Indian nationality and opt for a passport offered by an undemocratic regime – 
all in the name of artistic freedom. 
  
   The battle for Indian secularism and free speech must be fought here, in 
India. And not at the feet of some Middle Eastern monarch." 
  
4.It is extremely specious for Hussainistas to claim that Hussain,who strongly 
supported Indira's infamous emergency dictatorship in 1975, chose a 
dictatorship,  Qatar over democratic India for artistic freedom.He chose to go 
to a tax haven,where he would not have the hassles of Indian taxation and at 
the same time would be at the mercy of the Emir of Qatar for his artistic 
expression.The current Emir deposed his father ,who was holidaying abroad,in 
1995 in a Coup!
 
Goanetters can draw their own conclusions.
  
  
  Vasant Baliga




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